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Nvizible | 16 Titles

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The Dark Knight (2008)

Motion Picture | 2D | Color | 1.44:1, 2.39:1 | 152 Minutes

Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith

Starring | Christian Bale, Heath Ledger, Aaron Eckhart, Michael Caine

Cameras | Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses

Skyfall (2012)

Motion Picture | 2D | Color | 1.90:1, 2.39:1 | 143 Minutes

Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Stuart Baird

Starring | Daniel Craig, Javier Bardem, Naomie Harris, Judi Dench

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Spectre (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 148 Minutes

Annihilation (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 115 Minutes

Directed by | Alex Garland | Cinematography by | Rob Hardy | Editing by | Barney Pilling

Starring | Natalie Portman, Jennifer Jason Leigh, Tessa Thompson

Cameras | Red Weapon Dragon Camera, Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Panatar Anamorphic Lenses

Overlord (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Julius Avery | Cinematography by | Laurie Rose, Fabian Wagner | Editing by | Matt Evans

Starring | Jovan Adepo, Wyatt Russell, Mathilde Ollivier

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Panavision T Series Anamorphic Lenses

Outlaw King (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 121 Minutes

Directed by | David Mackenzie | Cinematography by | Barry Ackroyd | Editing by | Jake Roberts

Starring | Chris Pine, Stephen Dillane, Rebecca Robin

Cameras | Panavision Millennium DXL Camera, Red Weapon Dragon Camera

Lenses | Angenieux Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses

Wounds (2019)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Babak Anvari | Cinematography by | Kit Fraser | Editing by | Chris Barwell

Starring | Armie Hammer, Zazie Beetz, Karl Glusman, Christin Rankins

Cameras | ARRI ALEXA Mini Camera

Lenses | Leitz Summilux-C Series Lenses

Knights of the Roundtable: King Arthur (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 126 Minutes

Directed by | Guy Ritchie | Cinematography by | John Mathieson | Editing by | James Herbert

Starring | Charlie Hunnam, Astrid Bergès-Frisbey, Jude Law, Djimon Hounsou

Cameras | ARRI ALEXA XT Camera

Eddie the Eagle (2015)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | Dexter Fletcher | Cinematography by | George Richmond | Editing by | Martin Walsh

Starring | Taron Egerton, Hugh Jackman, Tom Costello, Jo Hartley

Cameras | ARRI ALEXA XT Camera, IO Industries Flare 2KSDI Camera, Red Epic Dragon Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Kingsman: The Secret Service (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 129 Minutes

Directed by | Matthew Vaughn | Cinematography by | George Richmond | Editing by | Eddie Hamilton, Jon Harris

Starring | Colin Firth, Taron Egerton, Samuel L. Jackson, Michael Caine

Cameras | ARRI ALEXA XT Plus Camera, Blackmagic Production 4K Camera, Phantom Flex Camera

Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Paddington (2014)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Paul King | Cinematography by | Erik Wilson | Editing by | Mark Everson

Starring | Hugh Bonneville, Sally Hawkins, Julie Walters, Jim Broadbent

Cameras | ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera

Lenses | Cooke S4 Lenses

Pride (2014)

Motion Picture | 2D | Color | 119 Minutes

Directed by | Matthew Warchus | Cinematography by | Tat Radcliffe | Editing by | Melanie Oliver

Starring | Bill Nighy, Imelda Staunton, Dominic West, Paddy Considine

Hercules (2014)

Motion Picture | 3D | Color | 98 Minutes

Directed by | Brett Ratner | Cinematography by | Dante Spinotti | Editing by | Mark Helfrich, Julia Wong

Starring | Dwayne Johnson, John Hurt, Ian McShane, Joseph Fiennes

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Edge of Tomorrow (2014)

Motion Picture | 3D | Color | 2.39:1 | 113 Minutes

Directed by | Doug Liman | Cinematography by | Dion Beebe | Editing by | James Herbert, Laura Jennings

Starring | Tom Cruise, Emily Blunt, Bill Paxton, Brendan Gleeson

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

44 Inch Chest (2009)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Directed by | Malcolm Venville | Cinematography by | Daniel Landin | Editing by | Rick Russell

Starring | Ray Winstone, Ian McShane, John Hurt, Tom Wilkinson

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Fantastic Mr. Fox (2009)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Directed by | Wes Anderson | Cinematography by | Tristan Oliver | Editing by | Ralph Foster, Stephen Perkins, Andrew Weisblum

Starring | George Clooney, Meryl Streep, Bill Murray, Jason Schwartzman

Cameras | Nikon D3 Camera

Lenses | Cooke Varotal Lenses

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