Vertical Camera Film Orientation | 1024 Titles
Stage Beauty (2004)
Directed by | Richard Eyre | Cinematography by | Andrew Dunn | Editing by | Tariq Anwar
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Grand Canyon (1991)
Directed by | Lawrence Kasdan | Cinematography by | Owen Roizman | Editing by | Carol Littleton
Cameras | Panavision Panaflex Gold Camera
Daylight (1996)
Directed by | Rob Cohen | Cinematography by | David Eggby | Editing by | Peter Amundson
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Lenses
Seuls Two (2008)
Directed by | Ramzy Bedia, Eric Judor | Cinematography by | Philippe Piffeteau | Editing by | Sébastien de Sainte Croix, Jean-Christophe Hym
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Man to Man (2005)
Directed by | Régis Wargnier | Cinematography by | Laurent Dailland | Editing by | Yann Malcor
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Le renard et l’enfant (2007)
Directed by | Luc Jacquet | Cinematography by | Eric Dumage, Gérard Simon | Editing by | Sabine Emiliani
The Perks of Being a Wallflower (2012)
Changeling (2008)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Galaxy Quest (1999)
Directed by | Dean Parisot | Cinematography by | Jerzy Zielinski | Editing by | Don Zimmerman
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Stealth (2005)
Directed by | Rob Cohen | Cinematography by | Dean Semler | Editing by | Stephen E. Rivkin
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Thelma & Louise (1991)
Directed by | Ridley Scott | Cinematography by | Adrian Biddle | Editing by | Thom Noble
Cameras | Panavision Cameras
Lenses | Panavision Lenses
3 Little Ninjas and the Lost Treasure (1993)
Directed by | Emmett Alston | Cinematography by | Robert Ebinger | Editing by | Mark Kamps
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Inkheart (2008)
Directed by | Iain Softley | Cinematography by | Roger Pratt | Editing by | Martin Walsh
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Fear and Loathing in Las Vegas (1998)
Directed by | Terry Gilliam | Cinematography by | Nicola Pecorini | Editing by | Lesley Walker
Lenses | Zeiss Standard Speed Prime Lenses
28 Days Later… (2002)
Directed by | Danny Boyle | Cinematography by | Anthony Dod Mantle | Editing by | Chris Gill
Cameras | ARRI Cameras, Canon XL1 Camera
Lenses | Canon EC Series Lenses, Canon EJ Series Lenses
1989 (2009)
The Kite Runner (2007)
54 (1998)
Directed by | Mark Christopher | Cinematography by | Alexander Gruszynski | Editing by | Lee Percy
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Run, Fatboy, Run (2007)
Directed by | David Schwimmer | Cinematography by | Richard Greatrex | Editing by | Michael Parker
Cameras | ARRI Cameras
Lenses | Zeiss Lenses
Across the Tracks (1990)
Directed by | Sandy Tung | Cinematography by | Michael Delahoussaye | Editing by | Farrel Levy
Cameras | ARRI Cameras
