Celluloid | 3105 Titles
The Master (2012)
Directed by | Paul Thomas Anderson | Cinematography by | Mihai Malaimare Jr. | Editing by | Leslie Jones, Peter McNulty
Cameras | Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses | Panavision 65mm Prime Lenses
The Saint (1997)
Directed by | Phillip Noyce | Cinematography by | Phil Meheux | Editing by | Terry Rawlings
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Aces High (1976)
Directed by | Jack Gold | Cinematography by | Gerry Fisher | Editing by | Anne V. Coates
Cameras | Panavision Cameras
Lenses | Panavision Lenses
An American Crime (2007)
Directed by | Tommy O'Haver | Cinematography by | Byron Shah | Editing by | Melissa Kent
Cameras | Moviecam Compact Camera
Lenses | Hawk C-Series Lenses
A Single Man (2009)
Directed by | Tom Ford | Cinematography by | Eduard Grau | Editing by | Joan Sobel
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision Primo Anamorphic Lenses
Kramer vs. Kramer (1979) 
Directed by | Robert Benton | Cinematography by | Néstor Almendros | Editing by | Gerald B. Greenberg
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
The Soloist (2009)
Directed by | Joe Wright | Cinematography by | Seamus McGarvey | Editing by | Paul Tothill
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Charlie Wilson’s War (2007)
Directed by | Mike Nichols | Cinematography by | Stephen Goldblatt | Editing by | John Bloom, Antonia Van Drimmelen
The Savages (2007)
Directed by | Tamara Jenkins | Cinematography by | W. Mott Hupfel III | Editing by | Brian A. Kates
Cameras | ARRICAM Lite (LT) Camera
Lenses | Cooke S4 Lenses
We Own the Night (2007)
Directed by | James Gray | Cinematography by | Joaquín Baca-Asay | Editing by | John Axelrad
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Bears (2004)
Directed by | David Lickley | Cinematography by | James Neihouse | Editing by | James Lahti
Cameras | IMAX Cameras
Shakespeare in Love (1998)
Directed by | John Madden | Cinematography by | Richard Greatrex | Editing by | David Gamble
Cameras | ARRIFLEX 535 B Camera
Lenses | Zeiss Variable Prime Lenses
Life as a House (2001)
Alice in Wonderland (2010)
Directed by | Tim Burton | Cinematography by | Dariusz Wolski | Editing by | Chris Lebenzon
Cameras | Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Lenses | Panavision Primo Anamorphic Lenses
Angel Heart (1987)
Directed by | Alan Parker | Cinematography by | Michael Seresin | Editing by | Gerry Hambling
Cameras | ARRIFLEX 35mm Cameras, Panavision Panaflex Camera
Lenses | Panavision Lenses
American Gothic (1987)
Directed by | John Hough | Cinematography by | Harvey Harrison | Editing by | John Victor Smith
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Die Hard 2 (1990)
Directed by | Renny Harlin | Cinematography by | Oliver Wood | Editing by | Stuart Baird, Robert A. Ferretti
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
High Anxiety (1977)
Directed by | Mel Brooks | Cinematography by | Paul Lohmann | Editing by | John C. Howard
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Men of Honor (2000)
Directed by | George Tillman Jr. | Cinematography by | Anthony B. Richmond | Editing by | John Carter, Dirk Westervelt
Lenses | Cooke S4 Lenses
Solar Crisis (1990)
Directed by | Richard C. Sarafian, Alan Smithee | Cinematography by | Russell Carpenter | Editing by | Richard Trevor
Cameras | Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
