East River Dragon
'The Magicians' Home Improvement (2019)
Directed by: Joshua Butler
Cinematography by: Corey Robson
Edited by: Terry Kelley
Ashley Rucker
'Ray Donovan' Fish and Bird (2016)
Directed by: Daisy von Scherler Mayer
Cinematography by: Robert McLachlan
Edited by: Lynne Willingham
East River Dragon
The Magicians (2015)
Directed by: Chris Fisher, James L. Conway, John Scott, Joshua Butler, Shannon Kohli, Scott Smith, Carol Banker, Meera Menon, Guy Norman Bee, Rebecca Johnson, Salli Richardson-Whitfield, Mike Cahill, Bill Eagles, Jan Eliasberg, Amanda Tapping, Kate Woods, Elie Smolkin, Sterlin Harjo, Geeta Patel
Cinematography by: Elie Smolkin, Corey Robson, François Dagenais, Vanja Cernjul, Adam Bricker, Thomas Burstyn, Marvin V. Rush
Edited by: Steven Nevius, Mats Abbott, Terry Kelley, Jason Gourson, Rita K. Sanders, Beau Tipton, Bill Lynch, Andrea Folprecht, Sue Blainey
Cameras: ARRI ALEXA Mini Camera
Ashley Rucker
'Ray Donovan' The Captain (2014)
Directed by: Michael Uppendahl
Cinematography by: Robert McLachlan
Edited by: Lynne Willingham
Ashley Rucker
'Ray Donovan' Volcheck (2014)
Directed by: Michael Uppendahl
Cinematography by: Loren S. Yaconelli
Edited by: Peter B. Ellis
Ashley Rucker
'Ray Donovan' Snowflake (2014)
Directed by: Guy Ferland
Cinematography by: Robert McLachlan
Edited by: Lynne Willingham
Ashley Rucker
'Ray Donovan' Walk This Way (2014)
Directed by: Liev Schreiber
Cinematography by: Robert McLachlan
Edited by: Peter B. Ellis
Ashley Rucker
'Ray Donovan' Viagra (2014)
Directed by: John Dahl
Cinematography by: Loren S. Yaconelli
Edited by: Lynne Willingham
Ashley Rucker
'Ray Donovan' Gem and Loan (2014)
Directed by: Phil Abraham
Cinematography by: Robert McLachlan
Ashley Rucker
'Ray Donovan' A Mouth Is a Mouth (2013)
Directed by: Allen Coulter
Cinematography by: Matthew Jensen
Edited by: Sidney Wolinsky
Ashley Rucker
'Ray Donovan' The Bag or the Bat (2013)
Directed by: Allen Coulter
Cinematography by: Matthew Jensen
Edited by: Sidney Wolinsky
Ashley Rucker
Ray Donovan (2013)
Directed by: John Dahl, Michael Uppendahl, Tucker Gates, David Hollander, Allen Coulter, Daniel Attias, Colin Bucksey, Guy Ferland, Michael Apted, Lesli Linka Glatter, Phil Abraham, Liev Schreiber, Robert McLachlan, Daisy von Scherler Mayer, Stephen Williams, Zetna Fuentes, Daniel Minahan, Jeremy Podeswa, Greg Yaitanes, Ed Bianchi, Tricia Brock, James Whitmore Jr., Carl Franklin, Denise Di Novi, Tarik Saleh, Joshua Marston
Cinematography by: Robert McLachlan, Matthew Jensen, Loren S. Yaconelli, Roy H. Wagner, David Franco, Tim Nagasawa, Dan Stoloff
Edited by: Lynne Willingham, Harvey Rosenstock, John Axness, Peter B. Ellis, Sidney Wolinsky, Tanya M. Swerling, Susan Godfrey, Amy Colla, Garret Donnelly, John Duffy, Miriam Kim
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Iris Parker
We Are What We Are (2013)
Directed by: Jim Mickle
Cinematography by: Ryan Samul
Edited by: Jim Mickle
Cameras: Red Epic Camera
Lenses: Red Pro Prime Lenses, Red Pro Zoom Lenses
Ms. Young
2 Guns (2013)
Directed by: Baltasar Kormákur
Cinematography by: Oliver Wood
Edited by: Michael Tronick
Milk Skinned Blonde
Gangster Squad (2013)
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
Receptionist
Lay the Favorite (2012)
Directed by: Stephen Frears
Cinematography by: Michael McDonough
Edited by: Mick Audsley
Cameras: Sony CineAlta F35 Camera
Elizabeth Dodd
The Master (2012)
Directed by: Paul Thomas Anderson
Cinematography by: Mihai Malaimare Jr.
Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision 65mm Prime Lenses
Editing System: Avid Editing System
Cage Girl
House of the Rising Sun (2011)
Directed by: Brian A. Miller
Cinematography by: William Eubank
Edited by: Mark Arcieri
Barbie
Dickie Roberts: Former Child Star (2003)
Directed by: Sam Weisman
Cinematography by: Thomas E. Ackerman
Edited by: Roger Bondelli
