Vertical Camera Film Orientation | 1024 Titles
High Crimes (2002)
Directed by | Carl Franklin | Cinematography by | Theo van de Sande | Editing by | Carole Kravetz Aykanian
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera
Catch Me If You Can (2002)
Affliction (1997)
Directed by | Paul Schrader | Cinematography by | Paul Sarossy | Editing by | Jay Rabinowitz
Cameras | Panavision Panaflex Gold II Camera
Salem’s Lot (2004)
A Good Year (2006)
Directed by | Ridley Scott | Cinematography by | Philippe Le Sourd | Editing by | Dody Dorn, Robb Sullivan
Cameras | ARRICAM Lite (LT) Camera
Clockstoppers (2002)
Directed by | Jonathan Frakes | Cinematography by | Tim Suhrstedt | Editing by | Peter E. Berger, Jeff Canavan
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics Cameras
Mesrine Part 2: Public Enemy #1 (2008)
Directed by | Jean-François Richet | Cinematography by | Robert Gantz | Editing by | Stéphane Garnier, Bill Pankow, Hervé Schneid
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Cameras, Panavision Panaflex Millennium XL Camera
Killing Them Softly (2012)
Directed by | Andrew Dominik | Cinematography by | Greig Fraser | Editing by | John Paul Horstmann, Brian A. Kates
Lenses | Panavision HS50 50 mm T1.1 Lens
Ils se marièrent et eurent beaucoup d’enfants (2004)
Directed by | Yvan Attal | Cinematography by | Rémy Chevrin | Editing by | Jennifer Augé
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL4 Camera
Lenses | Zeiss Standard Speed Prime Lenses
My Name Is Khan (2010)
Premium Rush (2012)
Directed by | David Koepp | Cinematography by | Mitchell Amundsen | Editing by | Derek Ambrosi, Jill Savitt
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Flags of Our Fathers (2006)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera
Barbershop (2002)
Felicia’s Journey (1999)
Directed by | Atom Egoyan | Cinematography by | Paul Sarossy | Editing by | Susan Shipton
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
3000 Miles to Graceland (2001)
Directed by | Demian Lichtenstein | Cinematography by | David Franco | Editing by | Michael J. Duthie, Miklos Wright
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Sonatine (1993)
Directed by | Takeshi Kitano | Cinematography by | Katsumi Yanagijima | Editing by | Takeshi Kitano
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera
Goodfellas (1990)
Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | James Y. Kwei, Thelma Schoonmaker
Cameras | ARRIFLEX 35 BL4s Camera
Lenses | Zeiss Lenses
What Lies Beneath (2000)
Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt
Cameras | Panavision Panaflex Platinum Camera
Extreme Justice (1993)
Directed by | Mark L. Lester | Cinematography by | Mark Irwin | Editing by | Donn Aron
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Whip It (2009)
