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HawkScope Camera Aperture | 62 Titles

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John Wick (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 101 Minutes

Directed by | Chad Stahelski, David Leitch | Cinematography by | Jonathan Sela | Editing by | Elísabet Ronaldsdóttir

Starring | Keanu Reeves, Michael Nyqvist, Alfie Allen, Willem Dafoe

Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses | Cooke S4 Lenses, Hawk V-Lite Vintage´74 Lens

Star Wars: Episode I – The Phantom Menace (1999)

Motion Picture | 2D, 3D | Color | 1.90:1, 2.39:1 | 136 Minutes

Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Ben Burtt, Paul Martin Smith

Starring | Ewan McGregor, Liam Neeson, Natalie Portman, Jake Lloyd

Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, Sony HDC-750 Camera

Lenses | Hawk C-Series Lenses

Resident Evil: Welcome to Raccoon City (2021)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 107 Minutes

Directed by | Johannes Roberts | Cinematography by | Maxime Alexandre | Editing by | Dev Singh

Starring | Kaya Scodelario, Robbie Amell, Hannah John-Kamen

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera, ARRI ALEXA SXT Series Cameras

Lenses | Hawk V-Lite Lenses

The Hollars (2016)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 88 Minutes

Directed by | John Krasinski | Cinematography by | Eric Alan Edwards | Editing by | Heather Persons

Starring | Sharlto Copley, Charlie Day, Richard Jenkins, Anna Kendrick

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Angenieux HR Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses

Hands of Stone (2016)

Motion Picture | 2D | Color | 111 Minutes

Directed by | Jonathan Jakubowicz | Cinematography by | M.I. Littin-Menz | Editing by | Ethan Maniquis

Starring | Edgar Ramírez, Usher, Robert De Niro, Rubén Blades

Cameras | ARRI ALEXA Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses

Anthropoid (2016)

Motion Picture | 2D | Color | 2.39:1 | 120 Minutes

Directed by | Sean Ellis | Cinematography by | Sean Ellis | Editing by | Richard Mettler

Starring | Jamie Dornan, Cillian Murphy, Brian Caspe, Karel Hermánek Jr.

Cameras | ARRIFLEX 416 Camera

Lenses | Hawk V-Lite 16 Lens

Hell or High Water (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | David Mackenzie | Cinematography by | Giles Nuttgens | Editing by | Jake Roberts

Starring | Chris Pine, Ben Foster, Jeff Bridges, Gil Birmingham

Cameras | ARRI ALEXA XT Studio Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Mal de pierres (2016)

Motion Picture | 2D | 6K Project | Color | 2.39:1 | 120 Minutes

Directed by | Nicole Garcia | Cinematography by | Christophe Beaucarne | Editing by | Simon Jacquet

Starring | Marion Cotillard, Alex Brendemühl, Louis Garrel, Brigitte Roüan

Cameras | Red Epic Dragon Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Series Lenses

Eddie the Eagle (2015)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | Dexter Fletcher | Cinematography by | George Richmond | Editing by | Martin Walsh

Starring | Taron Egerton, Hugh Jackman, Tom Costello, Jo Hartley

Cameras | ARRI ALEXA XT Camera, IO Industries Flare 2KSDI Camera, Red Epic Dragon Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Keanu (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Peter Atencio | Cinematography by | Jas Shelton | Editing by | Nicholas Monsour

Starring | Keegan-Michael Key, Jordan Peele, Tiffany Haddish, Method Man

Cameras | ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses | Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Trois souvenirs de ma jeunesse (2015)

Motion Picture | 2D | Color | 2.39:1 | 123 Minutes

Directed by | Arnaud Desplechin | Cinematography by | Irina Lubtchansky | Editing by | Laurence Briaud

Starring | Quentin Dolmaire, Lou Roy-Lecollinet, Mathieu Amalric, Dinara Drukarova

Cameras | Red Epic Dragon Camera

Lenses | Hawk V-Lite Lenses

Allegiant (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 120 Minutes

Directed by | Robert Schwentke | Cinematography by | Florian Ballhaus | Editing by | Stuart Levy

Starring | Shailene Woodley, Theo James, Jeff Daniels, Naomi Watts

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Theeb (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Naji Abu Nowar | Cinematography by | Wolfgang Thaler | Editing by | Rupert Lloyd

Starring | Jacir Eid Al-Hwietat, Hussein Salameh Al-Sweilhiyeen, Hassan Mutlag Al-Maraiyeh, Jack Fox

Cameras | ARRIFLEX 416 Camera

Lenses | Hawk V-Lite 16 Lens

Bridge of Spies (2015)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 142 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Tom Hanks, Mark Rylance, Alan Alda, Amy Ryan

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

The Best of Me (2014)

Motion Picture | 2D | Color | 2.39:1 | 118 Minutes

Directed by | Michael Hoffman | Cinematography by | Oliver Stapleton | Editing by | Matt Chesse

Starring | James Marsden, Michelle Monaghan, Luke Bracey, Liana Liberato

Cameras | ARRI ALEXA XT Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Series Lenses

Avant l’hiver (2013)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Philippe Claudel | Cinematography by | Denis Lenoir | Editing by | Elisa Aboulker

Starring | Daniel Auteuil, Kristin Scott Thomas, Leïla Bekhti, Richard Berry

Cameras | ARRI ALEXA Studio Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses

Kingsman: The Secret Service (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 129 Minutes

Directed by | Matthew Vaughn | Cinematography by | George Richmond | Editing by | Eddie Hamilton, Jon Harris

Starring | Colin Firth, Taron Egerton, Samuel L. Jackson, Michael Caine

Cameras | ARRI ALEXA XT Plus Camera, Blackmagic Production 4K Camera, Phantom Flex Camera

Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

If I Stay (2014)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | R.J. Cutler | Cinematography by | John de Borman | Editing by | Keith Henderson

Starring | Chloë Grace Moretz, Mireille Enos, Jamie Blackley, Joshua Leonard

Cameras | ARRI ALEXA Plus 4:3 Camera, Canon EOS-C500 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Hawk V-Lite Lenses

Child 44 (2015)

Motion Picture | 2D | Color | 2.39:1 | 137 Minutes

Directed by | Daniel Espinosa | Cinematography by | Oliver Wood | Editing by | Pietro Scalia, Dylan Tichenor

Starring | Tom Hardy, Gary Oldman, Noomi Rapace, Joel Kinnaman

Cameras | ARRICAM Lite (LT) Camera

Lenses | Hawk Anamorphic Lenses

Selma (2014)

Motion Picture | 2D | Color | 2.39:1 | 128 Minutes

Directed by | Ava DuVernay | Cinematography by | Bradford Young | Editing by | Spencer Averick

Starring | David Oyelowo, Carmen Ejogo, Tim Roth, Lorraine Toussaint

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Hawk V-Plus Lenses, Hawk V-Series Lenses

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