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Dolby | 2925 Titles

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The Mortal Instruments: City of Bones (2013)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

The Mortal Instruments: City of Bones | ShotOnWhat?

Directed by | Harald Zwart | Cinematography by | Geir Hartly Andreassen | Editing by | Jacqueline Carmody

Starring | Lily Collins, Jamie Campbell Bower, Robert Sheehan, Jemima West

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision G Series Anamorphic Lenses

Elysium (2013)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke, Lee Smith

Starring | Matt Damon, Jodie Foster, Sharlto Copley, Alice Braga

Cameras | Canon EOS-5D Mark II Camera, Red Epic Camera

Lenses | Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Great Gatsby (2013)

Motion Picture | 3D | Color | 2.39:1 | 143 Minutes

Directed by | Baz Luhrmann | Cinematography by | Simon Duggan | Editing by | Jason Ballantine, Jonathan Redmond, Matt Villa

Starring | Leonardo DiCaprio, Carey Mulligan, Joel Edgerton, Tobey Maguire

Cameras | Red Epic Camera

Lenses | Zeiss Ultra Prime Lenses

Now You See Me (2013)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Now You See Me | ShotOnWhat?

Directed by | Louis Leterrier | Cinematography by | Mitchell Amundsen, Larry Fong | Editing by | Robert Leighton, Vincent Tabaillon

Starring | Jesse Eisenberg, Common, Mark Ruffalo, Woody Harrelson

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision G Series Anamorphic Lenses

Despicable Me 2 (2013)

Motion Picture | 3D | Color | 1.85:1 | 98 Minutes

Directed by | Pierre Coffin, Chris Renaud | Editing by | Gregory Perler

Starring | Steve Carell, Kristen Wiig, Benjamin Bratt, Miranda Cosgrove

Epic (2013)

Motion Picture | 3D | Color | 2.35:1 | 102 Minutes

Directed by | Chris Wedge | Cinematography by | Renato Falcão | Editing by | Andy Keir

Starring | Amanda Seyfried, Josh Hutcherson, Beyoncé, Colin Farrell

Dead Man Down (2013)

Motion Picture | 2D | Color | 2.39:1 | 118 Minutes

Dead Man Down | ShotOnWhat?

Directed by | Niels Arden Oplev | Cinematography by | Paul Cameron | Editing by | Timothy A. Good, Frédéric Thoraval

Starring | Colin Farrell, Noomi Rapace, Dominic Cooper, Terrence Howard

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Hawk 150-450 mm T2.8 Lens

Pain & Gain (2013)

Motion Picture | 2D | Color | 2.39:1 | 129 Minutes

Directed by | Michael Bay | Cinematography by | Ben Seresin | Editing by | Tom Muldoon, Joel Negron

Starring | Mark Wahlberg, Dwayne Johnson, Anthony Mackie, Tony Shalhoub

Cameras | Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera

Lenses | Panavision C Series Anamorphic Lenses

Phantom (2013)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Phantom | ShotOnWhat?

Directed by | Todd Robinson | Cinematography by | Byron Werner | Editing by | Terel Gibson

Starring | Ed Harris, Julian Adams, David Duchovny, William Fichtner

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses

Side Effects (2013)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Side Effects | ShotOnWhat?

Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Steven Soderbergh

Starring | Rooney Mara, Channing Tatum, Jude Law, Catherine Zeta-Jones

Cameras | Red Epic Camera

The Host (2013)

Motion Picture | 2D | Color | 2.39:1 | 125 Minutes

The Host | ShotOnWhat?

Directed by | Andrew Niccol | Cinematography by | Roberto Schaefer | Editing by | Thomas J. Nordberg

Starring | Saoirse Ronan, Max Irons, Jake Abel, Diane Kruger

Cameras | ARRI ALEXA Camera

Jack the Giant Slayer (2013)

Motion Picture | 3D | Color | 2.39:1 | 114 Minutes

Jack the Giant Slayer | ShotOnWhat?

Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Bob Ducsay, John Ottman

Starring | Nicholas Hoult, Stanley Tucci, Ewan McGregor, Bill Nighy

Cameras | ARRI ALEXA Camera, Panavision Genesis Camera, Red Epic Camera

Lenses | Panavision Primo Primes Spherical Lenses

Dawn of the Planet of the Apes (2014)

Motion Picture | 3D | Color | 130 Minutes

Directed by | Matt Reeves | Cinematography by | Michael Seresin | Editing by | William Hoy, Stan Salfas

Starring | Gary Oldman, Keri Russell, Andy Serkis, Kodi Smit-McPhee

Cameras | ARRI ALEXA M Camera

Lenses | ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Through the Wormhole (2010)

Television Series | 2D | Color, Color | 1.78:1 (16x9) | 60 Minutes

Through the Wormhole | ShotOnWhat?

| Cinematography by | David Baillie, Wes Dorman, Steve Robson, Kris Denton, Joel Schwartzberg, David Goulding, David Zapatka, Dave Sanders, Jason Longo, Mark Trottenberg, Edward Done, Paul Neal, Stephen McCarthy, Gordy Waterman, Kevin O'Brien, Aaron Stecker, Andrew Begg, Rami Katzav, Max Miller, Randall Love, Roelf-Jan Wentholt, Grant Jordan, John Lawrence, Josh Tallo, Jason Newfield, Chris Phillips, Aske Foss, Thomas S. Ciciura, Joe Gabriel, Tim Metzger, Oktay Ortabasi, Mauricio Franco, Shawn Hiatt, Allan Palmer, Jon Shenk, Sandra Chandler, Bryan Gartman, Jerry Hattan, Sid Lubitsch, James Saligari, Joe Tolitano, Koen Wattez, David A. Wolf, Hugo Zavala, Dave Bartlett, Rupert Binsley, Rolf Cutts, Evan Herrick, Brendan Hubbard, Afshin Javadi, Richard Kendrick, Scott Lakey, Sean Maxwell, Bill McMillin, Cory Popp, Robin Probyn, Jon Tichota, Gary Henoch, Stan McMeekin, Paul Huth, Wade Muller, Esther Verkaik, Alexa Ihrt, Tim Knight, Gilberto Nobrega, Rick Siegel, G. Daniel Velazquez, Damon Hennessy, Brandon Kelly, Geordin Zee | Editing by | David Isser, David LaMattina, Lance Larson, Gillian McCarthy, Freddy Harris, De'Shaun Humphrey, Bryan King, Matt Raffaniello, Gina Vecchione, Paul Marengo, Tricia Gorman, Eric Potter, Katie Smith, Clay Zimmerman, John Dentlinger, Michael Mees, Mark C. Baldwin, Adam Cook, Tim Wilsbach

Starring | Morgan Freeman, Sean Carroll, Michio Kaku, Carlos Frenk

Cameras | Sony PMW-F3 Camera

Officer Down (2013)

Direct to Video | 2D | Color | 1.78:1 (16x9) | 110 Minutes

Directed by | Richard Bakewell | Cinematography by | Chun Ming Huang

Starring | Rachel Alig, Laura Rauh, Frederick Lawrence, Stefan Prater

Cameras | Sony PMW-F3 Camera

Lenses | Cooke Speed Panchro Lenses

Where the Trail Ends (2012)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 81 Minutes

Where the Trail Ends | ShotOnWhat?

Directed by | Jeremy Grant | Cinematography by | Brad McGregor | Editing by | Andrew Boucher, Jeremy Grant

Starring | Darren Berrecloth, James Doerfling, Andreu Lacondeguy, Kurt Sorge

Cameras | Red Epic Camera, Red One Camera, Sony PMW-F3 Camera

Stoker (2013)

Motion Picture | 2D | Color | 2.39:1 | 99 Minutes

Stoker | ShotOnWhat?

Directed by | Chan-wook Park | Cinematography by | Chung-hoon Chung | Editing by | Nicolas De Toth

Starring | Mia Wasikowska, Nicole Kidman, Matthew Goode, Dermot Mulroney

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

21 & Over (2013)

Motion Picture | 2D | Color | 2.39:1 | 93 Minutes

21 & Over | ShotOnWhat?

Directed by | Jon Lucas, Scott Moore | Cinematography by | Terry Stacey | Editing by | John Refoua

Starring | Miles Teller, Justin Chon, Jonathan Keltz, Sarah Wright

Cameras | ARRI ALEXA Camera

Lenses | Cooke S4 Lenses

The Last Exorcism Part II (2013)

Motion Picture | 2D | Color | 2.39:1 | 88 Minutes

Directed by | Ed Gass-Donnelly | Cinematography by | Brendan Steacy | Editing by | Ed Gass-Donnelly

Starring | Ashley Bell, Julia Garner, Spencer Treat Clark, David Jensen

Cameras | ARRI ALEXA Camera

Dark Skies (2013)

Motion Picture | 2D | Color | 2.39:1 | 97 Minutes

Dark Skies | ShotOnWhat?

Directed by | Scott Stewart | Cinematography by | David Boyd | Editing by | Peter Gvozdas

Starring | Keri Russell, Jake Brennan, Josh Hamilton, Dakota Goyo

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses

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