Sony CineAlta Cameras | 319 Titles
Resident Evil: Afterlife (2010)
Directed by | Paul W.S. Anderson | Cinematography by | Glen MacPherson | Editing by | Niven Howie
Cameras | Phantom HD Gold Camera, Sony CineAlta F35 Camera
Yogi Bear (2010)
Shark Night 3D (2011)
Directed by | David R. Ellis | Cinematography by | Gary Capo | Editing by | Dennis Virkler
Cameras | Sony CineAlta F35 Camera
Lenses | Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens
Jin ling shi san chai (2011)
Directed by | Yimou Zhang | Cinematography by | Xiaoding Zhao | Editing by | Peicong Meng
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
Dead Weight (2012)
Directed by | Adam Bartlett, John Pata | Cinematography by | Travis Auclair | Editing by | John Pata
Cameras | Sony PMW-F3 Camera
Justin Bieber: Never Say Never (2011)
Directed by | Jon M. Chu | Cinematography by | Reed Smoot | Editing by | Jay Cassidy, Jillian Moul, Avi Youabian
Sin City (2005)
Directed by | Frank Miller, Robert Rodriguez, Quentin Tarantino | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez
Cameras | Sony HDC-F950 Camera, Sony Other Camera
Death Race 2 (2010)
Directed by | Roel Reiné | Cinematography by | John Mckay, Roel Reiné | Editing by | Radu Ion, Herman P. Koerts
Cameras | Phantom HD Gold Camera, Sony CineAlta F35 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Real Steel (2011)
Directed by | Shawn Levy | Cinematography by | Mauro Fiore | Editing by | Dean Zimmerman
Cameras | Sony CineAlta F35 Camera
Lenses | Cooke Lenses, Cooke S4 Lenses
20th Century Boys 1: Beginning of the End (2008)
Directed by | Yukihiko Tsutsumi | Cinematography by | Satoru Karasawa | Editing by | Nobuyuki Ito
Lenses | Fujinon E Series Lenses
Collateral (2004)
Directed by | Michael Mann | Cinematography by | Dion Beebe, Paul Cameron | Editing by | Jim Miller, Paul Rubell
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera
AfterThought (2007)
Directed by | Douglas Elford-Argent | Cinematography by | Marc Menet | Editing by | Wendy Elford-Argent
Cameras | Sony HDW-F900 Camera
Bare Bea (2004)
Directed by | Petter Næss | Cinematography by | Marius Johansen Hansen | Editing by | Jon Endre Mørk
Cameras | Sony HDW-F900 Camera
Apollo 18 (2011)
Directed by | Gonzalo López-Gallego | Cinematography by | José David Montero | Editing by | Patrick Lussier
Cameras | ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera
Lenses | Panavision Primo Digital Lenses
The Down Home Alien Blues (2012)
Directed by | C. Duke Marsh | Cinematography by | Bob Fox | Editing by | Steven Fook Yuan Wong
Cameras | Sony PMW-F3 Camera
30,000 Leagues Under the Sea (2007)
Directed by | Gabriel Bologna | Cinematography by | Mark Atkins | Editing by | Matthew Alson Thornbury
Cameras | Sony HDW-F900 Camera
Spy Kids 2: Island of Lost Dreams (2002)
Directed by | Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez
Cameras | Sony HDW-F900 Camera
Gunjô: Ai ga shizunda umi no iro (2009)
Directed by | Yosuke Nakagawa | Cinematography by | Hiro'o Yanagida | Editing by | Hiroaki Morishita
Lenses | Fujinon E Series Lenses, Panavision Lenses
The Final Destination (2009)
Directed by | David R. Ellis | Cinematography by | Glen MacPherson | Editing by | Mark Stevens
Cameras | Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Death Note: The Last Name (2006)
Directed by | Shûsuke Kaneko | Cinematography by | Kenji Takama | Editing by | Yôsuke Yafune
Cameras | Sony HDW-F900 Camera
Lenses | Angenieux Lenses, Zeiss DigiPrime Lenses
