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The Meg (2018)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 113 Minutes

Directed by | Jon Turteltaub | Cinematography by | Tom Stern | Editing by | Steven Kemper, Kelly Matsumoto

Starring | Jason Statham, Bingbing Li, Rainn Wilson

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Angenieux Lenses, ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Prime Lenses

Dune (2021)

Motion Picture | 2D, 3D | 4K Project | Color | 1.43:1, 1.90:1, 2.39:1 | 155 Minutes

Directed by | Denis Villeneuve | Cinematography by | Greig Fraser | Editing by | Joe Walker

Starring | Timothée Chalamet, Rebecca Ferguson, Zendaya

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | Panavision H Series Lenses, Panavision Ultra Vista Series Lenses

Paddington 2 (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 103 Minutes

Directed by | Paul King | Cinematography by | Erik Wilson | Editing by | Jonathan Amos, Mark Everson

Starring | Ben Whishaw, Hugh Grant, Hugh Bonneville

Cameras | ARRI ALEXA Series Cameras

Us (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 116 Minutes

Directed by | Jordan Peele | Cinematography by | Mike Gioulakis | Editing by | Nicholas Monsour

Starring | Lupita Nyong'o, Winston Duke, Elisabeth Moss

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Fujinon Alura Lenses, Zeiss Master Prime Lenses

Wonder Woman (2017)

Motion Picture | 3D | 2K Project | Color | 2.20:1, 2.39:1 | 141 Minutes

Directed by | Patty Jenkins | Cinematography by | Matthew Jensen | Editing by | Martin Walsh

Starring | Gal Gadot, Chris Pine, Robin Wright

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses | ARRI Rental Prime 65 Lenses

The Mummy (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Alex Kurtzman | Cinematography by | Ben Seresin | Editing by | Gina Hirsch, Paul Hirsch, Andrew Mondshein

Starring | Tom Cruise, Sofia Boutella, Annabelle Wallis

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Alien: Covenant (2017)

Motion Picture | 2D | 2K Project | Color | 1.90:1, 2.39:1 | 122 Minutes

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia

Starring | Michael Fassbender, Katherine Waterston, Billy Crudup

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses | Angenieux Optimo DP Zoom Lenses, Panavision Compact Zoom Lenses, Panavision PVintage Prime Lenses

Flatliners (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | Niels Arden Oplev | Cinematography by | Eric Kress | Editing by | Tom Elkins

Starring | Elliot Page, Diego Luna, Nina Dobrev

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision Lenses

La La Land (2016)

Motion Picture | 2D | 2K Project | Color | 2.55:1 | 128 Minutes

Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross

Starring | Ryan Gosling, Emma Stone, Rosemarie DeWitt, J.K. Simmons

Cameras | Aaton A-Minima Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens

Roman J. Israel, Esq. (2017)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 122 Minutes

Directed by | Dan Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy

Starring | Denzel Washington, Colin Farrell, Carmen Ejogo

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Zeiss ARRI Macro Lenses

Roma (2018)

Motion Picture | 2D | 4K Project | Black & White | 2.20:1, 2.39:1 | 135 Minutes

Directed by | Alfonso Cuarón | Cinematography by | Alfonso Cuarón | Editing by | Alfonso Cuarón, Adam Gough

Starring | Yalitza Aparicio, Marina de Tavira, Diego Cortina Autrey

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime 65 Lenses

The Greatest Showman (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 105 Minutes

Directed by | Michael Gracey | Cinematography by | Seamus McGarvey | Editing by | Tom Cross, Robert Duffy, Joe Hutshing, Michael McCusker, Jon Poll, Spencer Susser

Starring | Hugh Jackman, Michelle Williams, Zac Efron

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses, Panavision Super Speed Lenses

Get Out (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 104 Minutes

Directed by | Jordan Peele | Cinematography by | Toby Oliver | Editing by | Gregory Plotkin

Starring | Daniel Kaluuya, Allison Williams, Bradley Whitford

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo Zoom Lenses

Hacksaw Ridge (2016)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 139 Minutes

Directed by | Mel Gibson | Cinematography by | Simon Duggan | Editing by | John Gilbert

Starring | Andrew Garfield, Sam Worthington, Luke Bracey

Cameras | ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo V Lenses

Avatar: The Way of Water (2022)

Motion Picture | 3D | 4K Project | Color | 1.85:1, 2.39:1 | 192 Minutes

Directed by | James Cameron | Cinematography by | Russell Carpenter | Editing by | David Brenner, James Cameron, John Refoua, Stephen E. Rivkin

Starring | Sam Worthington, Zoe Saldaña, Sigourney Weaver

Cameras | Sony CineAlta VENICE Camera

Lenses | Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon MK 18-55mm T2.9 Lens, Fujinon MK 50-135mm T2.9 Lens

The Boy and the Heron (2023)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 124 Minutes

Directed by | Hayao Miyazaki | Cinematography by | Atsushi Okui | Editing by | Rie Matsubara, Takeshi Seyama, Akane Shiraishi

Starring | Soma Santoki, Masaki Suda, Kô Shibasaki

Zack Snyder’s Justice League (2021)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3) | 242 Minutes

Directed by | Zack Snyder | Cinematography by | Fabian Wagner | Editing by | David Brenner, Carlos M. Castillón, Dody Dorn

Starring | Henry Cavill, Ben Affleck, Gal Gadot, Amy Adams

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Leitz Summilux-C Series Lenses

Indiana Jones and the Dial of Destiny (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 154 Minutes

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Andrew Buckland, Michael McCusker, Dirk Westervelt

Starring | Harrison Ford, Phoebe Waller-Bridge, Antonio Banderas

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

The Color Purple (2023)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 141 Minutes

Directed by | Blitz Bazawule | Cinematography by | Dan Laustsen | Editing by | Jon Poll

Starring | Fantasia Barrino, Taraji P. Henson, Danielle Brooks

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses

Pokémon Detective Pikachu (2019)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 104 Minutes

Directed by | Rob Letterman | Cinematography by | John Mathieson | Editing by | Mark Sanger, James Thomas

Starring | Ryan Reynolds, Justice Smith, Kathryn Newton

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

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