The Foundry | 138 Titles
21 Jump Street (2012)
Directed by | Phil Lord, Christopher Miller | Cinematography by | Barry Peterson | Editing by | Joel Negron
Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by | Michael Apted | Cinematography by | Dante Spinotti | Editing by | Rick Shaine
Cameras | Sony CineAlta F23 Camera
Ted (2012)
Directed by | Seth MacFarlane | Cinematography by | Michael Barrett | Editing by | Jeff Freeman
Cameras | Panavision Genesis Camera, Sony PMW-EX3 Camera
The Fighter (2010)
X-Men Origins: Wolverine (2009)
Directed by | Gavin Hood | Cinematography by | Donald McAlpine | Editing by | Nicolas De Toth, Megan Gill
Dredd (2012)
Directed by | Pete Travis | Cinematography by | Anthony Dod Mantle | Editing by | Mark Eckersley
Lenses | Zeiss Ultra Prime Lenses
Limitless (2011)
Directed by | Neil Burger | Cinematography by | Jo Willems | Editing by | Tracy Adams, Naomi Geraghty
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses | Cooke S4 Lenses
X: First Class (2011)
Directed by | Matthew Vaughn | Cinematography by | John Mathieson | Editing by | Eddie Hamilton, Lee Smith
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Tower Heist (2011)
I Am Number Four (2011)
Directed by | D.J. Caruso | Cinematography by | Guillermo Navarro | Editing by | Vince Filippone, Jim Page
Knight and Day (2010)
Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Quincy Z. Gunderson, Michael McCusker
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Salt (2010)
Directed by | Phillip Noyce | Cinematography by | Robert Elswit | Editing by | Stuart Baird, John Gilroy
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses
Underworld: Rise of the Lycans (2009)
Directed by | Patrick Tatopoulos | Cinematography by | Ross Emery | Editing by | Peter Amundson, Eric Potter
Cameras | Panavision Genesis Camera, Red One Camera
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by | Rob Marshall | Cinematography by | Dariusz Wolski | Editing by | David Brenner, Wyatt Smith
Cameras | Red Epic Camera, Red One MX Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Harry Potter and the Deathly Hallows: Part 1 (2010)
The Avengers (2012)
Directed by | Joss Whedon | Cinematography by | Seamus McGarvey | Editing by | Jeffrey Ford, Lisa Lassek
Lenses | Panavision Frazier Lenses, Panavision Lenses
Source Code (2011)
Directed by | Duncan Jones | Cinematography by | Don Burgess | Editing by | Paul Hirsch
Cameras | Iconix HD-RH1 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera, Red One MX Camera
Lenses | Panavision Primo Anamorphic Lenses
The Incredible Hulk (2008)
Directed by | Louis Leterrier | Cinematography by | Peter Menzies Jr. | Editing by | Rick Shaine, Vincent Tabaillon, John Wright
