Shooting Region » Europe

Austria : 37Belarus : 2Belgium : 33Bosnia and Herzegovina : 4Channel Islands : 1Croatia : 9England : 362Faroe Islands : 1Gibraltar : 1Iceland : 22Isle of Man : 4Kosovo : 2Macedonia : 1Monaco : 6Montenegro : 1Northern Ireland : 3Norway : 19Russia : 29Scotland : 50Serbia : 6Switzerland : 26Ukraine : 11Vatican City State : 2Wales : 14

Europe | 570 Titles

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1917 (2019)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.39:1 | 119 Minutes

Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Lee Smith

Starring | Dean-Charles Chapman, George MacKay, Daniel Mays, Colin Firth

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens, ARRI Signature Prime 47mm T1.8 Lens

Fish Tank (2009)

Motion Picture | 2D | Color | 1.37:1 | 123 Minutes

Directed by | Andrea Arnold | Cinematography by | Robbie Ryan | Editing by | Nicolas Chaudeurge

Starring | Katie Jarvis, Michael Fassbender, Kierston Wareing

Cameras | ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Lenses, Panavision Primo Close Focus Spherical Lenses

Zack Snyder’s Justice League (2021)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3) | 242 Minutes

Directed by | Zack Snyder | Cinematography by | Fabian Wagner | Editing by | David Brenner, Carlos M. Castillón, Dody Dorn

Starring | Henry Cavill, Ben Affleck, Gal Gadot, Amy Adams

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Leitz Summilux-C Series Lenses

RRR (2022)

Movie | 2D | 4K Project | Black & White, Color | 1.85:1, 1.90:1, 2.39:1 | 187 Minutes

Directed by | S.S. Rajamouli | Cinematography by | KK Senthil Kumar | Editing by | A. Sreekar Prasad

Starring | N.T. Rama Rao Jr., Ram Charan, Ajay Devgn

Cameras | ARRI ALEXA LF Camera

Lenses | ARRI Signature Prime Lenses

Living (2022)

Motion Picture | 2D | 2K Project | Color | 102 Minutes

Directed by | Oliver Hermanus | Cinematography by | Jamie Ramsay | Editing by | Chris Wyatt

Starring | Bill Nighy, Aimee Lou Wood, Alex Sharp

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Supreme Prime Series Lenses

Funny Games (1997)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Directed by | Michael Haneke | Cinematography by | Jürgen Jürges | Editing by | Andreas Prochaska

Starring | Susanne Lothar, Ulrich Mühe, Arno Frisch

Cameras | Moviecam Cameras

Close (2022)

Motion Picture | 2D | Color | 1.66:1 | 104 Minutes

Directed by | Lukas Dhont | Cinematography by | Frank van den Eeden | Editing by | Alain Dessauvage

Starring | Eden Dambrine, Gustav De Waele, Émilie Dequenne

Cameras | ARRI ALEXA Mini Camera

Lenses | Leitz Summilux-C Series Lenses

The Creator (2023)

Motion Picture | 2D | 4K Project | Color | 2.76:1 | 133 Minutes

Directed by | Gareth Edwards | Cinematography by | Greig Fraser, Oren Soffer | Editing by | Hank Corwin, Scott Morris, Joe Walker

Starring | John David Washington, Madeleine Yuna Voyles, Gemma Chan

Cameras | Sony ILME-FX3 Camera

Lenses | Atlas Mercury 42 mm T2.2 Lens, P+S Technik Kowa Cine Prominar Anamorphic 75mm T2.8 Lens (rehoused)

All Quiet on the Western Front (2022)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 148 Minutes

Directed by | Edward Berger | Cinematography by | James Friend | Editing by | Sven Budelmann

Starring | Felix Kammerer, Albrecht Schuch, Aaron Hilmer

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera, Red Monstro 8K Camera, Sony CineAlta VENICE Camera

Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Tribe7 Blackwing7 Lenses, Zeiss Compact Prime CP.3 Lenses

Towards the light (2022)

Documentary | 2D | 4K Project | Color | 1.78:1 (16x9) | 20 Minutes

Directed by | Alexander Popov | Cinematography by | Alexander Popov | Editing by | Alexander Popov

Starring | Uliya Abrosimova, Mariya Gavrilova, Jane Karlina

Cameras | Sony α7 Series Cameras

Golda (2023)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 100 Minutes

Directed by | Guy Nattiv | Cinematography by | Jasper Wolf | Editing by | Arik Lahav-Leibovich

Starring | Helen Mirren, Zed Josef, Henry Goodman

Indiana Jones and the Dial of Destiny (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 154 Minutes

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Andrew Buckland, Michael McCusker, Dirk Westervelt

Starring | Harrison Ford, Phoebe Waller-Bridge, Antonio Banderas

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Friends (1994)

Television Series | 2D | SD Project | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 22 Minutes

| Cinematography by | Mikel Neiers, Nick McLean, Richard Hissong, Ken Lamkin, Reid Haessig | Editing by | Stephen Prime, David Helfand, Andy Zall, Jay Scherberth, Kenny Tintorri, Marnie Bermingham, Todd Felker

Starring | Jennifer Aniston, Courteney Cox, Lisa Kudrow, Matt LeBlanc

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

The After (2023)

Short Film | 2D | Color | 2.39:1 | 19 Minutes

Directed by | Misan Harriman | Cinematography by | Si Bell | Editing by | Aggela Despotidou

Starring | David Oyelowo, Jessica Plummer, Amelie Dokubo

Pavilion (2022)

Motion Picture | 2D | Color | 103 Minutes

Directed by | Eveshka Ghost

Starring | Tim van den Berg, Pip Rose, James McClusky

Cameras | Sony HXR-MC2500 Camera

Ben-Hur: A Tale of the Christ (1925)

Motion Picture | 2D | Film Project | Black & White, Color | 1.33:1 (4x3) | 143 Minutes

Directed by | Fred Niblo, Charles Brabin, Christy Cabanne, J.J. Cohn, Rex Ingram | Cinematography by | Clyde De Vinna, René Guissart, Percy Hilburn, Karl Struss, Paul Kerschner | Editing by | Lloyd Nosler

Starring | Ramon Novarro, Francis X. Bushman, May McAvoy

Cameras | Akeley 35mm Ciné Camera, Bell & Howell 2709 Camera, Mitchell Standard Camera

Sar (2016)

Short Film | 2D | 2K Project, HD Project, UHD Project | Color | 1.78:1 (16x9) | 38 Minutes

Directed by | Alexander Popov | Cinematography by | Alexander Popov | Editing by | Alexander Popov

Starring | Stanislava Beretova, Rajbir Singh Dhillon, Timur Enaliev

Cameras | Canon EOS-5D Mark II Camera, GoPro HD Hero Camera

Lenses | Canon EF 24-70 mm f2.8L II Lens

Sharp Instinct (2023)

Direct to Video | 2D | HD Project | Color | 1.85:1 | 40 Minutes

Directed by | Callum McLelland | Cinematography by | Callum McLelland | Editing by | Callum McLelland

Starring | Joe Scott, Paul Burke, Mark Stinson

Cameras | Panasonic Cameras

Eventual (2023)

Short Film | 2D | 4K Project | Color | 1.66:1 | 4 Minutes

Directed by | Nicholas Connor | Cinematography by | Piero Cioffi | Editing by | Sakky Barnor

Starring | Tom Machell, Léa Anderson, Sivan Raphaely

Cameras | Arashi Vision Insta360 X3, ARRIFLEX 16SR3 Camera, Blackmagic Cinema Camera

Northern Lights (2016)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9) | 54 Minutes

Directed by | Nicholas Connor | Cinematography by | Marco Fanton | Editing by | Nicholas Connor, Amy Pfeil

Starring | Gemma Paige North, Rhys Cadman, Katherine Quinn

Cameras | Blackmagic Cinema Camera

Lenses | Canon Lenses, Nikon - Nikkor Lenses, Rokinon Lenses, Samyang Lenses

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