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Celluloid | 3105 Titles

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Sling Blade (1996)

Motion Picture | 2D | Color | 1.85:1 | 135 Minutes

Directed by | Billy Bob Thornton | Cinematography by | Barry Markowitz | Editing by | Hughes Winborne

Starring | Billy Bob Thornton, Dwight Yoakam, J.T. Walsh, John Ritter

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The League of Extraordinary Gentlemen (2003)

Motion Picture | 2D | Black and White, Color | 2.39:1 | 110 Minutes

The League of Extraordinary Gentlemen | ShotOnWhat?

Directed by | Stephen Norrington | Cinematography by | Dan Laustsen | Editing by | Paul Rubell

Starring | Sean Connery, Stuart Townsend, Peta Wilson, Jason Flemyng

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Training Day (2001)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | Conrad Buff IV

Starring | Denzel Washington, Ethan Hawke, Scott Glenn, Tom Berenger

Cameras | Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Hawk C-Series Lenses

28 Days (2000)

Motion Picture | 2D | Color | 1.37:1, 1.85:1 | 103 Minutes

Directed by | Betty Thomas | Cinematography by | Declan Quinn | Editing by | Peter Teschner

Starring | Sandra Bullock, Viggo Mortensen, Dominic West, Elizabeth Perkins

Cameras | Panavision Cameras

Lenses | Panavision Lenses

An Inconvenient Truth (2006)

Documentary | 2D | HD Project | Color | 1.85:1 | 96 Minutes

Directed by | Davis Guggenheim | Cinematography by | Davis Guggenheim, Robert Richman | Editing by | Jay Cassidy, Dan Swietlik

Starring | Al Gore, Billy West, George Bush, George W. Bush

Cameras | Sony HDC-F950 Camera

Vampire Effect (2003)

Motion Picture | 2D | Color | 1.85:1 | 88 Minutes

Directed by | Dante Lam | Cinematography by | Man Po Cheung | Editing by | Ki-Hop Chan

Starring | Gillian Chung, Charlene Choi, Anthony Chau-Sang Wong, Ekin Cheng

Cameras | ARRIFLEX 435 Advanced Camera, Moviecam Compact Camera

Lenses | Angenieux Lenses, Zeiss Lenses

Punch-Drunk Love (2002)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Punch-Drunk Love | ShotOnWhat?

Directed by | Paul Thomas Anderson | Cinematography by | Robert Elswit | Editing by | Leslie Jones

Starring | Adam Sandler, Emily Watson, Philip Seymour Hoffman, Jason Andrews

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

A Serious Man (2009)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 106 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen

Starring | Michael Stuhlbarg, Richard Kind, Sari Lennick, Fred Melamed

Cameras | ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

The Uninvited (2009)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

The Uninvited | ShotOnWhat?

Directed by | Charles Guard, Thomas Guard | Cinematography by | Daniel Landin | Editing by | Jim Page, Christian Wagner

Starring | Emily Browning, Arielle Kebbel, Elizabeth Banks, David Strathairn

Cameras | Panavision Cameras

The Truman Show (1998)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 103 Minutes

Directed by | Peter Weir | Cinematography by | Peter Biziou | Editing by | William M. Anderson, Lee Smith

Starring | Jim Carrey, Ed Harris, Laura Linney, Noah Emmerich

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Carlito’s Way (1993)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 144 Minutes

Directed by | Brian De Palma | Cinematography by | Stephen H. Burum | Editing by | Kristina Boden, Bill Pankow

Starring | Al Pacino, Sean Penn, Penelope Ann Miller, John Leguizamo

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision C Series Anamorphic Lenses

Sommersturm (2004)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Sommersturm | ShotOnWhat?

Directed by | Marco Kreuzpaintner | Cinematography by | Daniel Gottschalk | Editing by | Hansjörg Weißbrich

Starring | Robert Stadlober, Kostja Ullmann, Miriam Morgenstern, Jürgen Tonkel

Cameras | ARRI Cameras

Desperate Remedies (1993)

Motion Picture | 2D | Color | 93 Minutes

Desperate Remedies | ShotOnWhat?

Directed by | Stewart Main, Peter Wells | Cinematography by | Leon Narbey | Editing by | David Coulson

Starring | Jennifer Ward-Lealand, Kevin Smith, Lisa Chappell, Cliff Curtis

Cameras | ARRIFLEX Camera

Rush Hour (1998)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Directed by | Brett Ratner | Cinematography by | Adam Greenberg | Editing by | Mark Helfrich

Starring | Jackie Chan, Chris Tucker, Ken Leung, Tom Wilkinson

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Seven Pounds (2008)

Motion Picture | 2D | Color | 2.35:1 | 123 Minutes

Seven Pounds | ShotOnWhat?

Directed by | Gabriele Muccino | Cinematography by | Philippe Le Sourd | Editing by | Hughes Winborne

Starring | Will Smith, Rosario Dawson, Woody Harrelson, Michael Ealy

Cameras | Panavision Cameras

Pirate Radio (2009)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Richard Curtis | Cinematography by | Danny Cohen | Editing by | Emma E. Hickox

Starring | Philip Seymour Hoffman, Bill Nighy, Nick Frost, Michael Hadley

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Biutiful (2010)

Motion Picture | 2D | Color | 1.85:1, 2.39:1 | 148 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Stephen Mirrione

Starring | Javier Bardem, Maricel Álvarez, Hanaa Bouchaib, Guillermo Estrella

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

The Weather Man (2005)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 102 Minutes

Directed by | Gore Verbinski | Cinematography by | Phedon Papamichael | Editing by | Craig Wood

Starring | Nicolas Cage, Hope Davis, Nicholas Hoult, Michael Caine

Cameras | Panavision Panaflex Millennium XL2 Camera

A Lot Like Love (2005)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Nigel Cole | Cinematography by | John de Borman | Editing by | Susan Littenberg

Starring | Ashton Kutcher, Amanda Peet, Taryn Manning, Aimee Garcia

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Kids Are All Right (2010)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 106 Minutes

Directed by | Lisa Cholodenko | Cinematography by | Igor Jadue-Lillo | Editing by | Jeffrey M. Werner

Starring | Annette Bening, Julianne Moore, Mark Ruffalo, Mia Wasikowska

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL4s Camera

Lenses | Zeiss Ultra Prime Lenses

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