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2D | 5452 Titles

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Ferry Tales (2003)

Documentary | 2D | Color | 40 Minutes

Directed by | Katja Esson | Cinematography by | Katja Esson, Martina Radwan | Editing by | Moira Demos, Sabine Hoffman

Chernobyl Heart (2003)

Documentary | 2D | Color | 39 Minutes

Directed by | Maryann DeLeo | Editing by | John Custodio

Starring | William Novick, Adi Roche

Batman v Superman: Dawn of Justice (2016)

Motion Picture | 2D, 3D | 4K Project | Color | 1.44:1, 1.78:1 (16x9), 2.39:1 | 151 Minutes

Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | David Brenner

Starring | Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg

Cameras | ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Man from U.N.C.L.E. (2015)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Guy Ritchie | Cinematography by | John Mathieson | Editing by | James Herbert

Starring | Henry Cavill, Armie Hammer, Alicia Vikander, Elizabeth Debicki

Cameras | ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses | Cooke Varotal Lenses, Panavision E Series Anamorphic Lenses, Zeiss Super Speed Lenses

The 33 (2015)

Motion Picture | 2D | Color | 2.39:1 | 127 Minutes

Directed by | Patricia Riggen | Cinematography by | Checco Varese | Editing by | Michael Tronick

Starring | Antonio Banderas, Rodrigo Santoro, Juliette Binoche, James Brolin

Cameras | ARRI ALEXA XT Plus Camera, Silicon Imaging SI-2K Nano Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Kowa JC10M Series Lenses, Zeiss Ultra Prime Lenses

Tartarughe sul dorso (2004)

Motion Picture | 2D | Color |

Directed by | Stefano Pasetto | Cinematography by | Paolo Bravi | Editing by | Alessio Doglione

Starring | Lorenzo Acquaviva, Vittorio Amandola, Gabriella Barbuti, Barbora Bobulova

Cameras | ARRIFLEX 535 Camera

Lenses | Cooke Speed Panchro Lenses

Tracers (2015)

Motion Picture | 2D | Other Project Resolution | Color | 94 Minutes

Directed by | Daniel Benmayor | Cinematography by | Nelson Cragg | Editing by | Peter Amundson

Starring | Taylor Lautner, Marie Avgeropoulos, Adam Rayner, Rafi Gavron

Cameras | Red Epic Camera

Son of a Gun (2014)

Motion Picture | 2D | 2K Project | Color | 108 Minutes

Directed by | Julius Avery | Cinematography by | Nigel Bluck | Editing by | Jack Hutchings

Starring | Ewan McGregor, Brenton Thwaites, Alicia Vikander, Brendan Kerkvliet

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision B Series Anamorphic Lenses, Panavision Lenses

Living After Midnight (2016)

Motion Picture | 2D | HD Project | Color | 2.39:1 | 64 Minutes

Directed by | Tyler W. Moore | Cinematography by | Izzy Dulay | Editing by | Tyler W. Moore

Starring | David Wayne Young, Miranda S. Nation, Matthew J. Lindblom, Tyler W. Moore

Cameras | Canon EOS Rebel T3i camera, GoPro HD Hero3 Camera, Sony NEX-FS700 Camera

Lenses | Canon EF Series Lenses, Sony Lenses

Tears of Steel (2012)

Short Film | 2D | 4K Project | Color | 2.39:1 | 12 Minutes

Directed by | Ian Hubert | Cinematography by | Joris Kerbosch

Starring | Derek de Lint, Sergio Hasselbaink, Rogier Schippers, Vanja Rukavina

Cameras | Sony CineAlta F65 Camera

Hard Core Logo (1996)

Motion Picture | 2D | Color | 92 Minutes

Directed by | Bruce McDonald | Cinematography by | Danny Nowak | Editing by | Reginald Harkema

Starring | Hugh Dillon, Callum Keith Rennie, John Pyper-Ferguson, Bernie Coulson

Cameras | ARRIFLEX Camera

Lenses | Zeiss Lenses, Zeiss Zoom Lenses

The Ambassador (2011)

Documentary | 2D | HD Project | Color | 93 Minutes

Directed by | Mads Brügger | Cinematography by | Johan Stahl Winthereik | Editing by | Leif Axel Kjeldsen, Carsten Søsted, Kimmo Taavila

Starring | Mads Brügger, Heather Schmid

Cameras | Canon EOS-7D Camera

Human (2015)

Documentary | 2D | HD Project | Color | 1.85:1 | 190 Minutes

Directed by | Yann Arthus-Bertrand | Editing by | Françoise Bernard, Anne-Marie Sangla

Starring | Luis Cancu, Atman, Berthony, Bruno

Cameras | ARRI ALEXA M Camera, Canon EOS-C300 Camera, Red Epic Camera, Sony HDC-1500 Camera

Lenses | Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo Style 25-250 mm T3.5 Lens, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon EF 70-200 mm f2.8 L IS II Lens

Crimson Peak (2015)

Motion Picture | 2D | Color | 1.85:1 | 119 Minutes

Directed by | Guillermo del Toro | Cinematography by | Dan Laustsen | Editing by | Bernat Vilaplana

Starring | Mia Wasikowska, Jessica Chastain, Tom Hiddleston, Charlie Hunnam

Cameras | ARRI ALEXA XT Camera

Warsaw ’44 (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 130 Minutes

Directed by | Jan Komasa | Cinematography by | Marian Prokop | Editing by | Michal Czarnecki

Starring | Józef Pawlowski, Zofia Wichlacz, Anna Próchniak, Antoni Królikowski

Cameras | ARRICAM Lite (LT) Camera

Meadowland (2015)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Reed Morano | Cinematography by | Reed Morano | Editing by | Madeleine Gavin

Starring | Olivia Wilde, Luke Wilson, Giovanni Ribisi, Elisabeth Moss

Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera

Lenses | Angenieux HR Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses

Mahler on the Couch (2010)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Felix O. Adlon, Percy Adlon | Cinematography by | Benedict Neuenfels | Editing by | Jochen Kunstler

Starring | Johannes Silberschneider, Barbara Romaner, Karl Markovics, Friedrich Mücke

Cameras | Red Digital Cinema Cameras

Tomorrowland (2015)

Motion Picture | 2D, 3D | Color | 1.85:1, 1.90:1, 2.20:1 | 130 Minutes

Directed by | Brad Bird | Cinematography by | Claudio Miranda | Editing by | Walter Murch, Craig Wood

Starring | George Clooney, Britt Robertson, Hugh Laurie, Raffey Cassidy

Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses | Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

Eat, Drink, Love (2013)

Miniseries | 2D | Color | 60 Minutes

Cinematography by | Calvin CallawayEditing by | Pete Hentrich, Mike Verna, Bil Yoelin, Wes Denton, Mike Rysavy, Jesse Friedman, Angus Spottiswoode, Doyle Esch

Starring | Lindsay Michelle Nader, Kat Odell, Waylynn Lucas, Michael Voltaggio

Cameras | Canon EOS-C300 Camera

Death Row Stories (2014)

Documentary | 2D | Color |

| Cinematography by | Antonio Rossi, David Y. Chung, Ronan Killeen, Ben Bloodwell, Ryan Bronz, Jeremy Osbern, Ken Sirulnick | Editing by | Tim Bartlett, Rebecca Lane, Allan Piper, Allison Dunn, Jennifer Honn, Frederick Shanahan, Greg Wright, Chad Beck, Kevin Michael Barry, Bradford Coleman, Pagan Harleman, Andro Hyunsoo Kim, Keith Reamer, Mia Sorensen, Paul Snyder

Starring | Susan Sarandon, Edna Buchanan, Peter Bottomley, Michael Brady

Cameras | Canon EOS-C300 Camera

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