ARRI Cameras | 2118 Titles
The Five-Year Engagement (2012)
Directed by | Nicholas Stoller | Cinematography by | Javier Aguirresarobe | Editing by | William Kerr, Peck Prior
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
Blood In, Blood Out (1993)
Directed by | Taylor Hackford | Cinematography by | Gabriel Beristain | Editing by | Fredric Steinkamp, Karl F. Steinkamp
Cameras | ARRIFLEX Camera
Margot at the Wedding (2007)
Directed by | Noah Baumbach | Cinematography by | Harris Savides | Editing by | Carol Littleton
Cameras | ARRICAM Lite (LT) Camera
Lenses | Bausch & Lomb Super Baltar Lenses
Inner City Snow (2009)
Directed by | Bryan Martin | Cinematography by | Chris Leplus, Victor Lou | Editing by | Bryan Martin
Cameras | Arritechno 35 Camera, Éclair EX16 Camera
Lenses | Canon Lenses
Easy Money (1983)
Directed by | James Signorelli | Cinematography by | Fred Schuler | Editing by | Robert M. Reitano, Ronald Roose, Rick Shaine
Cameras | ARRIFLEX Camera
Lenses | ARRI / Zeiss Lenses
Death Race (2008)
Directed by | Paul W.S. Anderson | Cinematography by | Scott Kevan | Editing by | Niven Howie
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
The Change-Up (2011)
Directed by | David Dobkin | Cinematography by | Eric Alan Edwards | Editing by | Lee Haxall, Greg Hayden
Lenses | Cooke S4 Lenses
Zenne Dancer (2012)
Directed by | Caner Alper, Mehmet Binay | Cinematography by | Norayr Kasper | Editing by | Jasmin Guso
Cameras | ARRI ALEXA Camera
Alfie (2004)
Directed by | Charles Shyer | Cinematography by | Ashley Rowe | Editing by | Padraic McKinley
Cameras | ARRIFLEX 535 B Camera, Moviecam Compact Camera
Cuestión de tiempo (1988)
Transformers: Revenge of the Fallen (2009)
Directed by | Michael Bay | Cinematography by | Ben Seresin | Editing by | Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Fetih 1453 (2012)
Directed by | Faruk Aksoy | Cinematography by | Hasan Gergin, Mirsad Herovic | Editing by | Erkan Ozekan
A Clockwork Orange (1971)
En sång för Martin (2001)
Directed by | Bille August | Cinematography by | Jörgen Persson | Editing by | Janus Billeskov Jansen
Cameras | ARRIFLEX 535 B Camera
Musallat 2: Lanet (2011)
Directed by | Alper Mestçi | Cinematography by | Türksoy Gölebeyi | Editing by | Efe Hizir
Cameras | ARRI ALEXA Camera
No Country for Old Men (2007) 
Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses, Zeiss Master Prime Lenses
Faut que ça danse! (2007)
Directed by | Noémie Lvovsky | Cinematography by | Jean-Marc Fabre | Editing by | Emmanuelle Castro
Cameras | ARRIFLEX 535 B Camera
The House on Carroll Street (1987)
Directed by | Peter Yates | Cinematography by | Michael Ballhaus | Editing by | Ray Lovejoy
Cameras | ARRI Cameras
Lenses | Zeiss Lenses
People Like Us (2012)
Directed by | Alex Kurtzman | Cinematography by | Salvatore Totino | Editing by | Robert Leighton
Lenses | Cooke S4 Lenses
Catbird Blues (2011)
Directed by | Rebecca Drummond | Cinematography by | Brian Diggs | Editing by | Hillary Lavin
Cameras | ARRI Cameras
