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Dolby | 2925 Titles

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La princesse de Montpensier (2010)

Motion Picture | 2D | Color | 2.39:1 | 139 Minutes

Directed by | Bertrand Tavernier | Cinematography by | Bruno de Keyzer | Editing by | Sophie Brunet

Starring | Mélanie Thierry, Lambert Wilson, Gaspard Ulliel, Grégoire Leprince-Ringuet

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Margin Call (2011)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 107 Minutes

Directed by | J.C. Chandor | Cinematography by | Frank G. DeMarco | Editing by | Pete Beaudreau

Starring | Zachary Quinto, Stanley Tucci, Kevin Spacey, Paul Bettany

Cameras | ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Red One MX Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Standard Speed Prime Lenses

Michael Clayton (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 119 Minutes

Directed by | Tony Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy

Starring | George Clooney, Tilda Swinton, Tom Wilkinson, Michael O'Keefe

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Jack (1996)

Motion Picture | 2D | Color | 1.85:1 | 113 Minutes

Jack | ShotOnWhat?

Directed by | Francis Ford Coppola | Cinematography by | John Toll | Editing by | Barry Malkin

Starring | Robin Williams, Diane Lane, Brian Kerwin, Jennifer Lopez

Cameras | Panavision Cameras

The Chronicles of Narnia: Prince Caspian (2008)

Motion Picture | 2D | Color | 2.35:1 | 150 Minutes

The Chronicles of Narnia: Prince Caspian | ShotOnWhat?

Directed by | Andrew Adamson | Cinematography by | Karl Walter Lindenlaub | Editing by | Josh Campbell, Sim Evan-Jones

Starring | Ben Barnes, Skandar Keynes, Georgie Henley, William Moseley

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera

Lenses | Zeiss Master Prime Lenses

Ben-Hur (1959)

Motion Picture | 2D | Film Project | Color | 2.55:1, 2.76:1 | 212 Minutes

Directed by | William Wyler | Cinematography by | Robert Surtees | Editing by | John D. Dunning, Ralph E. Winters, Margaret Booth

Starring | Charlton Heston, Jack Hawkins, Stephen Boyd, Haya Harareet

Cameras | MGM Camera 65 Camera

Lenses | Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Lenses, Panavision Lenses

Est – Ouest (1999)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Régis Wargnier | Cinematography by | Laurent Dailland | Editing by | Hervé Schneid

Starring | Oleg Menshikov, Sandrine Bonnaire, Catherine Deneuve, Sergey Bodrov

Cameras | Technovision Cameras

Lenses | Technovision Lenses

Friday the 13th (2009)

Motion Picture | 2D | Color | 2.35:1 | 97 Minutes

Friday the 13th | ShotOnWhat?

Directed by | Marcus Nispel | Cinematography by | Daniel Pearl | Editing by | Ken Blackwell

Starring | Jared Padalecki, Amanda Righetti, Derek Mears, Danielle Panabaker

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux HR Zoom Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses

Cemetery Junction (2010)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Ricky Gervais, Stephen Merchant | Cinematography by | Remi Adefarasin | Editing by | Valerio Bonelli

Starring | Christian Cooke, Felicity Jones, Tom Hughes, Jack Doolan

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Black Rain (1989)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 125 Minutes

Directed by | Ridley Scott | Cinematography by | Jan de Bont | Editing by | Tom Rolf

Starring | Michael Douglas, Andy Garcia, Ken Takakura, Kate Capshaw

Cameras | Beaulieu Cameras, Panavision Cameras

Lenses | Panavision Lenses

Sleuth (2007)

Motion Picture | 2D | Color, Black and White | 2.39:1 | 88 Minutes

Sleuth | ShotOnWhat?

Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Neil Farrell

Starring | Michael Caine, Jude Law, Harold Pinter, Kenneth Branagh

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Divorce Invitation (2012)

Motion Picture | 2D | Color | 1.85:1, 2.39:1 | 110 Minutes

Divorce Invitation | ShotOnWhat?

Directed by | S.V. Krishna Reddy | Cinematography by | Brad Rushing | Editing by | Blu Murray, Gary Roach

Starring | Jamie-Lynn Sigler, Jonathan Bennett, Elliott Gould, Richard Kind

Cameras | ARRI ALEXA Camera

Crimson Tide (1995)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Tony Scott | Cinematography by | Dariusz Wolski | Editing by | Chris Lebenzon

Starring | Gene Hackman, Denzel Washington, Matt Craven, George Dzundza

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision E Series Anamorphic Lenses

Burn After Reading (2008)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Emmanuel Lubezki | Editing by | Ethan Coen, Joel Coen

Starring | Brad Pitt, Frances McDormand, George Clooney, John Malkovich

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Place Beyond the Pines (2012)

Motion Picture | 2D | Color | 2.39:1 | 140 Minutes

Directed by | Derek Cianfrance | Cinematography by | Sean Bobbitt | Editing by | Jim Helton, Ron Patane

Starring | Ryan Gosling, Bradley Cooper, Eva Mendes, Craig Van Hook

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4/i Lenses

The Loss of Sexual Innocence (1999)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 106 Minutes

The Loss of Sexual Innocence | ShotOnWhat?

Directed by | Mike Figgis | Cinematography by | Benoît Delhomme | Editing by | Matthew Wood

Starring | Julian Sands, Saffron Burrows, Stefano Dionisi, Kelly Macdonald

Cameras | Aaton XTR Prod Camera

Lenses | Canon Lenses, Zeiss Super Speed Lenses

The Hitchhiker’s Guide to the Galaxy (2005)

Motion Picture | 2D | Color | 109 Minutes

The Hitchhiker’s Guide to the Galaxy | ShotOnWhat?

Directed by | Garth Jennings | Cinematography by | Igor Jadue-Lillo | Editing by | Niven Howie

Starring | Martin Freeman, Yasiin Bey, Sam Rockwell, Zooey Deschanel

Cameras | Panavision Cameras

Lenses | Panavision Lenses

London Boulevard (2010)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | William Monahan | Cinematography by | Chris Menges | Editing by | Dody Dorn, Robb Sullivan

Starring | Colin Farrell, Keira Knightley, Ray Winstone, David Thewlis

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Anything Else (2003)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter

Starring | Woody Allen, Jason Biggs, Christina Ricci, Danny DeVito

Cameras | Panavision Panaflex Millennium Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Big Lebowski (1998)

Motion Picture | 2D | Color | 117 Minutes

Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke

Starring | Jeff Bridges, John Goodman, Julianne Moore, Steve Buscemi

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 535 B Camera

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