Shooting Region » Europe

Austria : 37Belarus : 2Belgium : 33Bosnia and Herzegovina : 4Channel Islands : 1Croatia : 9England : 362Faroe Islands : 1Gibraltar : 1Iceland : 22Isle of Man : 4Kosovo : 2Macedonia : 1Monaco : 6Montenegro : 1Northern Ireland : 3Norway : 19Russia : 29Scotland : 50Serbia : 6Switzerland : 26Ukraine : 11Vatican City State : 2Wales : 14

Europe | 570 Titles

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Behold the Lamb (2011)

Motion Picture | 2D | HD Project | Color | 2.35:1 | 85 Minutes

Directed by | John McIlduff | Cinematography by | Steeven Petitteville | Editing by | Nick Emerson

Starring | Aoife Duffin, Nigel O'Neill, Shaun Paul McGrath

Cameras | ARRIFLEX 16mm Cameras

Lenses | Cooke Spherical Lenses, Cooke Varotal Lenses, Cooke Zoom Lenses, Leica R Series Lenses, Technovision Lenses

The Thistle in the Kiss (2023)

Motion Picture | 2D | HD Project | Black & White, Color | 1.78:1 (16x9) | 80 Minutes

Directed by | Craig Andrew Robertson | Cinematography by | Calum Menzies | Editing by | C.J. Lazaretti

Starring | Leonora Cooke, Sarah Coyne, Craig Andrew Robertson

Cameras | Blackmagic Pocket Cinema Camera

Lenses | Canon Lenses, Nikon - Nikkor Lenses

A.I. Rising (2018)

Motion Picture | 2D | 3.4K Project | Color | 2.66:1 | 85 Minutes

Directed by | Lazar Bodroza | Cinematography by | Kosta Glusica | Editing by | Milena Z. Petrovic

Starring | Sebastian Cavazza, Stoya, Marusa Majer, Kirsty Besterman

Cameras | ARRI ALEXA XT Plus Camera

Lenses | ARRI Lenses

Kondor (2020)

Direct to Video | 2D | Black & White | 1.33:1 (4x3) | 81 Minutes

Directed by | Gus M. Hile | Editing by | Gus M. Hile

Starring | Keith Carlisle, Wojciech Kasprowicz, Haris Pamuk

Cameras | Nikon Cameras

A Dream of Warsaw (2014)

Documentary | 2D | 2K Project | Black & White, Color | 1.78:1 (16x9) | 104 Minutes

Directed by | Krzysztof Magowski | Cinematography by | Maciej Magowski | Editing by | Maciej Magowski

Cameras | Canon Cameras, Sony NEX-FS100 Camera, Sony PMW-EX1R Camera

Small City (2021)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 74 Minutes

Directed by | Georgie Curran, Adriano Vilanova | Cinematography by | Mike Simpson

Starring | Eddie Thompson, Isabella Nefar, Yasen Zates Atour

Cameras | ARRI ALEXA Mini Camera, ARRI AMIRA Camera

Lenses | Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens

Cotton Wool (2017)

Short Film | 2D | 4K Project | Color | 2.39:1 | 38 Minutes

Directed by | Nicholas Connor | Cinematography by | Alan C. McLaughlin | Editing by | Nicholas Connor, Amy Pfeil

Starring | Leanne Best, Crissy Rock, Kate Rutter

Cameras | ARRIFLEX 435 ES Camera, Red Epic Dragon Camera

Lenses | Cooke Speed Panchro (S1) 108mm f2.0 Lens, Cooke Speed Panchro (S2) 18mm f2.0 Lens, Cooke Speed Panchro (S2) 25mm f2.2 Lens, Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens

Event Horizon (1997)

Motion Picture | 2D | Film Project | Color | 2.39:1, 2.55:1 | 96 Minutes

Directed by | Paul W.S. Anderson | Cinematography by | Adrian Biddle | Editing by | Martin Hunter

Starring | Laurence Fishburne, Sam Neill, Kathleen Quinlan, Joely Richardson

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Narrator (2018)

Short Film | 2D | 2K Project | Color | 2.39:1 | 10 Minutes

Directed by | Nicholas Connor | Cinematography by | Skye Fisher, Will Jensen | Editing by | Maddie Fletcher, Anand Nagra

Starring | Gavin James, Hannah Brackstone-Brown, Michael Watson-Gray

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Lenses

Gipsy Queen (2019)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 117 Minutes

Directed by | Hüseyin Tabak | Cinematography by | Lukas Gnaiger | Editing by | Christoph Loidl

Starring | Alina Serban, Tobias Moretti, Irina Kurbanova, Catrin Striebeck

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4/i Lenses, Cooke Spherical Lenses

American: The Bill Hicks Story (2009)

Documentary | 2D | HD Project | Color | 1.78:1 (16x9) | 102 Minutes

Directed by | Matt Harlock, Paul Thomas | Editing by | Matt Harlock, Paul Thomas

Starring | Bill Hicks, Dwight Slade, Mary Hicks, Steve Hicks

Cameras | Sony PMW-350 Camera

Lenses | Fujinon Lenses

Ravenstein (2020)

Motion Picture | 2D | Color |

Directed by | Eveshka Ghost

Starring | James McClusky, Nik Kaneti-Dimmer, Chris Wilson, Martyn Eade

Cameras | Sony α7 Camera

Lenses | Samyang Lenses

George and George on the Lake (2018)

Documentary | 2D | HD Project | Color | 1.78:1 (16x9) | 27 Minutes

Directed by | Piotr Malecki | Cinematography by | Piotr Malecki | Editing by | Przemyslaw Chruscielewski, Piotr Malecki

Cameras | Canon EOS-C100 Camera

Lenses | Canon Lenses

The Aeronauts (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 100 Minutes

Directed by | Tom Harper | Cinematography by | George Steel | Editing by | Mark Eckersley

Starring | Felicity Jones, Eddie Redmayne, Himesh Patel, Vincent Perez

Cameras | Red Monstro 8K Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses

Batman (1989)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 126 Minutes

Directed by | Tim Burton | Cinematography by | Roger Pratt | Editing by | Ray Lovejoy

Starring | Michael Keaton, Jack Nicholson, Kim Basinger, Robert Wuhl

Cameras | Panavision Panaflex Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera

Lenses | Panavision SL35-M 35 mm T1.9 Lens

Giri/Haji (2019)

Television Series | 2D | Color |

| Cinematography by | Piers McGrail, David Odd | Editing by | Elen Pierce Lewis, Matthew Tabern, Dominic Strevens

Starring | Takehiro Hira, Sophia Brown, Charlie Creed-Miles, Jamie Draven

Cameras | Sony CineAlta VENICE Camera

Killers Anonymous (2019)

Motion Picture | 2D | UHD Project | Color | 2.39:1 | 95 Minutes

Directed by | Martin Owen | Cinematography by | Håvard Helle | Editing by | Stephen Hedley

Starring | Tommy Flanagan, Rhyon Nicole Brown, MyAnna Buring, Michael Socha

Cameras | Blackmagic Micro Cinema Camera, Red Helium (Weapon) 8K

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Schneider Lenses, Zeiss Jena Lens

Blade Runner 2049 (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 164 Minutes

Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joe Walker

Starring | Harrison Ford, Ryan Gosling, Ana de Armas, Dave Bautista

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera

Lenses | ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Monstrosity (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 62 Minutes

Directed by | Josef Lichtenberger | Cinematography by | Josef Lichtenberger

Starring | Mathias Baldauf, Andreas Baumgartner, Stefan Baumgartner, Thomas Friedl

Cameras | Panasonic Lumix DMC-GH4 Camera

Lenses | Sigma 18-35mm f1.8 DC HSM Lens

Goodbye Christopher Robin (2017)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Simon Curtis | Cinematography by | Ben Smithard | Editing by | Victoria Boydell

Starring | Domhnall Gleeson, Margot Robbie, Kelly Macdonald, Vicki Pepperdine

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