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Celluloid | 3105 Titles

Celluloid 3.60/5 10 Votes

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Drowning Mona (2000)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Drowning Mona | ShotOnWhat?

Directed by | Nick Gomez | Cinematography by | Bruce Douglas Johnson | Editing by | Richard Pearson

Starring | Danny DeVito, Bette Midler, Neve Campbell, Jamie Lee Curtis

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Zooms Spherical Lenses

Coriolanus (2011)

Motion Picture | 2D | 2K Project | Color | 123 Minutes

Directed by | Ralph Fiennes | Cinematography by | Barry Ackroyd | Editing by | Nicolas Gaster

Starring | Ralph Fiennes, Gerard Butler, Brian Cox, Lubna Azabal

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo Zoom Lenses

The Illusionist (2006)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Directed by | Neil Burger | Cinematography by | Dick Pope | Editing by | Naomi Geraghty

Starring | Edward Norton, Jessica Biel, Paul Giamatti, Rufus Sewell

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

The Fast Life (2003)

Direct to Video | 2D | Color | 1.85:1 | 57 Minutes

Directed by | Douglas Elford-Argent | Cinematography by | William M. Miller | Editing by | Kishore Verma

Starring | Frantz G. Saint Louis Jr., Jamie Hector, Jimmy Gary Jr., Matthew Aaron

Cameras | ARRIFLEX 16SR3 Advanced Camera

Lenses | ARRI / Zeiss Lenses

Hotel for Dogs (2009)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 100 Minutes

Directed by | Thor Freudenthal | Cinematography by | Michael Grady | Editing by | Sheldon Kahn

Starring | Emma Roberts, Jake T. Austin, Lisa Kudrow, Don Cheadle

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Nine (2009)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 118 Minutes

Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Claire Simpson, Wyatt Smith

Starring | Daniel Day-Lewis, Marion Cotillard, Penélope Cruz, Sandro Dori

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Lost World: Jurassic Park (1997)

Motion Picture | 2D | Color | 1.85:1 | 129 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Jeff Goldblum, Julianne Moore, Pete Postlethwaite, Vince Vaughn

Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses | Panavision Primo Primes Spherical Lenses

A Man Apart (2003)

Motion Picture | 2D | Color | 2.39:1 | 109 Minutes

Directed by | F. Gary Gray | Cinematography by | Jack N. Green | Editing by | Robert Brown, William Hoy

Starring | Vin Diesel, Timothy Olyphant, Larenz Tate, Geno Silva

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Max Payne (2008)

Motion Picture | 2D | Color | 100 Minutes

Directed by | John Moore | Cinematography by | Jonathan Sela | Editing by | Dan Zimmerman

Starring | Mark Wahlberg, Mila Kunis, Beau Bridges, Ludacris

Cameras | ARRIFLEX 435 Camera, Phantom HD Camera

Lenses | Cooke S4 Lenses

Adam Resurrected (2008)

Motion Picture | 2D | Color, Black and White | 2.35:1 | 106 Minutes

Adam Resurrected | ShotOnWhat?

Directed by | Paul Schrader | Cinematography by | Sebastian Edschmid | Editing by | Sandy Saffeels

Starring | Jeff Goldblum, Willem Dafoe, Cristian Motiu, Derek Jacobi

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Zeiss Ultra Prime Lenses

A Shock to the System (1990)

Motion Picture | 2D | Color | 1.85:1 | 88 Minutes

Directed by | Jan Egleson | Cinematography by | Paul Goldsmith | Editing by | William M. Anderson, Peter C. Frank

Starring | Michael Caine, Elizabeth McGovern, Peter Riegert, Swoosie Kurtz

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Dances with Wolves (1990)

Motion Picture | 2D | Film Project | Color | 181 Minutes

Directed by | Kevin Costner | Cinematography by | Dean Semler | Editing by | William Hoy, Chip Masamitsu, Steve Potter, Neil Travis

Starring | Kevin Costner, Mary McDonnell, Graham Greene, Rodney A. Grant

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Where the Truth Lies (2005)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Atom Egoyan | Cinematography by | Paul Sarossy | Editing by | Susan Shipton

Starring | Kevin Bacon, Colin Firth, Alison Lohman, David Hayman

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Willow (1988)

Motion Picture | 2D | Color | 126 Minutes

Directed by | Ron Howard | Cinematography by | Adrian Biddle | Editing by | Daniel P. Hanley, Mike Hill, Richard Hiscott

Starring | Val Kilmer, Joanne Whalley, Warwick Davis, Jean Marsh

Cameras | Panavision Panaflex Gold Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses

The Naked Man (1998)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 98 Minutes

Directed by | J. Todd Anderson | Cinematography by | Jeff Barklage | Editing by | Tricia Cooke, Mark Cretcher

Starring | Michael Rapaport, Michael Jeter, John Carroll Lynch, Arija Bareikis

Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera

The Day the Earth Stood Still (2008)

Motion Picture | 2D | Color | 2.35:1 | 104 Minutes

The Day the Earth Stood Still | ShotOnWhat?

Directed by | Scott Derrickson | Cinematography by | David Tattersall | Editing by | Wayne Wahrman

Starring | Keanu Reeves, Jennifer Connelly, Kathy Bates, Jaden Smith

Cameras | Panavision Cameras

Eastern Promises (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 100 Minutes

Directed by | David Cronenberg | Cinematography by | Peter Suschitzky | Editing by | Ronald Sanders

Starring | Naomi Watts, Viggo Mortensen, Armin Mueller-Stahl, Josef Altin

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

Your Highness (2011)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Craig Alpert

Starring | Danny McBride, Natalie Portman, James Franco, Rasmus Hardiker

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Bourne Legacy (2012)

Motion Picture | 2D | Color | 2.35:1 | 135 Minutes

The Bourne Legacy | ShotOnWhat?

Directed by | Tony Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy

Starring | Jeremy Renner, Rachel Weisz, Edward Norton, Scott Glenn

Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses

The Descendants (2011)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Directed by | Alexander Payne | Cinematography by | Phedon Papamichael | Editing by | Kevin Tent

Starring | George Clooney, Shailene Woodley, Amara Miller, Nick Krause

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

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