Codex Digital | 311 Titles
Kingsman: The Secret Service (2014)
Directed by | Matthew Vaughn | Cinematography by | George Richmond | Editing by | Eddie Hamilton, Jon Harris
If I Stay (2014)
Directed by | R.J. Cutler | Cinematography by | John de Borman | Editing by | Keith Henderson
Cameras | ARRI ALEXA Plus 4:3 Camera, Canon EOS-C500 Camera
Tusk (2014)
Directed by | Kevin Smith | Cinematography by | James Laxton | Editing by | Kevin Smith
Cameras | ARRI ALEXA Camera, Red Epic Camera
Paddington (2014)
Directed by | Paul King | Cinematography by | Erik Wilson | Editing by | Mark Everson
Cameras | ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera
Lenses | Cooke S4 Lenses
The Gambler (2014)
Directed by | Rupert Wyatt | Cinematography by | Greig Fraser | Editing by | Pete Beaudreau
Cameras | ARRI ALEXA XT Camera
Wild (2014)
Directed by | Jean-Marc Vallée | Cinematography by | Yves Bélanger | Editing by | Martin Pensa, Jean-Marc Vallée
Cameras | ARRI ALEXA XT Camera
Under the Skin (2013)
Directed by | Jonathan Glazer | Cinematography by | Daniel Landin | Editing by | Paul Watts
Cameras | ARRI ALEXA Plus Camera, one-cam Camera
Lenses | Kowa Lenses, Schneider Cinegon Lenses, Schneider Xenon FF Prime Lenses, Schneider Xenoplan Lenses, Zeiss Super Speed Lenses
Selma (2014)
Directed by | Ava DuVernay | Cinematography by | Bradford Young | Editing by | Spencer Averick
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Hawk V-Plus Lenses, Hawk V-Series Lenses
Nightcrawler (2014)
Directed by | Dan Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses
Ida (2013)
Directed by | Pawel Pawlikowski | Cinematography by | Ryszard Lenczewski, Lukasz Zal | Editing by | Jaroslaw Kaminski
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Zeiss Ultra Prime Lenses
American Sniper (2014)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
A Most Wanted Man (2014)
Directed by | Anton Corbijn | Cinematography by | Benoît Delhomme | Editing by | Claire Simpson
Cameras | ARRI ALEXA M Camera
Lenses | Zeiss Super Speed Lenses
A Most Violent Year (2014)
Mr. Turner (2014)
Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Jon Gregory
Cameras | ARRI ALEXA Plus Camera, Canon EOS-C500 Camera
Lenses | Cooke Speed Panchro Lenses
Ange et Gabrielle (2015)
Directed by | Anne Giafferi | Cinematography by | Stéphane Cami | Editing by | Christine Lucas Navarro
Cameras | ARRI ALEXA XT Plus Camera
Hercules (2014)
Directed by | Brett Ratner | Cinematography by | Dante Spinotti | Editing by | Mark Helfrich, Julia Wong
Cameras | ARRI ALEXA XT Camera
The Water Diviner (2014)
Directed by | Russell Crowe | Cinematography by | Andrew Lesnie | Editing by | Matt Villa
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision Primo Anamorphic Lenses
The Hunger Games: Mockingjay – Part 2 (2015)
Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell, Mark Yoshikawa
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Drop (2014)
Directed by | Michaël R. Roskam | Cinematography by | Nicolas Karakatsanis | Editing by | Christopher Tellefsen
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses | Leitz Summilux-C Series Lenses
This Is Where I Leave You (2014)
Directed by | Shawn Levy | Cinematography by | Terry Stacey | Editing by | Dean Zimmerman
Cameras | ARRI ALEXA XT Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
