Anamorphic Camera Aperture | 598 Titles
We Need to Talk About Kevin (2011)
Directed by | Lynne Ramsay | Cinematography by | Seamus McGarvey | Editing by | Joe Bini
Cameras | Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
High Crimes (2002)
Directed by | Carl Franklin | Cinematography by | Theo van de Sande | Editing by | Carole Kravetz Aykanian
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera
Ils se marièrent et eurent beaucoup d’enfants (2004)
Directed by | Yvan Attal | Cinematography by | Rémy Chevrin | Editing by | Jennifer Augé
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL4 Camera
Lenses | Zeiss Standard Speed Prime Lenses
Battleship (2012)
Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr., Billy Rich, Paul Rubell
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Flags of Our Fathers (2006)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera
The Mummy (1999)
Directed by | Stephen Sommers | Cinematography by | Adrian Biddle | Editing by | Bob Ducsay
Cameras | Panavision Panaflex Platinum Camera
The Time Machine (2002)
Directed by | Simon Wells | Cinematography by | Donald McAlpine | Editing by | Wayne Wahrman
Cameras | Panavision Panaflex Camera
Felicia’s Journey (1999)
Directed by | Atom Egoyan | Cinematography by | Paul Sarossy | Editing by | Susan Shipton
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
At Dawning (2002)
Directed by | Martin Jones | Cinematography by | Mary Farbrother | Editing by | Chris Newby
Cameras | Panavision Cameras
What Lies Beneath (2000)
Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt
Cameras | Panavision Panaflex Platinum Camera
Whip It (2009)
Grand Canyon (1991)
Directed by | Lawrence Kasdan | Cinematography by | Owen Roizman | Editing by | Carol Littleton
Cameras | Panavision Panaflex Gold Camera
State of Play (2009)
Directed by | Kevin Macdonald | Cinematography by | Rodrigo Prieto | Editing by | Justine Wright
Cameras | Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Charlie’s Angels: Full Throttle (2003)
Directed by | McG | Cinematography by | Russell Carpenter | Editing by | Wayne Wahrman
Lenses | Panavision Primo Anamorphic Lenses
Changeling (2008)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Galaxy Quest (1999)
Directed by | Dean Parisot | Cinematography by | Jerzy Zielinski | Editing by | Don Zimmerman
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Antichrist (2009)
Directed by | Lars von Trier | Cinematography by | Anthony Dod Mantle | Editing by | Åsa Mossberg, Anders Refn
Cameras | Phantom HD Camera, Red One Camera
Lenses | Cooke Lenses, Cooke S4 Lenses
Stealth (2005)
Directed by | Rob Cohen | Cinematography by | Dean Semler | Editing by | Stephen E. Rivkin
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Thelma & Louise (1991)
Directed by | Ridley Scott | Cinematography by | Adrian Biddle | Editing by | Thom Noble
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Inkheart (2008)
Directed by | Iain Softley | Cinematography by | Roger Pratt | Editing by | Martin Walsh
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
