Celluloid | 3105 Titles
Outside Providence (1999)
Directed by | Michael Corrente | Cinematography by | Richard Crudo | Editing by | Kate Sanford
Cameras | Panavision Panaflex Camera
Lenses | Panavision Primo Anamorphic Lenses
No Man’s Land (2001)
Directed by | Danis Tanovic | Cinematography by | Walther van den Ende | Editing by | Francesca Calvelli
Cameras | Aaton 35-III Camera, ARRIFLEX 35 BL4s Camera
Lenses | Canon Lenses, Cooke S4 Lenses
Invictus (2009)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Whale Rider (2002)
Directed by | Niki Caro | Cinematography by | Leon Narbey | Editing by | David Coulson
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
Wall Street: Money Never Sleeps (2010)
Directed by | Oliver Stone | Cinematography by | Rodrigo Prieto | Editing by | David Brenner, Julie Monroe
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Zeiss Master Prime Lenses
Poltergeist III (1988)
Directed by | Gary Sherman | Cinematography by | Alex Nepomniaschy | Editing by | Ross Albert
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
The Forbidden Kingdom (2008)
Directed by | Rob Minkoff | Cinematography by | Peter Pau | Editing by | Eric Strand
Cameras | Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
The Hitchhiker (2007)
Directed by | Leigh Scott | Cinematography by | Steven Parker | Editing by | Kristen Quintrall, Leigh Scott
Cameras | Sony HDW-F900 Camera
The Fallen (2004)
Directed by | Ari Taub | Cinematography by | Claudia Amber, Ian Dudley, Caio Ribeiro | Editing by | Nick Day, Ari Taub
Cameras | ARRI Cameras, Panasonic AG-DVX100 Camera
Revenge of the Dead (1983)
Directed by | Pupi Avati | Cinematography by | Franco Delli Colli | Editing by | Amedeo Salfa
Cameras | Technovision Cameras
Lenses | Technovision Lenses
Moneyball (2011)
Directed by | Bennett Miller | Cinematography by | Wally Pfister | Editing by | Christopher Tellefsen
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Wheels (2002)
Hak kuen (2006)
Directed by | Dennis Law | Cinematography by | Herman Yau | Editing by | Chi Wai Yau
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Stardust Memories (1980)
Directed by | Woody Allen | Cinematography by | Gordon Willis | Editing by | Susan E. Morse
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Corruptor (1999)
Directed by | James Foley | Cinematography by | Juan Ruiz Anchía | Editing by | Howard E. Smith
Cameras | Aaton 35-III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Cashback (2006)
Directed by | Sean Ellis | Cinematography by | Angus Hudson | Editing by | Carlos Domeque, Scott Thomas
Cameras | Moviecam Compact Camera
Blood In, Blood Out (1993)
Directed by | Taylor Hackford | Cinematography by | Gabriel Beristain | Editing by | Fredric Steinkamp, Karl F. Steinkamp
Cameras | ARRIFLEX Camera
Margot at the Wedding (2007)
Directed by | Noah Baumbach | Cinematography by | Harris Savides | Editing by | Carol Littleton
Cameras | ARRICAM Lite (LT) Camera
Lenses | Bausch & Lomb Super Baltar Lenses
Who Framed Roger Rabbit (1988)
Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Arthur Schmidt
Cameras | Panavision Panaflex Camera, VistaVision Cameras
Lenses | Panavision Lenses
Inner City Snow (2009)
Directed by | Bryan Martin | Cinematography by | Chris Leplus, Victor Lou | Editing by | Bryan Martin
Cameras | Arritechno 35 Camera, Éclair EX16 Camera
Lenses | Canon Lenses
