2D | 5452 Titles
The World’s End (2013)
Directed by | Edgar Wright | Cinematography by | Bill Pope | Editing by | Paul Machliss
Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses
Captain Phillips (2013)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses
42 (2013)
Directed by | Brian Helgeland | Cinematography by | Don Burgess | Editing by | Peter McNulty, Kevin Stitt
Cameras | Red Epic Camera
Sabotage (2014)
Desperate Measures (1998)
Directed by | Barbet Schroeder | Cinematography by | Luciano Tovoli | Editing by | Lee Percy
Cameras | Panavision Panaflex Platinum Camera
Scary Movie 5 (2013)
Directed by | Malcolm D. Lee, David Zucker | Cinematography by | Steven Douglas Smith | Editing by | Sam Seig
Cameras | ARRI ALEXA Camera
Noah (2014)
Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum
Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
Accattone (1961)
Directed by | Pier Paolo Pasolini | Cinematography by | Tonino Delli Colli | Editing by | Nino Baragli
Lion of the Desert (1980)
Directed by | Moustapha Akkad | Cinematography by | Jack Hildyard | Editing by | John Shirley
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Butler (2013)
Directed by | Lee Daniels | Cinematography by | Andrew Dunn | Editing by | Brian A. Kates, Joe Klotz
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
The Spectacular Now (2013)
The Hangover Part III (2013)
Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth, Debra Neil-Fisher
Ain’t Them Bodies Saints (2013)
Directed by | David Lowery | Cinematography by | Bradford Young | Editing by | Craig McKay, Jane Rizzo
Cameras | ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Master Prime Lenses
The Lego Movie (2014)
Directed by | Phil Lord, Christopher Miller | Cinematography by | Pablo Plaisted, Barry Peterson | Editing by | David Burrows, Chris McKay
Cameras | ARRI ALEXA Series Cameras
2012 (2009)
Directed by | Roland Emmerich | Cinematography by | Dean Semler | Editing by | David Brenner, Peter S. Elliot
Cameras | Panavision Cameras, Panavision Genesis Camera
Treme (2010)
| Cinematography by | Ivan Strasburg, Irek Hartowicz, Tim Ives, Lisa Rinzler | Editing by | Alex Hall, Malcolm Jamieson, Naomi Geraghty, Brian A. Kates, Kate Sanford, Matthew Booras, Bill Pankow
Lenses | Angenieux Optimo Zoom Lenses, Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses
Scrubs (2001)
| Cinematography by | John Inwood, Andrew Rawson, Dave Perkal, Richard W. Davis, Blake T. Evans, Richard Quinlan | Editing by | John Michel, Rick Blue, Jay Scherberth, Stuart Bass, Daniel S. Russ, Timothy Serda
The Incredible Burt Wonderstone (2013)
Directed by | Don Scardino | Cinematography by | Matthew Clark | Editing by | Lee Haxall
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Apocalypse According to Doris (2011)
Directed by | Victor Goss | Cinematography by | Richard Walden | Editing by | Richard Mann
Cameras | Red Digital Cinema Cameras
Pursuit of Happiness (2001)
Directed by | John Putch | Cinematography by | Ross Berryman | Editing by | Vanick Moradian
Cameras | ARRIFLEX 35 Camera
Lenses | Angenieux Lenses, Cooke Lenses
