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Datasat Digital Sound | 158 Titles

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The Book Thief (2013)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 131 Minutes

Directed by | Brian Percival | Cinematography by | Florian Ballhaus | Editing by | John Wilson

Starring | Sophie Nélisse, Geoffrey Rush, Emily Watson, Ben Schnetzer

Cameras | ARRI ALEXA Camera, ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Trainwreck (2015)

Motion Picture | 2D | Color | 2.39:1 | 125 Minutes

Directed by | Judd Apatow | Cinematography by | Jody Lee Lipes | Editing by | William Kerr, Paul Zucker

Starring | Amy Schumer, Bill Hader, Brie Larson, Colin Quinn

Cameras | ARRICAM Lite (LT) Camera

Lenses | Cooke 5/i Lenses

Run All Night (2015)

Motion Picture | 2D | Color | 2.39:1 | 114 Minutes

Directed by | Jaume Collet-Serra | Cinematography by | Martin Ruhe | Editing by | Dirk Westervelt

Starring | Liam Neeson, Ed Harris, Joel Kinnaman, Vincent D'Onofrio

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses

Get Hard (2015)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Etan Cohen | Cinematography by | Tim Suhrstedt | Editing by | Michael L. Sale

Starring | Will Ferrell, Kevin Hart, Alison Brie, T.I.

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Fifty Shades of Grey (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 125 Minutes

Directed by | Sam Taylor-Johnson | Cinematography by | Seamus McGarvey | Editing by | Anne V. Coates, Lisa Gunning, Debra Neil-Fisher

Starring | Dakota Johnson, Jamie Dornan, Jennifer Ehle, Eloise Mumford

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

A Million Ways to Die in the West (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 116 Minutes

Directed by | Seth MacFarlane | Cinematography by | Michael Barrett | Editing by | Jeff Freeman

Starring | Seth MacFarlane, Charlize Theron, Liam Neeson, Amanda Seyfried

Cameras | Sony PMW-F55 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Chappie (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 120 Minutes

Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke, Mark Goldblatt

Starring | Sharlto Copley, Dev Patel, Hugh Jackman, Sigourney Weaver

Cameras | Canon EOS-5D Mark III Camera, GoPro (Woodman Labs) Cameras, Red Epic Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Dolphin Tale 2 (2014)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Charles Martin Smith | Cinematography by | Daryn Okada | Editing by | Harvey Rosenstock

Starring | Morgan Freeman, Ashley Judd, Nathan Gamble, Cozi Zuehlsdorff

Cameras | Sony PMW-F55 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Get a Horse! (2013)

Short Film | 3D | Black & White, Color | 2.35:1 | 6 Minutes

Directed by | Lauren MacMullan | Editing by | Julie Rogers

Starring | Walt Disney, Marcellite Garner, Russi Taylor, Billy Bletcher

Saving Mr. Banks (2013)

Motion Picture | 2D | Color | 2.39:1 | 125 Minutes

Directed by | John Lee Hancock | Cinematography by | John Schwartzman | Editing by | Mark Livolsi

Starring | Emma Thompson, Tom Hanks, Annie Rose Buckley, Colin Farrell

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Bad Grandpa (2013)

Motion Picture | 2D | Color | 1.85:1 | 92 Minutes

Directed by | Jeff Tremaine | Cinematography by | Lance Bangs, Dimitry Elyashkevich | Editing by | Seth Casriel, Matthew Kosinski, Matthew Probst

Starring | Johnny Knoxville, Jackson Nicoll, Gregorio, Georgina Cates

August: Osage County (2013)

Motion Picture | 2D | Color | 2.39:1 | 121 Minutes

Directed by | John Wells | Cinematography by | Adriano Goldman | Editing by | Stephen Mirrione

Starring | Meryl Streep, Dermot Mulroney, Julia Roberts, Juliette Lewis

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

If I Stay (2014)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | R.J. Cutler | Cinematography by | John de Borman | Editing by | Keith Henderson

Starring | Chloë Grace Moretz, Mireille Enos, Jamie Blackley, Joshua Leonard

Cameras | ARRI ALEXA Plus 4:3 Camera, Canon EOS-C500 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Hawk V-Lite Lenses

Dumb and Dumber To (2014)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Directed by | Bobby Farrelly, Peter Farrelly | Cinematography by | Matthew F. Leonetti | Editing by | Steven Rasch

Starring | Jim Carrey, Jeff Daniels, Rob Riggle, Laurie Holden

Cameras | ARRI ALEXA Camera

Lenses | Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

A Walk Among the Tombstones (2014)

Motion Picture | 2D | Color | 2.39:1 | 114 Minutes

Directed by | Scott Frank | Cinematography by | Mihai Malaimare Jr. | Editing by | Jill Savitt

Starring | Liam Neeson, Dan Stevens, David Harbour, Boyd Holbrook

Cameras | ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision Ultra Speed MKII Lenses

The Gambler (2014)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Rupert Wyatt | Cinematography by | Greig Fraser | Editing by | Pete Beaudreau

Starring | Mark Wahlberg, Jessica Lange, John Goodman, Brie Larson

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Predestination (2014)

Motion Picture | 2D | Color | 2.39:1 | 97 Minutes

Directed by | Michael Spierig, Peter Spierig | Cinematography by | Ben Nott | Editing by | Matt Villa

Starring | Ethan Hawke, Sarah Snook, Noah Taylor, Madeleine West

Cameras | ARRI ALEXA Camera

The Maze Runner (2014)

Motion Picture | 2D | Color | 2.39:1 | 113 Minutes

Directed by | Wes Ball | Cinematography by | Enrique Chediak | Editing by | Dan Zimmerman

Starring | Dylan O'Brien, Kaya Scodelario, Will Poulter, Thomas Brodie-Sangster

Cameras | ARRI ALEXA Camera, Red Epic Camera, Silicon Imaging SI-2K Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Interview (2014)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Evan Goldberg, Seth Rogen | Cinematography by | Brandon Trost | Editing by | Zene Baker, Evan Henke

Starring | James Franco, Seth Rogen, Randall Park, Lizzy Caplan

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Warrior (2011)

Motion Picture | 2D | Color | 2.35:1 | 140 Minutes

Directed by | Gavin O'Connor | Cinematography by | Masanobu Takayanagi | Editing by | Sean Albertson, Matt Chesse, John Gilroy, Aaron Marshall

Starring | Tom Hardy, Nick Nolte, Joel Edgerton, Jennifer Morrison

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

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