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California | 717 Titles

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The Enchantress of Number (2018)

Short Film | 2D | 2K Project | Color | 2.40:1 | 13 Minutes

Directed by | Rebecca Murga | Cinematography by | David Auner

Starring | Brooke Nevin, Andrea Grano, David B. Meadows

Cameras | Aaton Penelope Camera, ARRI AMIRA Premium Camera

Lenses | Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens

American: The Bill Hicks Story (2009)

Documentary | 2D | HD Project | Color | 1.78:1 (16x9) | 102 Minutes

Directed by | Matt Harlock, Paul Thomas | Editing by | Matt Harlock, Paul Thomas

Starring | Bill Hicks, Dwight Slade, Mary Hicks, Steve Hicks

Cameras | Sony PMW-350 Camera

Lenses | Fujinon Lenses

Hart of Dixie (2011)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Buzz Feitshans IV, Robert Gantz, Jeffrey Jur, Bradford Lipson, Larry Reibman | Editing by | Jeff Granzow, Brandi Bradburn, Les Butler, Barbara Gerard, Benjamin J. Bumgarner, Luke Pebler

Starring | Rachel Bilson, Jaime King, Cress Williams, Wilson Bethel

Cameras | Sony CineAlta F35 Camera

Rampage (1987)

Motion Picture | Color | 1.85:1 | 97 Minutes

Directed by | William Friedkin | Cinematography by | Robert D. Yeoman | Editing by | Jere Huggins

Starring | Michael Biehn, Alex McArthur, Nicholas Campbell, Deborah Van Valkenburgh

Cameras | Panavision Cameras

It’s Always Sunny in Philadelphia (2005)

Television Series | 2D | Color | 1.33:1 (4x3) | 22 Minutes

| Cinematography by | Peter Smokler, John Tanzer, Eric Zimmerman | Editing by | Josh Drisko, Tim Roche, Robert Bramwell, Sung-Jin Lee, Patrick Walsh, Trevor Penna

Starring | Charlie Day, Glenn Howerton, Rob McElhenney, Kaitlin Olson

Cameras | Panasonic AG-DVX100 Camera

Back to the Future (1985)

Motion Picture | 2D | Film Project | Color | 1.33:1 (4x3), 1.85:1 | 116 Minutes

Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Harry Keramidas, Arthur Schmidt

Starring | Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover

Cameras | Panavision Panaflex Gold Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses | Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Contact (1997)

Motion Picture | 2D | Color | 2.39:1 | 150 Minutes

Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt

Starring | Jodie Foster, Matthew McConaughey, Tom Skerritt, John Hurt

Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses

Johnny (2021)

Direct to Video | 2D | HD Project | Color | 2.35:1 | 107 Minutes

Directed by | John Charles Gerald | Cinematography by | John Charles Gerald

Starring | Bruce Bellinger, John Charles Gerald, Nick Gerald

Cameras | ARRI ALEXA Camera, Blackmagic URSA Camera

Lenses | Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Lenses, Zeiss Compact Prime Lenses

A Spark in Nothing (2021)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 146 Minutes

Directed by | Griffin Loch | Cinematography by | Rob McPeters

Starring | Arielle Gottesman, Nika Balina, Corrinne Mica

Cameras | Sony α7R II Camera

Incredibles 2 (2018)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 118 Minutes

Directed by | Brad Bird | Cinematography by | Mahyar Abousaeedi, Erik Smitt | Editing by | Stephen Schaffer

Starring | Craig T. Nelson, Holly Hunter, Sarah Vowell, Huck Milner

Seberg (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 102 Minutes

Directed by | Benedict Andrews | Cinematography by | Rachel Morrison | Editing by | Pamela Martin

Starring | Kristen Stewart, Yvan Attal, Gabriel Sky, Jack O'Connell

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses

Killers Anonymous (2019)

Motion Picture | 2D | UHD Project | Color | 2.39:1 | 95 Minutes

Directed by | Martin Owen | Cinematography by | Håvard Helle | Editing by | Stephen Hedley

Starring | Tommy Flanagan, Rhyon Nicole Brown, MyAnna Buring, Michael Socha

Cameras | Blackmagic Micro Cinema Camera, Red Helium (Weapon) 8K

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Schneider Lenses, Zeiss Jena Lens

Skin: The Movie (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 51 Minutes

Directed by | Ronn Kilby | Cinematography by | Eric J. Addison, Tom Antl, Ronn Kilby | Editing by | Michael Towe

Starring | Mark Christopher Lawrence, Merrick McCartha, Michelle Way, Mark Atkinson

Cameras | Sony PXW-FS7 Camera

Lenses | Nikon - Nikkor Lenses, Sony G 18–110mm f4.0 Lens, Sony G Series Lenses

Marriage Story (2019)

Motion Picture | 2D | 4K Project | Color | 137 Minutes

Directed by | Noah Baumbach | Cinematography by | Robbie Ryan | Editing by | Jennifer Lame

Starring | Adam Driver, Scarlett Johansson, Julia Greer, Azhy Robertson

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Flytrap (2015)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 81 Minutes

Directed by | Stephen David Brooks | Cinematography by | David R. Hardberger

Starring | Jeremy Crutchley, Gabrielle Stone, Jonah Blechman, Ina-Alice Kopp

Cameras | Blackmagic Pocket Cinema Camera

Lenses | Angenieux 24-240 mm f2.6 Zoom Lens

Pirates of the Caribbean: At World’s End (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 169 Minutes

Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood

Starring | Johnny Depp, Orlando Bloom, Keira Knightley, Geoffrey Rush

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses | Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Hail, Caesar! (2016)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 106 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen

Starring | Josh Brolin, George Clooney, Alden Ehrenreich, Ralph Fiennes

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

Live Free or Die Hard (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 128 Minutes

Directed by | Len Wiseman | Cinematography by | Simon Duggan | Editing by | Nicolas De Toth

Starring | Bruce Willis, Justin Long, Timothy Olyphant, Maggie Q

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Mad Men (2007)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 47 Minutes

| Cinematography by | Chris Manley, Don Devine, Phil Abraham, Steve Mason, Frank G. DeMarco, Bill Roe, Jeffrey Jur, M. David Mullen | Editing by | Tom Wilson, Malcolm Jamieson, Christopher Gay, Leo Trombetta, Christopher Nelson, Chris Figler, David Siegel, Cindy Mollo, Pattye Rogers, Conrad Smart, Patricia Rafferty

Starring | Jon Hamm, Elisabeth Moss, Vincent Kartheiser, January Jones

Cameras | ARRI ALEXA Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Modern Family (2009)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 22 Minutes

| Cinematography by | James R. Bagdonas, Hugo Cortina, Brandon Mastrippolito, David Hennings | Editing by | Ryan Case, Tony Orcena, Christian Miglio, Giselle Murillo, Jonathan Schwartz, Steven Rasch, Shaheed Qaasim, Michael Kamens, Jamie Kennedy

Starring | Ed O'Neill, Sofía Vergara, Julie Bowen, Ty Burrell

Cameras | ARRI ALEXA Camera, Sony CineAlta F35 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

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