Anamorphic Camera Aperture | 598 Titles
Punch-Drunk Love (2002)
Directed by | Paul Thomas Anderson | Cinematography by | Robert Elswit | Editing by | Leslie Jones
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Carlito’s Way (1993)
Directed by | Brian De Palma | Cinematography by | Stephen H. Burum | Editing by | Kristina Boden, Bill Pankow
Cameras | Panavision Panaflex Gold II Camera
Rush Hour (1998)
Directed by | Brett Ratner | Cinematography by | Adam Greenberg | Editing by | Mark Helfrich
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Biutiful (2010)
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Stephen Mirrione
Lenses | Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Peter Pan (2003)
Directed by | P.J. Hogan | Cinematography by | Donald McAlpine | Editing by | Garth Craven, Michael Kahn
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
A Rumor of Angels (2000)
Directed by | Peter O'Fallon | Cinematography by | Roy H. Wagner | Editing by | Louise Rubacky
Cameras | Moviecam Compact Camera
Lenses | Hawk C-Series Lenses
Phenomenon (1996)
Directed by | Jon Turteltaub | Cinematography by | Phedon Papamichael | Editing by | Bruce Green
Cameras | Panavision Panaflex Platinum Camera
Million Dollar Baby (2004)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox
Cameras | Panavision Panaflex Platinum Camera
JCVD (2008)
Directed by | Mabrouk El Mechri | Cinematography by | Pierre-Yves Bastard | Editing by | Kako Kelber
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision Lenses
The Rookie (1990)
Directed by | Clint Eastwood | Cinematography by | Jack N. Green | Editing by | Joel Cox
Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera
Lenses | Panavision Super Speed Lenses
Mamma Mia! (2008)
Directed by | Phyllida Lloyd | Cinematography by | Haris Zambarloukos | Editing by | Lesley Walker
Cameras | Panavision Panaflex Millennium XL Camera
Phoenix (1998)
Directed by | Danny Cannon | Cinematography by | James L. Carter | Editing by | Zach Staenberg
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Miss Potter (2006)
Directed by | Chris Noonan | Cinematography by | Andrew Dunn | Editing by | Robin Sales
Lenses | Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Divine Secrets of the Ya-Ya Sisterhood (2002)
Directed by | Callie Khouri | Cinematography by | John Bailey | Editing by | Andrew Marcus
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The Hard Way (1991)
Directed by | John Badham | Cinematography by | Donald McAlpine, Robert Primes | Editing by | Tony Lombardo, Frank Morriss
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Alamo (2004)
Directed by | John Lee Hancock | Cinematography by | Dean Semler | Editing by | Eric L. Beason
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The 13th Warrior (1999)
Directed by | John McTiernan, Michael Crichton | Cinematography by | Peter Menzies Jr. | Editing by | John Wright
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Green Hornet (2011)
Directed by | Michel Gondry | Cinematography by | John Schwartzman | Editing by | Michael Tronick
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
I’m Reed Fish (2006)
Directed by | Zackary Adler | Cinematography by | Doug Chamberlain | Editing by | Yuka Ruell
Cameras | Panavision Panaflex Millennium Camera