Sony Dynamic Digital Sound (SDDS) | 1011 Titles
Flubber (1997)
Directed by | Les Mayfield | Cinematography by | Dean Cundey | Editing by | Harvey Rosenstock, Michael A. Stevenson
Cameras | Panavision Cameras
To Gillian on Her 37th Birthday (1996)
Directed by | Michael Pressman | Cinematography by | Tim Suhrstedt | Editing by | William S. Scharf
Cameras | Panavision Cameras
Nancy Drew (2007)
Directed by | Andrew Fleming | Cinematography by | Alexander Gruszynski | Editing by | Jeff Freeman
Lenses | Panavision Primo Anamorphic Lenses
Breach (2007)
Directed by | Billy Ray | Cinematography by | Tak Fujimoto | Editing by | Jeffrey Ford
Cameras | Panavision Cameras
Final Destination 2 (2003)
Directed by | David R. Ellis | Cinematography by | Gary Capo | Editing by | Eric A. Sears
Cameras | Panavision Cameras
The Faculty (1998)
Directed by | Robert Rodriguez | Cinematography by | Enrique Chediak | Editing by | Robert Rodriguez
Cameras | Panavision Cameras
The Cell (2000)
Directed by | Tarsem Singh | Cinematography by | Paul Laufer | Editing by | Robert Duffy, Paul Rubell
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Panavision Panaflex Platinum Camera
Bobby Jones: Stroke of Genius (2004)
Directed by | Rowdy Herrington | Cinematography by | Tom Stern | Editing by | Pasquale Buba
Cameras | Panavision Cameras
Gone in Sixty Seconds (2000)
Directed by | Dominic Sena | Cinematography by | Paul Cameron | Editing by | Roger Barton, Chris Lebenzon, Tom Muldoon
Ballistic: Ecks vs. Sever (2002)
Directed by | Wych Kaosayananda | Cinematography by | Julio Macat | Editing by | Jay Cassidy, Caroline Ross
Lenses | Cooke S4 Lenses
Best in Show (2000)
Directed by | Christopher Guest | Cinematography by | Roberto Schaefer | Editing by | Robert Leighton
Cameras | Aaton Cameras
Rambo (2008)
Directed by | Sylvester Stallone | Cinematography by | Glen MacPherson | Editing by | Sean Albertson
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses | Zeiss Ultra Prime Lenses
Amazing Grace (2006)
Directed by | Michael Apted | Cinematography by | Remi Adefarasin | Editing by | Rick Shaine
Cameras | ARRI Cameras
Most Wanted (1997)
Directed by | David Hogan | Cinematography by | Marc Reshovsky | Editing by | Michael J. Duthie, Mark Helfrich
Cameras | Panavision Cameras
Tears of the Sun (2003)
Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | Conrad Buff IV, Christopher Holmes
Cameras | Panavision Cameras
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Bourne Supremacy (2004)
Directed by | Paul Greengrass | Cinematography by | Oliver Wood | Editing by | Richard Pearson, Christopher Rouse
Cameras | ARRI Cameras
Pathfinder (2007)
Directed by | Marcus Nispel | Cinematography by | Daniel Pearl | Editing by | Jay Friedkin, Glen Scantlebury
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Rounders (1998)
Directed by | John Dahl | Cinematography by | Jean-Yves Escoffier | Editing by | Scott Chestnut
Lenses | Panavision Primo Anamorphic Lenses
Vegas Vacation (1997)
Directed by | Stephen Kessler | Cinematography by | William A. Fraker | Editing by | Seth Flaum
Cameras | Panavision Cameras
Secretariat (2010)
Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | John Wright
Cameras | ARRIFLEX 435 Camera, Olympus PEN E-P1 Camera, Pan-Arri 435 Camera, Panavision Genesis Camera, Phantom HD Camera
Lenses | Panavision Primo Anamorphic Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
