Red Digital Cinema Cameras | 534 Titles
Lebanon, Pa. (2010)
Directed by | Ben Hickernell | Cinematography by | MJ Schirmer | Editing by | Ben Hickernell
Cameras | Red One Camera
Lenses | ARRI / Zeiss Lenses, Zeiss Lenses
The First Aggregate (2012)
Directed by | Darhad Erdenibulag, Emyr ap Richard | Cinematography by | Emyr ap Richard | Editing by | Jinlei Kong, Matthieu Laclau
Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bolex H16 Camera, Red Epic Camera, Red One Camera, Red One MX Camera
Lenses | Kern-Paillard Switar Lens, Red Pro Zoom 17-50 mm T2.9 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Standard Prime MKII 32 mm T2.1 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens
Rabbit Hole (2010)
Directed by | John Cameron Mitchell | Cinematography by | Frank G. DeMarco | Editing by | Joe Klotz
Cameras | Red One Camera
Lenses | Zeiss Standard Speed Prime Lenses
Fright Night (2011)
Directed by | Craig Gillespie | Cinematography by | Javier Aguirresarobe | Editing by | Tatiana S. Riegel
Cameras | Red One MX Camera
Lenses | Zeiss Master Prime Lenses
TimeScapes (2012)
Directed by | Tom Lowe | Cinematography by | Tom Lowe | Editing by | Tom Lowe
Cameras | Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red Epic Camera, Red One MX Camera
Step Up Revolution (2012)
Directed by | Scott Speer | Cinematography by | Karsten Gopinath | Editing by | Matt Friedman, Avi Youabian
Cameras | Red Epic Camera
Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
3 Backyards (2010)
Directed by | Eric Mendelsohn | Cinematography by | Kasper Tuxen | Editing by | Morgan Faust, Eric Mendelsohn, Jeffrey K. Miller
Cameras | Red One Camera
Lenses | Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 85 mm T1.3 Lens, Canon Lenses
Vito Bonafacci (2011)
Directed by | John Martoccia | Cinematography by | Patrick Wells Valenti | Editing by | Ingmar Cederstrom, Patrick Wells Valenti
Cameras | Red One Camera
Lenses | Zeiss DigiPrime Lenses
A Lonely Place for Dying (2009)
Directed by | Justin Eugene Evans | Cinematography by | Nick Bongianni, Justin Eugene Evans | Editing by | Brad Stoddard
Cameras | Red One Camera
Lenses | Red Digital Cinema Lenses
Splinterheads (2009)
Directed by | Brant Sersen | Cinematography by | Michael Simmonds | Editing by | Chris Lechler
Cameras | Red One Camera
Red Dog (2011)
Directed by | Kriv Stenders | Cinematography by | Geoffrey Hall | Editing by | Jill Bilcock
Cameras | Red One Camera
Misfits (2009)
| Cinematography by | Christopher Ross, Felix Wiedemann, Damian Bromley, David Raedeker, Adam Etherington, Tim Sidell, Simon Tindall, Jonathan Harvey, Sam Care | Editing by | Tom Hemmings, Andrew MacRitchie, Crispin Green, David Head, Robin Peters, Jake Roberts, Matthew Tabern, Robin Hill, Celia Haining, James Hughes, Richard Graham, Stephen Haren, Christopher Watson, Mark Eckersley, Kim Gaster
Cameras | Red One Camera
The Book of Eli (2010)
Directed by | Albert Hughes, Allen Hughes | Cinematography by | Don Burgess | Editing by | Cindy Mollo
Cameras | Red One Camera
Lenses | Panavision Primo Anamorphic Lenses
A Stranger in Paradise (2013)
Directed by | Corrado Boccia | Cinematography by | Guy Livneh | Editing by | Mark LaCroix, Troy Taroy
Cameras | Red One MX Camera
Lenses | Angenieux Lenses, Angenieux Optimo Zoom Lenses, ARRI / Zeiss Lenses, Zeiss Ultra Prime Lenses
Tyrannosaur (2011)
Directed by | Paddy Considine | Cinematography by | Erik Wilson | Editing by | Pia Di Ciaula
Cameras | Canon EOS-5D Mark II Camera, Red One MX Camera
Lenses | Cooke Speed Panchro Lenses
51 Paintings (2012)
Directed by | Shaun Wilson | Cinematography by | Shaun Wilson | Editing by | Tammy Honey
Cameras | Canon EOS 550D Camera, Red One Camera
Lenses | Zeiss DigiPrime Lenses
Snow White and the Huntsman (2012)
Directed by | Rupert Sanders | Cinematography by | Greig Fraser | Editing by | Conrad Buff IV, Neil Smith
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera
Lenses | Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Night at the Museum: Battle of the Smithsonian (2009)
Directed by | Shawn Levy | Cinematography by | John Schwartzman | Editing by | Dean Zimmerman, Don Zimmerman
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera
Lenses | Panavision Primo Anamorphic Lenses
Courageous (2011)
Directed by | Alex Kendrick | Cinematography by | Bob Scott | Editing by | Bill Ebel, Steve Hullfish, Alex Kendrick
Cameras | Canon EOS-5D Mark II Camera, Red One Camera
Lenses | Zeiss Lenses
Blue Valentine (2010)
Directed by | Derek Cianfrance | Cinematography by | Andrij Parekh | Editing by | Jim Helton, Ron Patane
Cameras | ARRIFLEX 416 Camera, Red One Camera
Lenses | Angenieux Lenses, Zeiss Lenses
