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Dolby | 2925 Titles

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Knocked Up (2007)

Motion Picture | 2D | Color | 1.85:1 | 129 Minutes

Knocked Up | ShotOnWhat?

Directed by | Judd Apatow | Cinematography by | Eric Alan Edwards | Editing by | Craig Alpert, Brent White

Starring | Seth Rogen, Katherine Heigl, Paul Rudd, Leslie Mann

Cameras | Panavision Cameras

Hereafter (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 129 Minutes

Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach

Starring | Matt Damon, Cécile de France, Bryce Dallas Howard, Thierry Neuvic

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Ali (2001)

Motion Picture | 2D | Color | 2.39:1 | 157 Minutes

Directed by | Michael Mann | Cinematography by | Emmanuel Lubezki | Editing by | William Goldenberg, Lynzee Klingman, Stephen E. Rivkin, Stuart Waks

Starring | Will Smith, Jamie Foxx, Jon Voight, Mario Van Peebles

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Sony HDW-F900 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Broken Embraces (2009)

Motion Picture | 2D | Color | 2.39:1 | 127 Minutes

Directed by | Pedro Almodóvar | Cinematography by | Rodrigo Prieto | Editing by | José Salcedo, Roberto Serrano

Starring | Penélope Cruz, Lluís Homar, Blanca Portillo, José Luis Gómez

Cameras | ARRIFLEX 416 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra 16 Lenses

Juno (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 96 Minutes

Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Dana E. Glauberman

Starring | Elliot Page, Michael Cera, Jennifer Garner, Jason Bateman

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision Primo Primes Spherical Lenses

Hannah Montana & Miley Cyrus: Best of Both Worlds Concert (2008)

Motion Picture | 3D | Color | 1.85:1 | 74 Minutes

Hannah Montana & Miley Cyrus: Best of Both Worlds Concert | ShotOnWhat?

Directed by | Bruce Hendricks | Cinematography by | Mitchell Amundsen, Reed Smoot, Rodney Taylor | Editing by | Michael Tronick

Starring | Miley Cyrus, The Jonas Brothers, Kenny Ortega, Billy Ray Cyrus

Cameras | Sony CineAlta F23 Camera, Sony HDC-F950 Camera

Dance Flick (2009)

Motion Picture | 2D | Color | 1.85:1 | 83 Minutes

Dance Flick | ShotOnWhat?

Directed by | Damien Dante Wayans | Cinematography by | Mark Irwin | Editing by | Scott Hill

Starring | Marlon Wayans, Shawn Wayans, Shoshana Bush, Damon Wayans Jr.

Cameras | Moviecam Compact Camera

Billy Elliot (2000)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Directed by | Stephen Daldry | Cinematography by | Brian Tufano | Editing by | John Wilson

Starring | Jamie Bell, Julie Walters, Jean Heywood, Jamie Draven

Cameras | Aaton 35-III Camera, ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Lenses

The Last Samurai (2003)

Motion Picture | 2D | Color | 2.39:1 | 154 Minutes

Directed by | Edward Zwick | Cinematography by | John Toll | Editing by | Victor Du Bois, Steven Rosenblum

Starring | Tom Cruise, Ken Watanabe, Billy Connolly, William Atherton

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panastar Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Coming to America (1988)

Motion Picture | 2D | Color | 1.85:1 | 116 Minutes

Directed by | John Landis | Cinematography by | Woody Omens | Editing by | Malcolm Campbell, George Folsey Jr.

Starring | Eddie Murphy, Paul Bates, Garcelle Beauvais, Feather

Cameras | Panavision Panaflex Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

Step Up 3D (2010)

Motion Picture | 3D | Color | 1.85:1 | 107 Minutes

Step Up 3D | ShotOnWhat?

Directed by | Jon M. Chu | Cinematography by | Ken Seng | Editing by | Andrew Marcus

Starring | Sharni Vinson, Rick Malambri, Adam Sevani, Alyson Stoner

Cameras | Sony CineAlta F23 Camera

The Rite (2011)

Motion Picture | 2D | Color | 2.35:1 | 114 Minutes

The Rite | ShotOnWhat?

Directed by | Mikael Håfström | Cinematography by | Ben Davis | Editing by | David Rosenbloom

Starring | Colin O'Donoghue, Anthony Hopkins, Ciarán Hinds, Alice Braga

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision G100 100 mm T2.6 Lens

TRON (1982)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 96 Minutes

Directed by | Steven Lisberger | Cinematography by | Bruce Logan | Editing by | Jeff Gourson

Starring | Jeff Bridges, Bruce Boxleitner, David Warner, Cindy Morgan

Cameras | Panavision Cameras, Panavision System 65 Camera, Super Panavision-70 Camera

Lenses | Panavision Lenses

Downfall (2004)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 156 Minutes

Directed by | Oliver Hirschbiegel | Cinematography by | Rainer Klausmann | Editing by | Hans Funck

Starring | Bruno Ganz, Alexandra Maria Lara, Ulrich Matthes, Juliane Köhler

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Zeiss Ultra Prime Lenses

Beasts of the Southern Wild (2012)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

Directed by | Benh Zeitlin | Cinematography by | Ben Richardson | Editing by | Crockett Doob, Affonso Gonçalves

Starring | Quvenzhané Wallis, Dwight Henry, Levy Easterly, Lowell Landes

Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 416 Camera

Lenses | Zeiss Super Speed Lenses

Eagle Eye (2008)

Motion Picture | 2D | Color | 2.35:1 | 118 Minutes

Eagle Eye | ShotOnWhat?

Directed by | D.J. Caruso | Cinematography by | Dariusz Wolski | Editing by | Jim Page

Starring | Shia LaBeouf, Michelle Monaghan, Rosario Dawson, Michael Chiklis

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Armored (2009)

Motion Picture | 2D | Color | 2.39:1 | 88 Minutes

Directed by | Nimród Antal | Cinematography by | Andrzej Sekula | Editing by | Armen Minasian

Starring | Columbus Short, Matt Dillon, Laurence Fishburne, Jean Reno

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Marie Antoinette (2006)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 123 Minutes

Directed by | Sofia Coppola | Cinematography by | Lance Acord | Editing by | Sarah Flack

Starring | Kirsten Dunst, Jason Schwartzman, Rip Torn, Judy Davis

Cameras | Aaton 35-III Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Bounty (1984)

Motion Picture | 2D | Color | 2.39:1 | 132 Minutes

Directed by | Roger Donaldson | Cinematography by | Arthur Ibbetson | Editing by | Tony Lawson

Starring | Mel Gibson, Anthony Hopkins, Laurence Olivier, Edward Fox

Cameras | J-D-C Camera, Joe Dunton Cameras

The Tree of Life (2011)

Motion Picture | Color | 1.85:1 | 139 Minutes

Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | Hank Corwin, Jay Rabinowitz, Daniel Rezende, Billy Weber, Mark Yoshikawa

Starring | Brad Pitt, Sean Penn, Jessica Chastain, Hunter McCracken

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera

Lenses | Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

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