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Chapman / Leonard | 374 Titles

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Introduced: 1945

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Extremely Loud & Incredibly Close (2011)

Motion Picture | 2D | Color | 2.39:1 | 129 Minutes

Directed by | Stephen Daldry | Cinematography by | Chris Menges | Editing by | Claire Simpson

Starring | Thomas Horn, Tom Hanks, Sandra Bullock, Max von Sydow

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

National Treasure (2004)

Motion Picture | 2D | Color | 2.39:1 | 131 Minutes

Directed by | Jon Turteltaub | Cinematography by | Caleb Deschanel | Editing by | William Goldenberg

Starring | Nicolas Cage, Diane Kruger, Justin Bartha, Sean Bean

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Canon Lenses, Panavision Primo Primes Spherical Lenses

The Kite Runner (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 128 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse

Starring | Khalid Abdalla, Ahmad Khan Mahmoodzada, Atossa Leoni, Shaun Toub

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Copycat (1995)

Motion Picture | 2D | Color | 2.39:1 | 123 Minutes

Directed by | Jon Amiel | Cinematography by | László Kovács | Editing by | Jim Clark, Alan Heim

Starring | Sigourney Weaver, Holly Hunter, Dermot Mulroney, William McNamara

Cameras | Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

House of Sand and Fog (2003)

Motion Picture | 2D | Color | 1.85:1 | 126 Minutes

Directed by | Vadim Perelman | Cinematography by | Roger Deakins | Editing by | Lisa Zeno Churgin

Starring | Jennifer Connelly, Ben Kingsley, Ron Eldard, Frances Fisher

Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses | Cooke S4 Lenses

My Big Fat Greek Wedding (2002)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Directed by | Joel Zwick | Cinematography by | Jeffrey Jur | Editing by | Mia Goldman

Starring | Nia Vardalos, John Corbett, Michael Constantine, Christina Eleusiniotis

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Panic Room (2002)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | David Fincher | Cinematography by | Conrad W. Hall, Darius Khondji | Editing by | James Haygood, Angus Wall

Starring | Jodie Foster, Kristen Stewart, Forest Whitaker, Dwight Yoakam

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Interview with the Vampire: The Vampire Chronicles (1994)

Motion Picture | 2D | Color | 1.85:1 | 123 Minutes

Directed by | Neil Jordan | Cinematography by | Philippe Rousselot | Editing by | Mick Audsley, Joke van Wijk

Starring | Brad Pitt, Tom Cruise, Antonio Banderas, Kirsten Dunst

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Training Day (2001)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | Conrad Buff IV

Starring | Denzel Washington, Ethan Hawke, Scott Glenn, Tom Berenger

Cameras | Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Hawk C-Series Lenses

A Lot Like Love (2005)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Nigel Cole | Cinematography by | John de Borman | Editing by | Susan Littenberg

Starring | Ashton Kutcher, Amanda Peet, Taryn Manning, Aimee Garcia

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

360 (2011)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Fernando Meirelles | Cinematography by | Adriano Goldman | Editing by | Daniel Rezende

Starring | Rachel Weisz, Jude Law, Anthony Hopkins, Ben Foster

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

A Rat’s Tale (1997)

Motion Picture | 2D | Color | 2.35:1 | 90 Minutes

Directed by | Michael F. Huse | Cinematography by | Piotr Lenar | Editing by | Timothy McLeish

Starring | Josef Ostendorf, Beverly D'Angelo, Lauren Hutton, Jerry Stiller

Cameras | Panavision Panaflex Gold II Camera, Panavision Panastar II Camera

Lenses | Panavision C Anamorphic Flare Lenses, Panavision C Anamorphic Portrait Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Apocalypse and the Beauty Queen (2005)

Direct to Video | 2D | Film Project | Color | 1.85:1 | 95 Minutes

Mousehunt (1997)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Gore Verbinski | Cinematography by | Phedon Papamichael | Editing by | Craig Wood

Starring | Nathan Lane, Lee Evans, Vicki Lewis, Maury Chaykin

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

S. Darko (2009)

Motion Picture | 2D | Color | 1.78:1 (16x9), 1.85:1 | 103 Minutes

Directed by | Chris Fisher | Cinematography by | Marvin V. Rush | Editing by | Kent Beyda

Starring | Daveigh Chase, Briana Evigan, James Lafferty, Ed Westwick

Cameras | Red One Camera

Interlocked: Thrilled to Death (1998)

Motion Picture | 2D | Color | 93 Minutes

Directed by | Rick Jacobson | Cinematography by | Jesse Weathington | Editing by | Jeffrey Schwarz

Starring | Jeff Trachta, Schae Harrison, Sandra Dee Robinson, Howard Mungo

Cameras | ARRIFLEX Camera

Ted (2012)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Directed by | Seth MacFarlane | Cinematography by | Michael Barrett | Editing by | Jeff Freeman

Starring | Mark Wahlberg, Mila Kunis, Seth MacFarlane, Joel McHale

Cameras | Panavision Genesis Camera, Sony PMW-EX3 Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Baytown Outlaws (2012)

Motion Picture | 2D | Color | 98 Minutes

Directed by | Barry Battles | Cinematography by | David McFarland | Editing by | Sean Valla

Starring | Billy Bob Thornton, Eva Longoria, Thomas Brodie-Sangster, Clayne Crawford

Cameras | Red One Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens

Hansel & Gretel: Witch Hunters (2013)

Motion Picture | 3D | 2K Project | Color | 88 Minutes

Directed by | Tommy Wirkola | Cinematography by | Michael Bonvillain | Editing by | Jim Page

Starring | Jeremy Renner, Gemma Arterton, Peter Stormare, Famke Janssen

Cameras | ARRI ALEXA Camera, ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses

The Shawshank Redemption (1994)

Motion Picture | 2D | Color | 1.85:1 | 142 Minutes

Directed by | Frank Darabont | Cinematography by | Roger Deakins | Editing by | Richard Francis-Bruce

Starring | Tim Robbins, Morgan Freeman, Bob Gunton, William Sadler

Cameras | ARRIFLEX 35 BL4 Camera, Moviecam Compact Camera

Lenses | ARRI / Zeiss Lenses

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