ARRI ARRIFLEX Series Cameras | 756 Titles
Suspiria (1977)
Directed by | Dario Argento | Cinematography by | Luciano Tovoli | Editing by | Franco Fraticelli
Cameras | ARRIFLEX 35 IIC Camera, Mitchell BNC Camera
Lenses | Technovision Lenses
Captain America: The First Avenger (2011)
Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva, Jeffrey Ford
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
The Legend of Zorro (2005)
Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Stuart Baird
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Gong yuan 2000 AD (2000)
Directed by | Gordon Chan | Cinematography by | Arthur Wong | Editing by | Ki-Hop Chan
Cameras | ARRIFLEX 435 ES Camera, Moviecam Compact Camera
Lenses | Angenieux Lenses, Zeiss Lenses
Just Friends (2005)
Directed by | Roger Kumble | Cinematography by | Anthony B. Richmond | Editing by | Jeff Freeman
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Manda Bala (Send a Bullet) (2007)
Directed by | Jason Kohn | Cinematography by | Heloísa Passos | Editing by | Doug Abel, Jenny Golden, Andy Grieve
Cameras | ARRIFLEX 16SR3 Camera
Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Zeiss Ultra Prime Lenses
Io sono l’amore (2009)
Directed by | Luca Guadagnino | Cinematography by | Yorick Le Saux | Editing by | Walter Fasano
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
84 Charing Cross Road (1987)
Directed by | David Hugh Jones | Cinematography by | Brian West | Editing by | Chris Wimble
Cameras | ARRIFLEX 35 BL Camera
The Truth About Cats & Dogs (1996)
Directed by | Michael Lehmann | Cinematography by | Robert Brinkmann | Editing by | Stephen Semel
Cameras | ARRIFLEX 535 Camera
Luther (2003)
Directed by | Eric Till | Cinematography by | Robert Fraisse | Editing by | Clive Barrett
Cameras | ARRIFLEX 535 Camera
Lenses | Cooke S4 Lenses
Trial and Error (1997)
Directed by | Jonathan Lynn | Cinematography by | Gabriel Beristain | Editing by | Tony Lombardo
Cameras | ARRIFLEX 535 Camera
$lowdown (2011)
Directed by | Saman Yaghmai-Aledavoud | Cinematography by | Saman Yaghmai-Aledavoud | Editing by | Gene Ivery
Cameras | ARRIFLEX 16SR3 Advanced Camera
Lenses | Zeiss Super Speed Lenses
Wendy and Lucy (2008)
Directed by | Kelly Reichardt | Cinematography by | Sam Levy | Editing by | Kelly Reichardt
Cameras | ARRIFLEX 16SR3 Camera
Children of the Corn 666: Isaac’s Return (1999)
Directed by | Kari Skogland | Cinematography by | Richard Clabaugh | Editing by | Troy Takaki
Cameras | ARRIFLEX 35 BL4s Camera
Fanny and Alexander (1982)
Directed by | Ingmar Bergman | Cinematography by | Sven Nykvist | Editing by | Sylvia Ingemarsson
Cameras | ARRIFLEX 35 BL Camera
Blood: The Last Vampire (2009)
Directed by | Chris Nahon | Cinematography by | Hang-Sang Poon | Editing by | Marco Cavé
Cameras | ARRI Cameras, ARRIFLEX 435 Xtreme Camera
17 Miracles (2011)
Directed by | T.C. Christensen | Cinematography by | T.C. Christensen | Editing by | Tanner Christensen
Cameras | ARRIFLEX 16SR Camera, ARRIFLEX 435 Camera
Walled In (2009)
Directed by | Gilles Paquet-Brenner | Cinematography by | Karim Hussain | Editing by | Jackie Dzuba
Cameras | ARRIFLEX 535 B Camera
Virtuosity (1995)
Directed by | Brett Leonard | Cinematography by | Gale Tattersall | Editing by | Rob Kobrin, B.J. Sears
Cameras | ARRIFLEX 535 B Camera, Moviecam Compact Camera
The Cell (2000)
Directed by | Tarsem Singh | Cinematography by | Paul Laufer | Editing by | Robert Duffy, Paul Rubell
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Panavision Panaflex Platinum Camera
