Celluloid | 3105 Titles
Pollock (2000)
Why Did I Get Married Too? (2010)
X-Men (2000)
Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Steven Rosenblum, Kevin Stitt, John Wright
Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
Sing si lip yan (1993)
Directed by | Jing Wong
Made of Honor (2008)
Directed by | Paul Weiland | Cinematography by | Tony Pierce-Roberts | Editing by | Richard Marks
Cameras | Panavision Cameras
Boys on the Side (1995)
Directed by | Herbert Ross | Cinematography by | Donald E. Thorin | Editing by | Michael R. Miller
Cameras | Panavision Cameras
Rundskop (2011)
Directed by | Michaël R. Roskam | Cinematography by | Nicolas Karakatsanis | Editing by | Alain Dessauvage
Cameras | Aaton Penelope Camera
Lenses | Zeiss Master Prime Lenses
301, 302 (1995)
Directed by | Cheol-su Park | Cinematography by | Eun-gil Lee | Editing by | Gok-ji Park
Cameras | ARRIFLEX 35 BL4 Camera
Brief Interviews with Hideous Men (2009)
Directed by | John Krasinski | Cinematography by | John Bailey | Editing by | Zene Baker, Rich Fox
Cameras | Panavision Panaflex Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Savages (2012)
Directed by | Oliver Stone | Cinematography by | Dan Mindel | Editing by | Joe Hutshing, Stuart Levy, Alex Marquez
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Motorcycle Diaries (2004)
Directed by | Walter Salles | Cinematography by | Eric Gautier | Editing by | Daniel Rezende
Cameras | Aaton 35-III Camera, Aaton XTR Prod Camera
Lenses | Angenieux Lenses, Canon Lenses, Nikon - Nikkor Lenses, Panavision Primo Primes Spherical Lenses
Being John Malkovich (1999)
Directed by | Spike Jonze | Cinematography by | Lance Acord | Editing by | Eric Zumbrunnen
Lenses | Cooke S4 Lenses
Free Willy (1993)
Directed by | Simon Wincer | Cinematography by | Robbie Greenberg | Editing by | O. Nicholas Brown
Lenses | Panavision Primo Anamorphic Lenses
One Day (2011)
Directed by | Lone Scherfig | Cinematography by | Benoît Delhomme | Editing by | Barney Pilling
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses
The Hurt Locker (2008)
Directed by | Kathryn Bigelow | Cinematography by | Barry Ackroyd | Editing by | Chris Innis, Bob Murawski
The Grey (2011)
Directed by | Joe Carnahan | Cinematography by | Masanobu Takayanagi | Editing by | Roger Barton, Jason Hellmann
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
DragonHeart (1996)
Directed by | Rob Cohen | Cinematography by | David Eggby | Editing by | Peter Amundson
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras
Mongol: The Rise of Genghis Khan (2007)
Directed by | Sergei Bodrov | Cinematography by | Rogier Stoffers, Sergey Trofimov | Editing by | Zach Staenberg, Valdís Óskarsdóttir
Cameras | ARRIFLEX Camera
The Adventures of Tintin (2011)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Panavision Cameras





























































