2D | 5452 Titles
The Fifth Estate (2013)
Directed by | Bill Condon | Cinematography by | Tobias A. Schliessler | Editing by | Virginia Katz
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Zeiss Master Prime Lenses
One for the Road (2009)
The Family (2013)
Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Julien Rey
Lenses | Angenieux Optimo Zoom Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Je vais te manquer (2009)
Directed by | Amanda Sthers | Cinematography by | Régis Blondeau | Editing by | Elise Fievet
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Hotel Woodstock (1995)
Directed by | Johanna Steiger | Cinematography by | Antonín Chundela | Editing by | David Vojta
Lenses | Angenieux Optimo Zoom Lenses
We Are What We Are (2013)
Directed by | Jim Mickle | Cinematography by | Ryan Samul | Editing by | Jim Mickle
Cameras | Red Epic Camera
Lenses | Red Pro Prime Lenses, Red Pro Zoom Lenses
The Finder (2012)
| Cinematography by | Sidney Sidell | Editing by | Evonne Moritz, Chris Brookshire, Thomas R. Moore, Casey O. Rohrs
Cameras | ARRI ALEXA Camera
Kai Rabe gegen die Vatikankiller (1998)
Directed by | Thomas Jahn | Cinematography by | Piotr Lenar | Editing by | Andrea Mertens
Lenses | Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens, Panavision Primo Anamorphic Lenses
Verrückt nach Paris (2002)
Directed by | Pago Bahlke, Eike Besuden | Cinematography by | Piotr Lenar | Editing by | Margot Neubert-Maric
Lenses | Fujinon E Series Lenses, Zeiss Lenses
Need for Speed (2014)
Directed by | Scott Waugh | Cinematography by | Shane Hurlbut | Editing by | Paul Rubell, Scott Waugh
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Drinking Buddies (2013)
Directed by | Joe Swanberg | Cinematography by | Ben Richardson | Editing by | Joe Swanberg
Cameras | Red Scarlet Camera
Lenses | Zeiss Compact Prime CP.2 Distagon 18 mm T3.6 Lens, Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 25 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Makro-Planar 100 mm T2.1 CF Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens, Zeiss Compact Prime Lenses
Space Battleship Yamato (2010)
The Canyons (2013)
Directed by | Paul Schrader | Cinematography by | John DeFazio | Editing by | Tim Silano
Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera
Lenses | Asahi Pentax Super Takumar Lenses, KMZ Helios 44 58 mm f1.2, LZOS Jupiter-9 85 mm f2.0, Zeiss Standard Speed Prime Lenses
Modus Operandi (2009)
Accomplices (2009)
Directed by | Frédéric Mermoud | Cinematography by | Thomas Hardmeier | Editing by | Sarah Anderson
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Catena (2011)
Directed by | Falko Jakobs, Lars Ostermann | Cinematography by | Falko Jakobs | Editing by | Falko Jakobs
Celle que j’aime (2009)
Directed by | Élie Chouraqui | Editing by | Franck Nakache, Jacques Witta
Cameras | Panavision Genesis Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Panavision Primo Primes Spherical Lenses
2 Guns (2013)
Cinéman (2009)
Directed by | Yann Moix | Cinematography by | Jérôme Alméras, Rémy Chevrin | Editing by | André Billaud, Philippe Bourgueil, Marco Cavé, Christine Lucas Navarro
In a World… (2013)
Directed by | Lake Bell | Cinematography by | Seamus Tierney | Editing by | Tom McArdle
Cameras | Red Epic Camera
Lenses | Hawk C-Series Lenses
