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Datasat Digital Sound | 158 Titles

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Annabelle (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 99 Minutes

Directed by | John R. Leonetti | Cinematography by | James Kniest | Editing by | Tom Elkins

Starring | Ward Horton, Annabelle Wallis, Alfre Woodard, Tony Amendola

Cameras | ARRI ALEXA XT Camera, Canon EOS-5D Mark III Camera, Red Epic Camera

Lenses | Canon L Series Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

The Equalizer (2014)

Motion Picture | 2D | Color | 2.39:1 | 132 Minutes

Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | John Refoua

Starring | Denzel Washington, Marton Csokas, Chloë Grace Moretz, David Harbour

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Teenage Mutant Ninja Turtles (2014)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 101 Minutes

Directed by | Jonathan Liebesman | Cinematography by | Lula Carvalho | Editing by | Joel Negron, Glen Scantlebury

Starring | Megan Fox, Will Arnett, William Fichtner, Noel Fisher

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Purge: Anarchy (2014)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | James DeMonaco | Cinematography by | Jacques Jouffret | Editing by | Vince Filippone, Todd E. Miller

Starring | Frank Grillo, Carmen Ejogo, Zach Gilford, Kiele Sanchez

Cameras | ARRI ALEXA XT Camera

Deliver Us from Evil: Sarchie (2014)

Direct to Video | 2D | Color | 2.39:1 |

Directed by | Gabriel Noble | Cinematography by | Robbie Stauder | Editing by | Craig Fields

Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses | Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses

Fury (2014)

Motion Picture | 2D | Color | 2.39:1 | 134 Minutes

Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | Jay Cassidy, Dody Dorn

Starring | Brad Pitt, Shia LaBeouf, Logan Lerman, Michael Peña

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses

Tammy (2014)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Directed by | Ben Falcone | Cinematography by | Russ T. Alsobrook | Editing by | Michael L. Sale

Starring | Melissa McCarthy, Susan Sarandon, Kathy Bates, Allison Janney

Cameras | Panavision Panaflex Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Foxcatcher (2014)

Motion Picture | 2D | Black & White, Color | 134 Minutes

Directed by | Bennett Miller | Cinematography by | Greig Fraser | Editing by | Jay Cassidy, Stuart Levy, Conor O'Neill

Starring | Steve Carell, Channing Tatum, Mark Ruffalo, Vanessa Redgrave

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Lucy (2014)

Motion Picture | 2D | Color | 2.39:1 | 89 Minutes

Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Julien Rey

Starring | Scarlett Johansson, Morgan Freeman, Min-sik Choi, Amr Waked

Cameras | ARRI ALEXA XT Camera, Red Epic Camera, Sony CineAlta F65 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

Million Dollar Arm (2014)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Craig Gillespie | Cinematography by | Gyula Pados | Editing by | Tatiana S. Riegel

Starring | Jon Hamm, Aasif Mandvi, Alan Arkin, Suraj Sharma

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT Studio Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

The Artist (2011)

Motion Picture | 2D | 2K Project | Black & White | 2.39:1 | 100 Minutes

Directed by | Michel Hazanavicius | Cinematography by | Guillaume Schiffman | Editing by | Anne-Sophie Bion, Michel Hazanavicius

Starring | Jean Dujardin, Bérénice Bejo, John Goodman, James Cromwell

Cameras | ARRIFLEX 435 ES Camera

Lenses | Panavision Lightweight Zoom Lenses, Panavision Super Speed Lenses

3 Days to Kill (2014)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | McG | Cinematography by | Thierry Arbogast | Editing by | Audrey Simonaud

Starring | Kevin Costner, Hailee Steinfeld, Connie Nielsen, Amber Heard

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Lenses | Technovision Lenses, Zeiss Super Speed Lenses

Unbroken (2014)

Motion Picture | 2D | Color | 2.39:1 | 137 Minutes

Directed by | Angelina Jolie | Cinematography by | Roger Deakins | Editing by | William Goldenberg, Tim Squyres

Starring | Jack O'Connell, Miyavi, Domhnall Gleeson, Garrett Hedlund

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses | Zeiss Master Prime Lenses

Transcendence (2014)

Motion Picture | 2D, 3D | Color | 2.39:1 | 119 Minutes

Directed by | Wally Pfister | Cinematography by | Jess Hall | Editing by | David Rosenbloom

Starring | Johnny Depp, Rebecca Hall, Morgan Freeman, Cillian Murphy

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom Flex Camera

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Lone Survivor (2013)

Motion Picture | 2D | Color | 2.39:1 | 121 Minutes

Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr.

Starring | Mark Wahlberg, Taylor Kitsch, Emile Hirsch, Ben Foster

Cameras | Phantom Flex Camera, Red Epic Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens

22 Jump Street (2014)

Motion Picture | 2D | Color | 112 Minutes

Directed by | Phil Lord, Christopher Miller | Cinematography by | Barry Peterson | Editing by | Keith Brachmann, David Rennie

Starring | Channing Tatum, Jonah Hill, Ice Cube, Nick Offerman

Cameras | ARRI ALEXA XT Camera

Veronica Mars (2014)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Rob Thomas | Cinematography by | Ben Kutchins | Editing by | Daniel Gabbe

Starring | Kristen Bell, Jason Dohring, Enrico Colantoni, Christopher Lowell

Cameras | ARRI ALEXA Camera

Lenses | Leitz Summilux-C Series Lenses

Neighbors (2014)

Motion Picture | 2D | Color | 2.39:1 | 97 Minutes

Directed by | Nicholas Stoller | Cinematography by | Brandon Trost | Editing by | Zene Baker

Starring | Seth Rogen, Rose Byrne, Zac Efron, Lisa Kudrow

Cameras | ARRI ALEXA Camera, Red Epic Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Pompeii (2014)

Motion Picture | 3D | Color | 2.39:1 | 105 Minutes

Directed by | Paul W.S. Anderson | Cinematography by | Glen MacPherson | Editing by | Michele Conroy

Starring | Kit Harington, Emily Browning, Kiefer Sutherland, Adewale Akinnuoye-Agbaje

Cameras | Red Epic Camera

The Monuments Men (2014)

Motion Picture | 2D | Color | 2.39:1 | 118 Minutes

Directed by | George Clooney | Cinematography by | Phedon Papamichael | Editing by | Stephen Mirrione

Starring | George Clooney, Matt Damon, Bill Murray, Cate Blanchett

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens

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