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Codex Digital | 311 Titles

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Sicario (2015)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 121 Minutes

Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joe Walker

Starring | Emily Blunt, Josh Brolin, Benicio Del Toro, Jon Bernthal

Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses | Zeiss Master Prime Lenses

Southpaw (2015)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | John Refoua

Starring | Jake Gyllenhaal, Rachel McAdams, Oona Laurence, Forest Whitaker

Cameras | ARRI ALEXA XT Plus Camera, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Best of Me (2014)

Motion Picture | 2D | Color | 2.39:1 | 118 Minutes

Directed by | Michael Hoffman | Cinematography by | Oliver Stapleton | Editing by | Matt Chesse

Starring | James Marsden, Michelle Monaghan, Luke Bracey, Liana Liberato

Cameras | ARRI ALEXA XT Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Series Lenses

Ben-Hur (2016)

Motion Picture | 3D | Color | 2.39:1 | 123 Minutes

Directed by | Timur Bekmambetov | Cinematography by | Oliver Wood | Editing by | Dody Dorn, Richard Francis-Bruce

Starring | Jack Huston, Toby Kebbell, Rodrigo Santoro, Nazanin Boniadi

Cameras | ARRI ALEXA Series Cameras, GoPro (Woodman Labs) Cameras, Red Digital Cinema Cameras

Zoolander 2 (2016)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Zoolander 2 | ShotOnWhat?

Directed by | Ben Stiller | Cinematography by | Dan Mindel | Editing by | Greg Hayden

Starring | Ben Stiller, Owen Wilson, Penélope Cruz, Will Ferrell

Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Spy (2015)

Motion Picture | 2D | Color | 2.39:1 | 119 Minutes

Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | Melissa Bretherton, Brent White

Starring | Melissa McCarthy, Rose Byrne, Jude Law, Jason Statham

Cameras | ARRI ALEXA XT Camera

San Andreas (2015)

Motion Picture | 3D | Color | 2.39:1 | 114 Minutes

Directed by | Brad Peyton | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay

Starring | Dwayne Johnson, Carla Gugino, Alexandra Daddario, Colton Haynes

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Book Thief (2013)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 131 Minutes

Directed by | Brian Percival | Cinematography by | Florian Ballhaus | Editing by | John Wilson

Starring | Sophie Nélisse, Geoffrey Rush, Emily Watson, Ben Schnetzer

Cameras | ARRI ALEXA Camera, ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Avengers: Age of Ultron (2015)

Motion Picture | 2D, 3D | Color | 2.39:1 | 141 Minutes

Directed by | Joss Whedon | Cinematography by | Ben Davis | Editing by | Jeffrey Ford, Lisa Lassek

Starring | Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth

Cameras | ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses | Panavision Primo Anamorphic Lenses

The Gunman (2015)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Directed by | Pierre Morel | Cinematography by | Flavio Martínez Labiano | Editing by | Frédéric Thoraval

Starring | Sean Penn, Idris Elba, Jasmine Trinca, Javier Bardem

Cameras | ARRI ALEXA XT Camera, Red Epic Camera

Lenses | Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Get Hard (2015)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Etan Cohen | Cinematography by | Tim Suhrstedt | Editing by | Michael L. Sale

Starring | Will Ferrell, Kevin Hart, Alison Brie, T.I.

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Fifty Shades of Grey (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 125 Minutes

Directed by | Sam Taylor-Johnson | Cinematography by | Seamus McGarvey | Editing by | Anne V. Coates, Lisa Gunning, Debra Neil-Fisher

Starring | Dakota Johnson, Jamie Dornan, Jennifer Ehle, Eloise Mumford

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Goddess (2013)

Motion Picture | 2D | Color | 2.39:1 | 104 Minutes

Directed by | Mark Lamprell | Cinematography by | Damian Wyvill

Starring | Laura Michelle Kelly, Ronan Keating, Magda Szubanski, Levi Morrison

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses

Canon USA Commercial: Rhythm of Life (2013)

Motion Picture | 2D | 4K Project | Color | 1.90:1 |

Directed by | Dean Hargrove | Cinematography by | Steven Poster | Editing by | Peter Harding, Scott Sheppard

Cameras | Canon EOS-C500 Camera

Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens

Avant l’hiver (2013)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Philippe Claudel | Cinematography by | Denis Lenoir | Editing by | Elisa Aboulker

Starring | Daniel Auteuil, Kristin Scott Thomas, Leïla Bekhti, Richard Berry

Cameras | ARRI ALEXA Studio Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses

Xenia (2014)

Motion Picture | 2D | Color | 1.85:1 | 134 Minutes

Directed by | Panos H. Koutras | Cinematography by | Hélène Louvart, Simos Sarketzis | Editing by | Yorgos Lamprinos

Starring | Kostas Nikouli, Nikos Gelia, Yannis Stankoglou, Marisha Triantafyllidou

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens

Les vacances du petit Nicolas (2014)

Motion Picture | 2D | Color | 97 Minutes

Directed by | Laurent Tirard | Cinematography by | Denis Rouden | Editing by | Valérie Deseine

Starring | Valérie Lemercier, Kad Merad, Dominique Lavanant, Bouli Lanners

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses

On a marché sur Bangkok (2014)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

Directed by | Olivier Baroux | Cinematography by | Régis Blondeau | Editing by | Christophe Pinel

Starring | Kad Merad, Alice Taglioni, Peter Coyote, Chawanrut Janjittranon

Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Kikaidâ Reboot (2014)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Ten Shimoyama

Starring | Jingi Irie, Kazushige Nagashima, Aimi Satsukawa, Yûto Ikeda

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Beyond the Lights (2014)

Motion Picture | 2D | Color | 116 Minutes

Directed by | Gina Prince-Bythewood | Cinematography by | Tami Reiker | Editing by | Terilyn A. Shropshire

Starring | Gugu Mbatha-Raw, Nate Parker, Minnie Driver, Danny Glover

Cameras | ARRI ALEXA M Camera

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