Panavision Panaflex Series Cameras | 788 Titles
Where the Wild Things Are (2009)
Directed by | Spike Jonze | Cinematography by | Lance Acord | Editing by | James Haygood, Eric Zumbrunnen
Steal Big Steal Little (1995)
Alien: Resurrection (1997)
China Strike Force (2000)
Directed by | Stanley Tong | Cinematography by | Jeffrey C. Mygatt | Editing by | Pietro Cecchini, Chi Wai Yau
Shanghai (2010)
Directed by | Mikael Håfström | Cinematography by | Benoît Delhomme | Editing by | Peter Boyle, Kevin Tent
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Amistad (1997)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Panavision Panaflex Platinum Camera
Lenses | Zeiss Super Speed Lenses
The Stepfather (2009)
Directed by | Nelson McCormick | Cinematography by | Patrick Cady | Editing by | Eric L. Beason
Cameras | Panavision Panaflex Gold II Camera
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by | Andrew Adamson | Cinematography by | Donald McAlpine | Editing by | Sim Evan-Jones, Jim May
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
The Ghastly Love of Johnny X (2012)
Directed by | Paul Bunnell | Cinematography by | Francisco Bulgarelli | Editing by | Russell Harnden III
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Hawk C-Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
From Hell (2001)
Directed by | Albert Hughes, Allen Hughes | Cinematography by | Peter Deming | Editing by | George Bowers, Dan Lebental
Beneath the Darkness (2011)
Directed by | Martin Guigui | Cinematography by | Massimo Zeri | Editing by | Eric Potter
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision Lenses
All the Pretty Horses (2000)
Directed by | Billy Bob Thornton | Cinematography by | Barry Markowitz | Editing by | Sally Menke
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
The Other Guys (2010)
Directed by | Adam McKay | Cinematography by | Oliver Wood | Editing by | Brent White
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The Odd Life of Timothy Green (2012)
Crazy People (1990)
Directed by | Tony Bill, Barry L. Young | Cinematography by | Victor J. Kemper | Editing by | Mia Goldman
Lenses | Panavision Ultra Speed MKII Lenses
Snow White and the Huntsman (2012)
Directed by | Rupert Sanders | Cinematography by | Greig Fraser | Editing by | Conrad Buff IV, Neil Smith
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera
Lenses | Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Terminator 3: Rise of the Machines (2003)
Directed by | Jonathan Mostow | Cinematography by | Don Burgess | Editing by | Nicolas De Toth, Neil Travis
Cameras | Panavision Panaflex Platinum Camera
Saving Private Ryan (1998)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Looper (2012)
Directed by | Rian Johnson | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay
Cameras | Canon EOS-7D Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Central Station (1998)
Directed by | Walter Salles | Cinematography by | Walter Carvalho | Editing by | Felipe Lacerda, Isabelle Rathery
