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Digidesign Finishing | 10 Titles

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Divergence (2007)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 114 Minutes

Directed by | Patrick J. Donnelly | Cinematography by | Patrick J. Donnelly | Editing by | Patrick J. Donnelly, Robert Mead

Starring | Traci Ann Wolfe, Jakob Hawkins, Marci Adilman

Lenses | ARRI / Fujinon Lenses

Reto Sangriento (2016)

Television Movie | 2D | 4K Project | Color | 1.78:1 (16x9) | 90 Minutes

Directed by | Ricky Gonzalez | Cinematography by | Ricky Gonzalez

Starring | Macarena Montoya, Eleazar Gamez, Patty Corres

Cameras | Blackmagic Cinema Camera

Lenses | Rokinon XEEN 16mm T2.6 Lens, Rokinon XEEN 24mm T1.5 Lens, Rokinon XEEN 35mm T1.5 Lens, Rokinon XEEN 50mm T1.5 Lens, Rokinon XEEN 85mm T1.5 Lens

Johnny (2021)

Direct to Video | 2D | HD Project | Color | 2.35:1 | 107 Minutes

Directed by | John Charles Gerald | Cinematography by | John Charles Gerald

Starring | Bruce Bellinger, John Charles Gerald, Nick Gerald

Cameras | ARRI ALEXA Camera, Blackmagic URSA Camera

Lenses | Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Lenses, Zeiss Compact Prime Lenses

Into the Storm (2014)

Motion Picture | 2D | Color | 1.85:1 | 89 Minutes

Directed by | Steven Quale | Cinematography by | Brian Pearson | Editing by | Eric A. Sears

Starring | Richard Armitage, Sarah Wayne Callies, Matt Walsh, Max Deacon

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera

Lenses | Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses

The Moment After (1999)

Motion Picture | 2D | Color | 89 Minutes

The Moment After | ShotOnWhat?

Directed by | Wes Llewellyn | Cinematography by | Philip Hurn | Editing by | Wes Llewellyn

Starring | Julie Link, Mike Wilson, David A.R. White, Kevin Downes

Cameras | Aaton Cameras

Lenses | Cooke Lenses

TORC – The Off-Road Championships (2012)

Television Series | 2D | Color | 1.78:1 (16x9) |

TORC – The Off-Road Championships | ShotOnWhat?

| Editing by | Brian Lockwood, Rob Taylor, David Brumbley, Tim A. Watson, Darren Porter

Starring | Jim Holthus, Scott Rehn

Cameras | GoPro HD Hero2 Camera, Red Digital Cinema Cameras, Red Epic Camera, Red One MX Camera, Sony Cameras, Sony NEX-FS100 Camera, Sony PMW-F3 Camera

Lenses | Angenieux Lenses, Red Digital Cinema Lenses

Captain Abu Raed (2007)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Amin Matalqa | Cinematography by | Reinhart 'Rayteam' Peschke | Editing by | Laith Majali

Starring | Nadim Sawalha, Rana Sultan, Hussein Al-Sous, Odai Qedese

Cameras | ARRIFLEX D-20 Camera

National Treasure: Book of Secrets (2007)

Motion Picture | 2D | Color | 2.35:1 | 124 Minutes

National Treasure: Book of Secrets | ShotOnWhat?

Directed by | Jon Turteltaub | Cinematography by | Amir Mokri, John Schwartzman | Editing by | William Goldenberg, David Rennie

Starring | Nicolas Cage, Diane Kruger, Justin Bartha, Jon Voight

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Atlas Shrugged II: The Strike (2012)

Motion Picture | 2D | Color | 1.78:1 (16x9), 2.39:1 | 111 Minutes

Atlas Shrugged II: The Strike | ShotOnWhat?

Directed by | John Putch | Cinematography by | Ross Berryman | Editing by | John Gilbert

Starring | Samantha Mathis, Jason Beghe, Esai Morales, Patrick Fabian

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

Vito Bonafacci (2011)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 97 Minutes

Directed by | John Martoccia | Cinematography by | Patrick Wells Valenti | Editing by | Ingmar Cederstrom, Patrick Wells Valenti

Starring | Paul Borghese, Tisha Tinsman, Emelise Aleandri, Maria Cofano

Cameras | Red One Camera

Lenses | Zeiss DigiPrime Lenses

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