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Chitty Chitty Bang Bang (1968)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 144 Minutes

Directed by | Ken Hughes | Cinematography by | Christopher Challis | Editing by | John Shirley

Starring | Dick Van Dyke, Sally Ann Howes, Lionel Jeffries, Benny Hill

Cameras | Super Panavision-70 Camera

Gomorrah (2008)

Motion Picture | 2D | Color | 2.39:1 | 137 Minutes

Directed by | Matteo Garrone | Cinematography by | Marco Onorato | Editing by | Marco Spoletini

Starring | Gianfelice Imparato, Salvatore Abbruzzese, Toni Servillo, Simone Sacchettino

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss Ultra Prime Lenses

The People vs. Larry Flynt (1996)

Motion Picture | 2D | Color | 2.39:1 | 129 Minutes

Directed by | Milos Forman | Cinematography by | Philippe Rousselot | Editing by | Christopher Tellefsen

Starring | Woody Harrelson, Courtney Love, Edward Norton, Brett Harrelson

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Hotel Mumbai (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | Anthony Maras | Cinematography by | Nick Remy Matthews | Editing by | Anthony Maras, Peter McNulty

Starring | Dev Patel, Armie Hammer, Nazanin Boniadi, Anupam Kher

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | Panavision G Series Anamorphic Lenses

Mary Poppins Returns (2018)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Wyatt Smith

Starring | Emily Blunt, Lin-Manuel Miranda, Ben Whishaw, Emily Mortimer

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens

Starlet (2012)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 103 Minutes

Directed by | Sean Baker | Cinematography by | Radium Cheung | Editing by | Sean Baker

Starring | Dree Hemingway, Besedka Johnson, Boonee, Stella Maeve

Cameras | Sony PMW-F3 Camera

24 Hour Party People (2002)

Motion Picture | 2D | Color | 1.85:1 | 117 Minutes

Directed by | Michael Winterbottom | Cinematography by | Robby Müller | Editing by | Trevor Waite, Michael Winterbottom

Starring | Steve Coogan, Lennie James, John Thomson, Paul Popplewell

Cameras | Sony DSR-PD150 Camera

Fantasia (1940)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 125 Minutes

Directed by | James Algar, Samuel Armstrong, Ford Beebe Jr., Norman Ferguson, David Hand, Jim Handley, T. Hee, Wilfred Jackson, Hamilton Luske, Bill Roberts, Paul Satterfield, Ben Sharpsteen | Cinematography by | James Wong Howe

Starring | Leopold Stokowski, Deems Taylor, Corey Burton, Walt Disney

Cameras | Bell & Howell 2709 Camera

Secuestro (2016)

Motion Picture | 2D | Color | 105 Minutes

Directed by | Mar Targarona | Cinematography by | Sergi Bartrolí | Editing by | Joan Manel Vilaseca

Starring | Blanca Portillo, Antonio Dechent, Vicente Romero, Marc Domènech

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Style 25-250 mm T3.5 Lens, Cooke 5/i Lenses

The Window (2008)

Motion Picture | 2D | Color | 1.85:1 | 85 Minutes

Directed by | Carlos Sorin | Cinematography by | Julián Apezteguia | Editing by | Mohamed Rajid

Starring | Antonio Larreta, María del Carmen Jiménez, Emilse Roldán, Roberto Rovira

Cameras | ARRIFLEX 35 BL4s Camera

Lenses | Zeiss Standard Speed Prime Lenses

Beyond the Black Rainbow (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Panos Cosmatos | Cinematography by | Norm Li | Editing by | Nicholas T. Shepard

Starring | Eva Bourne, Michael J Rogers, Scott Hylands, Rondel Reynoldson

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Chronicle of an Escape (2006)

Motion Picture | 2D | Color | 103 Minutes

Directed by | Israel Adrián Caetano | Cinematography by | Julián Apezteguia | Editing by | Alberto Ponce

Starring | Rodrigo De la Serna, Pablo Echarri, Nazareno Casero, Lautaro Delgado

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Zeiss Ultra Prime Lenses

God Wears My Underwear (2005)

Motion Picture | 2D | SD Project | Color | 1.33:1 (4x3) | 45 Minutes

Directed by | Leslie Streit | Cinematography by | Adam Streit | Editing by | Adam Streit

Starring | Joel Bischoff, Frances Bockenfeld, Archie Bryan, Lauren Bryan

Cameras | Canon XL1 Camera

Lenses | Canon Lenses

Bolivia (1999)

Motion Picture | 2D | Black & White | 1.66:1 | 75 Minutes

Directed by | Israel Adrián Caetano | Cinematography by | Julián Apezteguia | Editing by | Santiago Ricci, Lucas Scavino

Starring | Freddy Flores, Rosa Sánchez, Oscar Bertea, Enrique Liporace

Cameras | Éclair ACL II Camera

Lenses | Optar Illumina S16 Lenses

Afterglow (1997)

Motion Picture | 2D | Color | 1.85:1 | 119 Minutes

Directed by | Alan Rudolph | Cinematography by | Toyomichi Kurita | Editing by | Suzy Elmiger

Starring | Nick Nolte, Julie Christie, Lara Flynn Boyle, Jonny Lee Miller

Cameras | ARRIFLEX Camera

The Painted Bird (2019)

Motion Picture | 2D | Black & White | 169 Minutes

Directed by | Václav Marhoul | Cinematography by | Vladimír Smutný | Editing by | Ludek Hudec

Starring | Stellan Skarsgård, Barry Pepper, Harvey Keitel, Julian Sands

Cameras | ARRICAM Lite (LT) Camera, Red Digital Cinema Cameras

Lenses | Hawk V-Lite Lenses

Atomic Blonde (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | David Leitch | Cinematography by | Jonathan Sela | Editing by | Elísabet Ronaldsdóttir

Starring | Charlize Theron, James McAvoy, John Goodman, Eddie Marsan

Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera

Lenses | Hawk V-Lite Vintage´74 Lens

The Curious Case of Benjamin Button (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 166 Minutes

Directed by | David Fincher | Cinematography by | Claudio Miranda | Editing by | Kirk Baxter, Angus Wall

Starring | Brad Pitt, Cate Blanchett, Tilda Swinton, Julia Ormond

Cameras | ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses | Zeiss DigiPrime Lenses

War for the Planet of the Apes (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 140 Minutes

Directed by | Matt Reeves | Cinematography by | Michael Seresin | Editing by | William Hoy, Stan Salfas

Starring | Andy Serkis, Woody Harrelson, Steve Zahn, Karin Konoval

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses

The Girl in the Spider’s Web (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 115 Minutes

Directed by | Fede Alvarez | Cinematography by | Pedro Luque | Editing by | Tatiana S. Riegel

Starring | Claire Foy, Beau Gadsdon, Sverrir Gudnason, LaKeith Stanfield

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses | ARRI Rental Prime DNA Lenses, Zeiss Master Prime Lenses

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