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ARRI ALEXA Series Cameras : 910ARRI AMIRA Series Cameras : 14ARRI ARRIFLEX Series Cameras : 756ARRICAM Lite (LT) Camera : 411ARRICAM Studio (ST) Camera : 271ARRIFLEX 765 Camera : 8ARRIFLEX Camera : 66ARRIFLEX D-20 Camera : 6ARRIFLEX D-21 Camera : 22Arritechno 35 Camera : 1

ARRI Cameras | 2118 Titles

ARRI Cameras 3.78/5 9 Votes

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Napoleon (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 158 Minutes

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Sam Restivo, Claire Simpson

Starring | Joaquin Phoenix, Vanessa Kirby, Tahar Rahim

Cameras | ARRI ALEXA Mini LF Camera

Lenses | Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses

Warlock: The Armageddon (1993)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 98 Minutes

Directed by | Anthony Hickox | Cinematography by | Gerry Lively | Editing by | Christopher Cibelli, James D.R. Hickox

Starring | Julian Sands, Chris Young, Paula Marshall, Joanna Pacula

Cameras | ARRIFLEX 35mm Cameras

Blonde (2022)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.33:1 (4x3), 1.85:1, 2.39:1 | 167 Minutes

Directed by | Andrew Dominik | Cinematography by | Chayse Irvin | Editing by | Adam Robinson

Starring | Ana de Armas, Lily Fisher, Julianne Nicholson

Cameras | ARRI ALEXA XT Monochrome Camera, Sony CineAlta VENICE Camera

Lenses | ARRI Rental HEROES LOOK Lens, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

Cobra Verde (1987)

Motion Picture | 2D | Color | 1.85:1 | 111 Minutes

Directed by | Werner Herzog | Cinematography by | Viktor Ruzicka | Editing by | Maximiliane Mainka

Starring | Klaus Kinski, King Ampaw, José Lewgoy

Cameras | ARRIFLEX 35 III Camera

Elvis (2022)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 159 Minutes

Directed by | Baz Luhrmann | Cinematography by | Mandy Walker | Editing by | Jonathan Redmond, Matt Villa

Starring | Tom Hanks, Austin Butler, Olivia DeJonge

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera

Lenses | Panavision Sphero 65 Series Lenses, Panavision T Series Anamorphic Lenses

Taare Zameen Par (2007)

Motion Picture | Color | 2.39:1 | 165 Minutes

Directed by | Aamir Khan, Amole Gupte | Cinematography by | Satyajit Pande | Editing by | Deepa Bhatia

Starring | Darsheel Safary, Aamir Khan, Tisca Chopra, Vipin Sharma

Cameras | ARRIFLEX 535 Camera

The Big Red One (1980)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 113 Minutes

Directed by | Samuel Fuller | Cinematography by | Adam Greenberg | Editing by | Bryan McKenzie, Morton Tubor

Starring | Lee Marvin, Mark Hamill, Robert Carradine

Cameras | ARRIFLEX Camera

Incendies (2010)

Motion Picture | 2D | 2K Project | Color | 131 Minutes

Directed by | Denis Villeneuve | Cinematography by | André Turpin | Editing by | Monique Dartonne

Starring | Lubna Azabal, Mélissa Désormeaux-Poulin, Maxim Gaudette, Mustafa Kamel

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Master Prime Lenses

Hail, Caesar! (2016)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 106 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen

Starring | Josh Brolin, George Clooney, Alden Ehrenreich, Ralph Fiennes

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

Cats (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Tom Hooper | Cinematography by | Christopher Ross | Editing by | Melanie Oliver

Starring | Jennifer Hudson, Judi Dench, Taylor Swift, Robbie Fairchild

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime DNA Lenses, Hasselblad Lenses, Tokina Vista Cinema Prime Lenses

The Day After Tomorrow (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 124 Minutes

Directed by | Roland Emmerich | Cinematography by | Ueli Steiger | Editing by | David Brenner

Starring | Dennis Quaid, Jake Gyllenhaal, Emmy Rossum

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

1917 (2019)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.39:1 | 119 Minutes

Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Lee Smith

Starring | Dean-Charles Chapman, George MacKay, Daniel Mays, Colin Firth

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens, ARRI Signature Prime 47mm T1.8 Lens

Fitzcarraldo (1982)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 158 Minutes

Directed by | Werner Herzog | Cinematography by | Thomas Mauch | Editing by | Beate Mainka-Jellinghaus

Starring | Klaus Kinski, Claudia Cardinale, José Lewgoy

Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera

The Sacrifice (1986)

Motion Picture | 2D | Film Project | Color | 1.66:1 | 149 Minutes

Directed by | Andrei Tarkovsky | Cinematography by | Sven Nykvist | Editing by | Michal Leszczylowksi, Andrei Tarkovsky

Starring | Erland Josephson, Susan Fleetwood, Allan Edwall

Cameras | ARRIFLEX 35 BL3 Camera

Lenses | Cooke Varotal 20-100mm T3.1 Zoom Lens

The Bourne Identity (2002)

Motion Picture | 2D | Film Project | Color | 119 Minutes

Directed by | Doug Liman | Cinematography by | Oliver Wood | Editing by | Saar Klein

Starring | Franka Potente, Matt Damon, Chris Cooper

Cameras | Aaton 35-III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Anamorphic Lenses

Fish Tank (2009)

Motion Picture | 2D | Color | 1.37:1 | 123 Minutes

Directed by | Andrea Arnold | Cinematography by | Robbie Ryan | Editing by | Nicolas Chaudeurge

Starring | Katie Jarvis, Michael Fassbender, Kierston Wareing

Cameras | ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Lenses, Panavision Primo Close Focus Spherical Lenses

Age of Heroes (2011)

Motion Picture | 2D | Color | 90 Minutes

Directed by | Adrian Vitoria | Cinematography by | Mark Hamilton | Editing by | Chris Gill, Joe Parsons

Starring | Sean Bean, Danny Dyer, Aksel Hennie

Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

1 Out of 7 (2011)

Movie | 2D | Film Project | Color | 90 Minutes

Directed by | York Alec Shackleton | Cinematography by | Adam Silver | Editing by | Thomas K. Nash, York Alec Shackleton, D.W. Thomas

Starring | Laura Ramsey, Toby Hemingway, Vivica A. Fox

Cameras | ARRIFLEX 235 Camera

The Teachers’ Lounge (2023)

Motion Picture | 2D | 2K Project | Color | 1.33:1 (4x3) | 98 Minutes

Directed by | Ilker Çatak | Cinematography by | Judith Kaufmann | Editing by | Gesa Jäger

Starring | Leonie Benesch, Anne-Kathrin Gummich, Rafael Stachowiak

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo 45-120 mm T2.8 Lens

Argentina, 1985 (2022)

Motion Picture | 2D | Color | 1.50:1 | 140 Minutes

Directed by | Santiago Mitre | Cinematography by | Javier Julia | Editing by | Andrés Pepe Estrada

Starring | Ricardo Darín, Gina Mastronicola, Francisco Bertín

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses, Canon FD Series Lenses

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