Sony CineAlta Cameras | 319 Titles
The Last Fall (2012)
Directed by | Matthew A. Cherry | Cinematography by | Richard J. Vialet | Editing by | Matthew A. Cherry, Michael Norville
Cameras | Sony PMW-F3 Camera
Psych (2006)
| Cinematography by | Michael McMurray, Scott Williams, Gregory Middleton | Editing by | David Crabtree, Dexter N. Adriano, Eric Jenkins, Allan Lee, Gordon Rempel, David Grecu, James Ilecic, Kelly Stuyvesant, Clayton Woodhull
Beyond Belief (2012)
Directed by | William J. Stribling | Cinematography by | Alex Gallitano | Editing by | William J. Stribling
Cameras | Sony Cameras, Sony PMW-F3 Camera
The New Normal (2012)
| Cinematography by | Carlos González, Michael Goi | Editing by | Philip Harrison, Colin Johnson, Andrew Groves
Cameras | ARRI ALEXA Camera, Sony CineAlta F65 Camera
Made in Jersey (2012)
| Cinematography by | Daryn Okada, Bobby Bukowski | Editing by | Philip Carr Neel, Mark Bourgeois, Janet Ashikaga
Cameras | Sony CineAlta F65 Camera
Lenses | Panavision Lenses
Save Me (2013)
| Cinematography by | Lloyd Ahern II | Editing by | Gregg Featherman, Elba Sanchez-Short, Dan Schalk, Tara Timpone
Cameras | Sony CineAlta F65 Camera
Lenses | Angenieux Lenses
Evil Dead (2013)
Directed by | Fede Alvarez | Cinematography by | Aaron Morton | Editing by | Bryan Shaw
Cameras | Sony CineAlta F65 Camera
After Earth (2013)
Directed by | M. Night Shyamalan | Cinematography by | Peter Suschitzky | Editing by | Steven Rosenblum
Cameras | Canon EOS-C500 Camera, Sony CineAlta F65 Camera
Person of Interest (2011)
| Cinematography by | Dave Insley, Teodoro Maniaci, Manuel Billeter, Stephen McNutt, Gonzalo Amat, Tom Houghton, Petr Hlinomaz, Richard Rutkowski | Editing by | Mark Conte, Ray Daniels III, Ryan Malanaphy, Scott Powell, Scott Lerner, Scott Jacobs, John Ganem, Lola Popovac, Russell Denove, L.B. Brodie, Dorian Harris, Farrel Levy, Jacqueline F. Bisbano, Hibah Schweitzer
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Altergeist (2014)
Directed by | Tedi Sarafian | Cinematography by | Aaron Heck | Editing by | Andrew Coutts, David W. Hagar
Cameras | ARRI ALEXA Plus Camera, Indiecam Cameras, Silicon Imaging SI-2K Mini Camera, Sony PMW-F3 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens
TORC – The Off-Road Championships (2012)
Cloverfield (2008)
Directed by | Matt Reeves | Cinematography by | Michael Bonvillain | Editing by | Kevin Stitt
Cameras | Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera
Lenses | Canon Lenses, Zeiss DigiPrime Lenses
Oblivion (2013)
Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | Richard Francis-Bruce
Cameras | Red Epic Camera, Sony CineAlta F65 Camera
Lenses | Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Mike & Molly (2010)
| Cinematography by | Gary Baum, Gary Palmer | Editing by | Stephen Prime
Cameras | Sony CineAlta F23 Camera, Sony HDW-F900 Camera
Hawaii Five-0 (2010)
| Cinematography by | James L. Carter, Krishna Rao, Michael Martinez, Kurt Jones, Alan Caso, Newton TerMeer, Ronald Víctor García, Donald E. Thorin Jr., Gabriel Beristain | Editing by | Roderick Davis, Maja Vrvilo, John A. Keris, James Wilcox, Johnathon Pensky, Scott Powell, Harry B. Miller III, Casey O. Rohrs, Peter Basinski, Scott Gamzon, Andrew Charlton, Paul Fontaine, Roy C. Poole, Douglas Clark, Nicolas De Toth, Elisa Cohen, Felicia Mignon Livingston, Christopher Oakes, John Gilbert
Cameras | ARRI ALEXA Camera, Sony CineAlta F35 Camera
Here Comes the Boom (2012)
Directed by | Frank Coraci | Cinematography by | Phil Meheux | Editing by | Scott Hill
Cameras | ARRI ALEXA Camera, Sony CineAlta F35 Camera
Revenge (2011)
| Cinematography by | Cynthia Pusheck, John Smith, Chris Manley | Editing by | Sue Blainey, John Axness, Conrad Smart, Martin Nicholson, John M. Valerio, Jennifer Barbot, Sunny Hodge, Lauren A. Schaffer, Lynne Willingham, Scott Gamzon, Chris Figler, Lance Luckey
Cameras | ARRI ALEXA Camera, Sony PMW-F3 Camera
4 Points (2012)
| Cinematography by | Robert Christopher Webb, Jesse Bactat | Editing by | Joe Rubalcaba
Cameras | Canon Cameras, Canon EOS-7D Camera, Canon XF305 Camera, Sony Cameras, Sony PMW-EX1 Camera, Sony PMW-EX3 Camera
Sexless (2003)
Directed by | Alex Holdridge | Cinematography by | Brian McCormick | Editing by | Sandra Adair
Cameras | Sony HDW-F900 Camera
The Tulse Luper Suitcases, Part 1: The Moab Story (2003)
Directed by | Peter Greenaway | Cinematography by | Reinier van Brummelen | Editing by | Elmer Leupen, Chris Wyatt
Cameras | Sony HDW-F900 Camera
