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ARRI Workflow | 20 Titles

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Divergence (2007)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 114 Minutes

Directed by | Patrick J. Donnelly | Cinematography by | Patrick J. Donnelly | Editing by | Patrick J. Donnelly, Robert Mead

Starring | Traci Ann Wolfe, Jakob Hawkins, Marci Adilman

Lenses | ARRI / Fujinon Lenses

Song lang (2018)

Direct to Video | 2D | 4K Project | Color | 1.50:1 | 90 Minutes

Directed by | Leon Le | Cinematography by | Bob Nguyen | Editing by | Leon Le

Starring | Kim Chi, Isaac, Vu T. Le Thi

Cameras | ARRI ALEXA Series Cameras

A.I. Rising (2018)

Motion Picture | 2D | 3.4K Project | Color | 2.66:1 | 85 Minutes

Directed by | Lazar Bodroza | Cinematography by | Kosta Glusica | Editing by | Milena Z. Petrovic

Starring | Sebastian Cavazza, Stoya, Marusa Majer, Kirsty Besterman

Cameras | ARRI ALEXA XT Plus Camera

Lenses | ARRI Lenses

La Marginale (2022)

Motion Picture | 2D | 3.4K Project | Color | 2.39:1 |

Directed by | Frank Cimière | Cinematography by | Matthieu-David Cournot | Editing by | Bruno Safar

Starring | Sarah Perles, Corinne Masiero, Delphine Baril

Cameras | ARRI ALEXA Mini Camera

Lenses | Atlas Orion Anamorphic 100 mm T2 Lens, Atlas Orion Anamorphic 32 mm T2 Lens, Atlas Orion Anamorphic 40 mm T2 Lens, Atlas Orion Anamorphic 65 mm T2 Lens, Atlas Orion Anamorphic 80 mm T2 Lens

Operation Portugal (2021)

Motion Picture | 2D | 3.4K Project | Color | 2.39:1 | 95 Minutes

Directed by | Frank Cimière | Cinematography by | Matthieu-David Cournot | Editing by | Stéphanie Gaurier

Starring | D'Jal, Sarah Perles, Pierre Azéma

Cameras | ARRI ALEXA Mini Camera

Lenses | Cooke S4 Lenses

The Enchantress of Number (2018)

Short Film | 2D | 2K Project | Color | 2.40:1 | 13 Minutes

Directed by | Rebecca Murga | Cinematography by | David Auner

Starring | Brooke Nevin, Andrea Grano, David B. Meadows

Cameras | Aaton Penelope Camera, ARRI AMIRA Premium Camera

Lenses | Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens

Gipsy Queen (2019)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 117 Minutes

Directed by | Hüseyin Tabak | Cinematography by | Lukas Gnaiger | Editing by | Christoph Loidl

Starring | Alina Serban, Tobias Moretti, Irina Kurbanova, Catrin Striebeck

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4/i Lenses, Cooke Spherical Lenses

The Night of the Virgin (2016)

Motion Picture | 2D | 2K Project | Color | 2.70:1 | 116 Minutes

Directed by | Roberto San Sebastián | Cinematography by | Adrián Hernández | Editing by | Ibon Belandia

Starring | Javier Bódalo, Miriam Martín, Víctor Amilibia, Ignatius Farray

Cameras | ARRI ALEXA Camera, Sony PXW-FS7 Camera

Lenses | Zeiss Super Speeds Mk I 50 mm T1.4 Lens, Zeiss Super Speeds Mk I Lenses

Blade Runner 2049 (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 164 Minutes

Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joe Walker

Starring | Harrison Ford, Ryan Gosling, Ana de Armas, Dave Bautista

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera

Lenses | ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Joker (2019)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 1.85:1 | 122 Minutes

Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth

Starring | Joaquin Phoenix, Robert De Niro, Zazie Beetz, Frances Conroy

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens

Monsters. (2019)

Motion Picture | 2D | 3.4K Project | Color | 1.85:1 | 116 Minutes

Directed by | Marius Olteanu | Cinematography by | Luchian Ciobanu | Editing by | Ion Ioachim Stroe

Starring | Judith State, Cristian Popa, Alexandru Potocean, Serban Pavlu

Cameras | ARRI AMIRA Premium Camera

Lenses | Zeiss Super Speeds Mk II Lenses

Second Act (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 103 Minutes

Directed by | Peter Segal | Cinematography by | Ueli Steiger | Editing by | Jason Gourson

Starring | Jennifer Lopez, Vanessa Hudgens, Leah Remini, Treat Williams

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI Ultra Wide Zoom 9.5-18mm T2.9 Lens

Beast (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 94 Minutes

Directed by | Sam McKeith, Tom McKeith | Cinematography by | Michael Steel | Editing by | Paul Murphy

Starring | Garret Dillahunt, Chad McKinney, Angeli Bayani, Will Jaymes

Cameras | ARRI AMIRA Camera

Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens

Get Out (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 104 Minutes

Directed by | Jordan Peele | Cinematography by | Toby Oliver | Editing by | Gregory Plotkin

Starring | Daniel Kaluuya, Allison Williams, Bradley Whitford, Catherine Keener

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo Zoom Lenses

The Father and the Bear (2016)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 85 Minutes

Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch

Starring | Wil Love, David DeLuise, Dendrie Taylor, Charity Farrell

Cameras | Blackmagic Pocket Cinema Camera, Canon EOS-C300 Camera

Lenses | Zeiss Lenses, Zeiss ZE Prime Lenses

Route 30 Three! (2014)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 94 Minutes

Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch

Starring | David Cowgill, Nathalie Boltt, Dan Poole, Molly Lahr

Cameras | Sony PMW-F3 Camera

Più buio di mezzanotte (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 98 Minutes

Directed by | Sebastiano Riso | Cinematography by | Piero Basso | Editing by | Marco Spoletini

Starring | Davide Capone, Vincenzo Amato, Lucia Sardo, Pippo Delbono

Cameras | ARRI ALEXA Studio Camera

Lenses | Technovision Cooke Anamorphic 100mm T2.8 Lens, Technovision Cooke Anamorphic 32mm T2.3 Lens, Technovision Cooke Anamorphic 40mm T3.0 Lens, Technovision Cooke Anamorphic 50mm T2.5 Lens, Technovision Cooke Anamorphic 75mm T2.5 Lens

Jamesy Boy (2014)

Motion Picture | 2D | HD Project | Color | 2.39:1 | 109 Minutes

Directed by | Trevor White | Cinematography by | Robert Lam | Editing by | Josh Noyes

Starring | Spencer Rocco Lofranco, Mary-Louise Parker, Ving Rhames, James Woods

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

Cineastes (2014)

Motion Picture | 2D | 4K Project | Black & White | 21 Minutes

Directed by | Alexander Vo | Cinematography by | John Lazear | Editing by | Alexander Vo

Starring | Yorgos Karamihos, Lydia Muijen, Scarlett Redmond, Masha Arielle

Cameras | ARRI ALEXA Series Cameras

Lenses | Zeiss Lenses

Les cowboys (2015)

Motion Picture | 2D | Color | 2.39:1 | 104 Minutes

Directed by | Thomas Bidegain | Cinematography by | Arnaud Potier | Editing by | Géraldine Mangenot

Starring | François Damiens, Finnegan Oldfield, Agathe Dronne, Ellora Torchia

Cameras | ARRI ALEXA XT Camera

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