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2D | 5452 Titles

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American Hustle (2013)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 138 Minutes

Directed by | David O. Russell | Cinematography by | Linus Sandgren | Editing by | Alan Baumgarten, Jay Cassidy, Crispin Struthers

Starring | Christian Bale, Amy Adams, Bradley Cooper, Jennifer Lawrence

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Canon K35 Prime Lenses, Zeiss Standard Speed Prime Lenses

Fashion Victim (2009)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Gérard Jugnot | Cinematography by | Gérard Simon | Editing by | Catherine Kelber

Starring | Gérard Jugnot, Bernard Le Coq, Juan Diego, Assaad Bouab

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Series Lenses

Death to Prom (2014)

Motion Picture | 2D | Color | 2.35:1 | 95 Minutes

Directed by | Matthew Stenerson, Jeremy Wilker | Cinematography by | Jeremy Wilker | Editing by | Cassie Wentlandt

Starring | Dominique Almand, Vinny Balbo, Andrew Borger, Joher Coleman

Cameras | Sony NEX-FS100 Camera

Lenses | Zeiss Lenses

Do Começo ao Fim (2009)

Motion Picture | 2D | Color | 2.35:1 | 94 Minutes

Directed by | Aluizio Abranches | Cinematography by | Ueli Steiger | Editing by | Fábio S. Limma

Starring | Júlia Lemmertz, Fábio Assunção, Jean Pierre Noher, Louise Cardoso

Cameras | Aaton Cameras

Lenses | Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens, Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens

Nosso Lar (2010)

Motion Picture | 2D | Color | 2.35:1 | 103 Minutes

Directed by | Wagner de Assis | Cinematography by | Ueli Steiger | Editing by | Marcelo Moraes

Starring | Renato Prieto, Fernando Alves Pinto, Rosanne Mulholland, Inez Viana

Cameras | Moviecam Compact MK2 Camera, Moviecam Superlight Camera

Lenses | Angenieux Lenses, Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Vatertage – Opa über Nacht (2012)

Motion Picture | 2D | Color | 2.35:1 | 93 Minutes

Directed by | Ingo Rasper | Cinematography by | Ueli Steiger | Editing by | Ueli Christen

Starring | Sebastian Bezzel, Sarah Horvath, Monika Gruber, Mika Sieger

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens

Frau Ella (2013)

Motion Picture | 2D | Color | 2.35:1 | 105 Minutes

Directed by | Markus Goller | Cinematography by | Ueli Steiger | Editing by | Simon Gstöttmayr

Starring | Matthias Schweighöfer, Ruth-Maria Kubitschek, August Diehl, Anna Bederke

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens

Friendship! (2010)

Motion Picture | 2D | Color, Black and White | 110 Minutes

Friendship! | ShotOnWhat?

Directed by | Markus Goller | Cinematography by | Ueli Steiger | Editing by | Markus Goller, Olivia Retzer

Starring | Matthias Schweighöfer, Friedrich Mücke, Alicja Bachleda, Todd Stashwick

Cameras | Moviecam Compact MK2 Camera, Moviecam Superlight Camera

Lenses | Angenieux Lenses, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Pelé: Birth of a Legend (2016)

Motion Picture | 2D | Color | 107 Minutes

Pelé: Birth of a Legend | ShotOnWhat?

Directed by | Jeff Zimbalist, Michael Zimbalist | Cinematography by | Matthew Libatique | Editing by | Luis Carballar, Naomi Geraghty, Glen Scantlebury

Starring | Vincent D'Onofrio, Rodrigo Santoro, Diego Boneta, Seu Jorge

Cameras | Red Epic Dragon Camera

The Toll of the Sea (1922)

Motion Picture | 2D | Color | 54 Minutes

Directed by | Chester M. Franklin | Cinematography by | J.A. Ball | Editing by | Hal C. Kern

Starring | Anna May Wong, Kenneth Harlan, Beatrice Bentley, Priscilla Moran

Cameras | Technicolor System 2 Camera

Big Sur (2013)

Motion Picture | 2D | Color | 2.39:1 | 81 Minutes

Directed by | Michael Polish | Cinematography by | M. David Mullen | Editing by | Geraud Brisson, Robert Frazen

Starring | Jean-Marc Barr, Kate Bosworth, Josh Lucas, Radha Mitchell

Cameras | Red Epic Camera, Red One Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Best Man Holiday (2013)

Motion Picture | 2D | Color | 2.39:1 | 123 Minutes

Directed by | Malcolm D. Lee | Cinematography by | Greg Gardiner | Editing by | Paul Millspaugh

Starring | Monica Calhoun, Morris Chestnut, Melissa De Sousa, Taye Diggs

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Diana (2013)

Motion Picture | 2D | Color | 113 Minutes

Directed by | Oliver Hirschbiegel | Cinematography by | Rainer Klausmann | Editing by | Hans Funck

Starring | Naomi Watts, Naveen Andrews, Cas Anvar, Charles Edwards

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss Master Prime Lenses

Last Vegas (2013)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Jon Turteltaub | Cinematography by | David Hennings | Editing by | David Rennie

Starring | Robert De Niro, Michael Douglas, Morgan Freeman, Kevin Kline

Cameras | ARRI ALEXA Camera

Lenses | Panavision Primo Primes Spherical Lenses

Detektiv Downs (2013)

Motion Picture | 2D | Color | 84 Minutes

Directed by | Bård Breien | Cinematography by | Gaute Gunnari | Editing by | Zaklina Stojcevska

Starring | Svein André Hofsø Myhre, Martin L. Lotherington, Bjørn Sothberg, Berit Kullander

Cameras | ARRI ALEXA Camera

Lenses | Bausch & Lomb Super Baltar Lenses, Canon K35 Prime Lenses

Runner Runner (2013)

Motion Picture | 2D | Color | 2.39:1 | 88 Minutes

Directed by | Brad Furman | Cinematography by | Mauro Fiore | Editing by | Jeff McEvoy

Starring | Ben Affleck, Justin Timberlake, Gemma Arterton, Anthony Mackie

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

Enough Said (2013)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

Directed by | Nicole Holofcener | Cinematography by | Xavier Grobet | Editing by | Robert Frazen

Starring | Julia Louis-Dreyfus, James Gandolfini, Catherine Keener, Toni Collette

Cameras | ARRI ALEXA Studio Camera

Lenses | Leitz Summilux-C Series Lenses

Les salauds (2013)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Claire Denis | Cinematography by | Agnès Godard | Editing by | Annette Dutertre

Starring | Vincent Lindon, Chiara Mastroianni, Julie Bataille, Michel Subor

Cameras | Red Epic Camera

Lenses | Angenieux HEC Zoom Lenses, Angenieux Optimo 28-76 mm T2.6 Lens

Le capital (2012)

Motion Picture | 2D | Color | 2.39:1 | 114 Minutes

Directed by | Costa-Gavras | Cinematography by | Eric Gautier | Editing by | Yannick Kergoat, Yorgos Lamprinos

Starring | Gad Elmaleh, Gabriel Byrne, Liya Kebede, Natacha Régnier

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Ultra Prime Lenses

All Is Lost (2013)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | J.C. Chandor | Cinematography by | Frank G. DeMarco, Peter Zuccarini | Editing by | Pete Beaudreau

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses

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