Super 35 Camera Aperture | 867 Titles
The Bourne Supremacy (2004)
Directed by | Paul Greengrass | Cinematography by | Oliver Wood | Editing by | Richard Pearson, Christopher Rouse
Cameras | ARRI Cameras
Pathfinder (2007)
Directed by | Marcus Nispel | Cinematography by | Daniel Pearl | Editing by | Jay Friedkin, Glen Scantlebury
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Summer (2008)
Directed by | Kenneth Glenaan | Cinematography by | Tony Slater Ling | Editing by | Kristina Hetherington
Cameras | ARRI Cameras
Rounders (1998)
Directed by | John Dahl | Cinematography by | Jean-Yves Escoffier | Editing by | Scott Chestnut
Lenses | Panavision Primo Anamorphic Lenses
Secretariat (2010)
Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | John Wright
Cameras | ARRIFLEX 435 Camera, Olympus PEN E-P1 Camera, Pan-Arri 435 Camera, Panavision Genesis Camera, Phantom HD Camera
Lenses | Panavision Primo Anamorphic Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Two Lovers (2008)
Directed by | James Gray | Cinematography by | Joaquín Baca-Asay | Editing by | John Axelrad
Lenses | Cooke S4 Lenses
Star Trek: Insurrection (1998)
Directed by | Jonathan Frakes | Cinematography by | Matthew F. Leonetti | Editing by | Peter E. Berger
Cameras | Panavision Cameras
Un homme qui crie (2010)
Directed by | Mahamat-Saleh Haroun | Cinematography by | Laurent Brunet | Editing by | Marie-Hélène Dozo
Cameras | Aaton 35-III Camera
Skinwalkers (2006)
Directed by | James Isaac | Cinematography by | David A. Armstrong, Adam Kane | Editing by | Allan Lee
Cameras | Panavision Cameras
Just Visiting (2001)
Directed by | Jean-Marie Poiré | Cinematography by | Ueli Steiger | Editing by | Michael A. Stevenson
Cameras | Panavision Cameras
Villa Amalia (2009)
Directed by | Benoît Jacquot | Cinematography by | Caroline Champetier | Editing by | Luc Barnier
Cameras | Aaton 35-III Camera, Moviecam Compact Camera
Formula 51 (2001)
Directed by | Ronny Yu | Cinematography by | Hang-Sang Poon | Editing by | David Wu
Cameras | Moviecam Cameras
Cradle 2 the Grave (2003)
Directed by | Andrzej Bartkowiak | Cinematography by | Daryn Okada | Editing by | Derek Brechin
Cameras | Panavision Cameras
The Raven (2012)
Emmett’s Mark (2002)
Directed by | Keith Snyder | Cinematography by | Lawrence Sher | Editing by | Caroline Ross
Cameras | Aaton 35 I Camera, ARRIFLEX 535 B Camera
Asterix and Obelix vs. Caesar (1999)
Directed by | Claude Zidi | Cinematography by | Tony Pierce-Roberts | Editing by | Hervé de Luze, Nicole Saunier
Cameras | Panavision Cameras
Babylon A.D. (2008)
Directed by | Mathieu Kassovitz | Cinematography by | Thierry Arbogast | Editing by | Benjamin Weill
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera, ARRIFLEX 535 B Camera
Lenses | Panavision Primo Anamorphic Lenses
4 Months, 3 Weeks and 2 Days (2007)
Directed by | Cristian Mungiu | Cinematography by | Oleg Mutu | Editing by | Dana Bunescu
Cameras | ARRIFLEX 535 B Camera
Lenses | Zeiss Ultra Prime Lenses
Midnight in Paris (2011)
Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke 5/i Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses
Terminator Salvation (2009)
Directed by | McG | Cinematography by | Shane Hurlbut | Editing by | Conrad Buff IV
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
