Sony CineAlta Cameras | 299 Titles
Hannah Montana & Miley Cyrus: Best of Both Worlds Concert (2008)
Directed by | Bruce Hendricks | Cinematography by | Mitchell Amundsen, Reed Smoot, Rodney Taylor | Editing by | Michael Tronick
Cameras | Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Step Up 3D (2010)
Directed by | Jon M. Chu | Cinematography by | Ken Seng | Editing by | Andrew Marcus
Cameras | Sony CineAlta F23 Camera
A Decade Under the Influence (2003)
Directed by | Ted Demme, Richard LaGravenese | Cinematography by | Tony C. Jannelli, Clyde W. Smith | Editing by | Meg Reticker
Cameras | Sony HDW-F900 Camera
Crank: High Voltage (2009)
Directed by | Mark Neveldine, Brian Taylor | Cinematography by | Brandon Trost | Editing by | Marc Jakubowicz, Fernando Villena
Speed Racer (2008)
Directed by | Lana Wachowski, Lilly Wachowski | Cinematography by | David Tattersall | Editing by | Roger Barton, Zach Staenberg
Lenses | Zeiss DigiPrime Lenses
Monsters (2010)
Directed by | Gareth Edwards | Cinematography by | Gareth Edwards | Editing by | Colin Goudie
Cameras | Sony PMW-EX3 Camera
Me and You and Everyone We Know (2005)
Directed by | Miranda July | Cinematography by | Chuy Chávez | Editing by | Andrew Dickler, Charles Ireland
Cameras | Sony HDW-F900 Camera
The Sons of Tennessee Williams (2010)
Directed by | Tim Wolff | Cinematography by | Eric Adkins | Editing by | Matt Bucy, Tim Wolff
Cameras | Sony CineAlta F23 Camera, Sony PMW-EX1 Camera
Safety Not Guaranteed (2012)
Directed by | Colin Trevorrow | Cinematography by | Benjamin Kasulke | Editing by | Joe Landauer, Franklin Peterson
Cameras | Sony PMW-F3 Camera
Lenses | Panavision Ultra Speed MKII Lenses
Fire in the Blood (2013)
Directed by | Dylan Mohan Gray | Cinematography by | Jay Jay Odedra | Editing by | Pascal Akesson, Dylan Mohan Gray, Christopher Seward, Hugh Williams
Swerve (2011)
Directed by | Craig Lahiff | Cinematography by | David Foreman | Editing by | Sean Lahiff
Cameras | Sony CineAlta F35 Camera
Red Tails (2012)
Directed by | Anthony Hemingway | Cinematography by | John B. Aronson | Editing by | Ben Burtt, Michael O'Halloran
Cameras | Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera
56 Drops of Blood (2007)
Directed by | Attila Bokor | Cinematography by | András Szalai | Editing by | Tibor Szatory
Cameras | Sony HDW-F900 Camera
The Controller (2008)
Directed by | Frank Michels | Cinematography by | Steve Wargo | Editing by | Frank Michels, Jeff Niemoeller
Cameras | Sony HDW-F900 Camera
Lenses | Canon HJ11ex4.7B 4.7-52 mm f1.9
Swinging with the Finkels (2011)
Directed by | Jonathan Newman | Cinematography by | Dirk Nel | Editing by | Eddie Hamilton
Cameras | Sony CineAlta F35 Camera
Lenses | Angenieux Optimo Zoom Lenses
Alice in Wonderland (2010)
Directed by | Tim Burton | Cinematography by | Dariusz Wolski | Editing by | Chris Lebenzon
Cameras | Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Lenses | Panavision Primo Anamorphic Lenses
The Perfect Sleep (2009)
Directed by | Jeremy Alter | Cinematography by | Charles Papert | Editing by | Martin Hunter
Cameras | Sony HDW-F900 Camera
Lenses | Canon Lenses, Zeiss DigiPrime Lenses
Battle Los Angeles (2011)
Directed by | Jonathan Liebesman | Cinematography by | Lukas Ettlin | Editing by | Christian Wagner
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses | Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Two Brothers (2004)
Directed by | Jean-Jacques Annaud | Cinematography by | Jean-Marie Dreujou | Editing by | Noëlle Boisson
Resident Evil: Afterlife (2010)
Directed by | Paul W.S. Anderson | Cinematography by | Glen MacPherson | Editing by | Niven Howie
Cameras | Phantom HD Gold Camera, Sony CineAlta F35 Camera
