Vertical Camera Film Orientation | 1024 Titles
Trouble with the Curve (2012)
Directed by | Robert Lorenz | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Cameras | Panavision Panaflex Platinum Camera
Tinker Tailor Soldier Spy (2011)
Directed by | Tomas Alfredson | Cinematography by | Hoyte Van Hoytema | Editing by | Dino Jonsäter
Cameras | Panavision Panaflex Millennium Camera
All or Nothing (2002)
Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Lesley Walker
Lenses | Angenieux Lenses, Zeiss Lenses
30,000 Leagues Under the Sea (2007)
Directed by | Gabriel Bologna | Cinematography by | Mark Atkins | Editing by | Matthew Alson Thornbury
Cameras | Sony HDW-F900 Camera
Blood Work (2002)
Gunjô: Ai ga shizunda umi no iro (2009)
Directed by | Yosuke Nakagawa | Cinematography by | Hiro'o Yanagida | Editing by | Hiroaki Morishita
Lenses | Fujinon E Series Lenses, Panavision Lenses
The Imaginarium of Doctor Parnassus (2009)
Directed by | Terry Gilliam | Cinematography by | Nicola Pecorini | Editing by | Mick Audsley
Lenses | Zeiss Ultra Prime Lenses
J. Edgar (2011)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Lenses | Panavision C Series Anamorphic Lenses, Panavision C100 100 mm T2.8 Lens, Panavision C75 75 mm T2.5 Lens, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens
Kiss the Girls (1997)
Directed by | Gary Fleder | Cinematography by | Aaron Schneider | Editing by | Armen Minasian, Harvey Rosenstock, William Steinkamp
Cameras | Panavision Panaflex Gold II Camera
Secret défense (2008)
Directed by | Philippe Haïm | Cinematography by | Jérôme Alméras | Editing by | Sylvie Landra
Cameras | ARRICAM Lite (LT) Camera
Columbus Circle (2012)
Directed by | George Gallo | Cinematography by | Anastas N. Michos | Editing by | Malcolm Campbell
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Waterworld (1995)
Directed by | Kevin Reynolds | Cinematography by | Dean Semler | Editing by | Peter Boyle
Cameras | Aaton 35-III Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, Cine SL-35 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera
The Kid (2000)
Directed by | Jon Turteltaub | Cinematography by | Peter Menzies Jr. | Editing by | Peter Honess, David Rennie
Johnny English (2003)
Directed by | Peter Howitt | Cinematography by | Remi Adefarasin | Editing by | Robin Sales
Lenses | Angenieux Lenses, Zeiss Lenses
Lost in Space (1998)
Directed by | Stephen Hopkins | Cinematography by | Peter Levy | Editing by | Ray Lovejoy
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Bucket List (2007)
Directed by | Rob Reiner | Cinematography by | John Schwartzman | Editing by | Robert Leighton
Cameras | Panavision Cameras
The Astronaut Farmer (2006)
Directed by | Michael Polish | Cinematography by | M. David Mullen | Editing by | James Haygood
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Jin yi wei (2010)
Directed by | Daniel Lee | Cinematography by | Tony Cheung | Editing by | Ka-Fai Cheung, Man To Tang
Lenses | Angenieux Lenses, Zeiss Lenses
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Arthur Schmidt, Craig Wood
Cameras | Panavision Panaflex Platinum Camera
We Need to Talk About Kevin (2011)
Directed by | Lynne Ramsay | Cinematography by | Seamus McGarvey | Editing by | Joe Bini
Cameras | Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
