Chapman / Leonard | 374 Titles
Introduced: 1945
A Million Ways to Die in the West (2014)
Directed by | Seth MacFarlane | Cinematography by | Michael Barrett | Editing by | Jeff Freeman
Cameras | Sony PMW-F55 Camera
Dolphin Tale 2 (2014)
Directed by | Charles Martin Smith | Cinematography by | Daryn Okada | Editing by | Harvey Rosenstock
Cameras | Sony PMW-F55 Camera
Sarah Landon and the Paranormal Hour (2007)
Directed by | Lisa Comrie | Cinematography by | Andrew Kuepper | Editing by | Andrew Cohen
Cameras | Panasonic AG-HVX200 Camera
The Remnant (2001)
Con Games (2001)
Directed by | Jefferson Edward Donald | Cinematography by | John Lazear | Editing by | Chris Conlee
Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Angenieux Lenses
Jimmy P. (2013)
Directed by | Arnaud Desplechin | Cinematography by | Stéphane Fontaine | Editing by | Laurence Briaud
Zombeavers (2014)
Directed by | Jordan Rubin | Cinematography by | Jonathan Hall | Editing by | Seth Flaum, Ed Marx
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses
Labor Day (2013)
Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Dana E. Glauberman
Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses, Bausch & Lomb Super Baltar Lenses, Cooke Varotal Lenses, Fujinon Premier Lenses, Zeiss Master Prime Lenses
Sherlock (2010)
| Cinematography by | Steve Lawes, Fabian Wagner, Neville Kidd, Matt Gray, Suzie Lavelle, Stuart Biddlecombe, David Luther | Editing by | Charlie Phillips, Yan Miles, Nick Arthurs, Mali Evans, Tim Porter, Mark Davis, Andrew McClelland, William Oswald
Lenses | Cooke S4 Lenses, Zeiss Super Speed Lenses
Saving Mr. Banks (2013)
Directed by | John Lee Hancock | Cinematography by | John Schwartzman | Editing by | Mark Livolsi
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Bad Grandpa (2013)
Directed by | Jeff Tremaine | Cinematography by | Lance Bangs, Dimitry Elyashkevich | Editing by | Seth Casriel, Matthew Kosinski, Matthew Probst
August: Osage County (2013)
Beyond the Lights (2014)
Directed by | Gina Prince-Bythewood | Cinematography by | Tami Reiker | Editing by | Terilyn A. Shropshire
Cameras | ARRI ALEXA M Camera
Good Kill (2014)
Dumb and Dumber To (2014)
Directed by | Bobby Farrelly, Peter Farrelly | Cinematography by | Matthew F. Leonetti | Editing by | Steven Rasch
Cameras | ARRI ALEXA Camera
The Gambler (2014)
Directed by | Rupert Wyatt | Cinematography by | Greig Fraser | Editing by | Pete Beaudreau
Cameras | ARRI ALEXA XT Camera
The Maze Runner (2014)
Directed by | Wes Ball | Cinematography by | Enrique Chediak | Editing by | Dan Zimmerman
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Interview (2014)
Directed by | Evan Goldberg, Seth Rogen | Cinematography by | Brandon Trost | Editing by | Zene Baker, Evan Henke
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses
Warrior (2011)
Directed by | Gavin O'Connor | Cinematography by | Masanobu Takayanagi | Editing by | Sean Albertson, Matt Chesse, John Gilroy, Aaron Marshall
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Child 44 (2015)
Directed by | Daniel Espinosa | Cinematography by | Oliver Wood | Editing by | Pietro Scalia, Dylan Tichenor
Cameras | ARRICAM Lite (LT) Camera
Lenses | Hawk Anamorphic Lenses
