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California | 794 Titles

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Blindspotting (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 95 Minutes

Directed by | Carlos López Estrada | Cinematography by | Robby Baumgartner | Editing by | Gabriel Fleming

Starring | Daveed Diggs, Rafael Casal, Janina Gavankar

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Panavision Primo Primes Spherical Lenses

Bad Times at the El Royale (2018)

Motion Picture | 2D | Color | 2.39:1 | 141 Minutes

Directed by | Drew Goddard | Cinematography by | Seamus McGarvey | Editing by | Lisa Lassek

Starring | Jeff Bridges, Cynthia Erivo, Dakota Johnson

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Wizard of Oz (1939)

Motion Picture | 2D, 3D | Film Project | Black & White, Color | 1.37:1 | 102 Minutes

Directed by | Victor Fleming, George Cukor, Mervyn LeRoy, Norman Taurog, Richard Thorpe, King Vidor | Cinematography by | Harold Rosson | Editing by | Blanche Sewell

Starring | Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr

Cameras | Bell & Howell 2709 Camera, Technicolor 3-Strip Camera

Wilson (1944)

Motion Picture | 2D | Film Project | Black & White, Color | 1.37:1 | 154 Minutes

Directed by | Henry King | Cinematography by | Leon Shamroy, Ernest Palmer | Editing by | Barbara McLean

Starring | Alexander Knox, Charles Coburn, Geraldine Fitzgerald

Cameras | Technicolor 3-Strip Camera

Bound for Glory (1976)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 147 Minutes

Directed by | Hal Ashby | Cinematography by | Haskell Wexler | Editing by | Pembroke J. Herring, Robert C. Jones

Starring | David Carradine, Ronny Cox, Melinda Dillon, Gail Strickland

Cameras | ARRIFLEX 35 BL Camera, Éclair Caméflex Camera, Panavision Panaflex Camera

Lenses | Panavision Lenses

Reds (1981)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 195 Minutes

Directed by | Warren Beatty | Cinematography by | Vittorio Storaro | Editing by | Dede Allen, Craig McKay

Starring | Warren Beatty, Diane Keaton, Edward Herrmann, Jerzy Kosinski

Cameras | Technovision Cameras

Lenses | Technovision Lenses

Leave Her to Heaven (1945)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 110 Minutes

Directed by | John M. Stahl | Cinematography by | Leon Shamroy | Editing by | James B. Clark

Starring | Gene Tierney, Cornel Wilde, Jeanne Crain, Vincent Price

Cameras | Technicolor 3-Strip Camera

A Farewell to Arms (1932)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 80 Minutes

Directed by | Frank Borzage | Cinematography by | Charles Lang | Editing by | Otho Lovering, George Nicholls Jr.

Starring | Gary Cooper, Helen Hayes, Adolphe Menjou

Buffy the Vampire Slayer (1997)

Television Series | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Michael Gershman, Raymond Stella, Kenneth Zunder, Michael D. O'Shea, Donald M. Morgan | Editing by | Regis Kimble, Peter Basinski, Skip Macdonald, Nancy Forner, Marilyn McMahon Adams, Kimberly Ray, Tammis Chandler, Joshua Charson, Louise Innes, Lisa Lassek, Geoffrey Rowland, Michael Kewley, Skip Schoolnik, Golda Savage, Michael Stern

Starring | Sarah Michelle Gellar, Nicholas Brendon, Alyson Hannigan, Anthony Head

Cameras | Panavision Panaflex Camera, Panavision Panaflex Gold II Camera

Lenses | Panavision Lenses

Barbie (2023)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.0:1 | 114 Minutes

Directed by | Greta Gerwig | Cinematography by | Rodrigo Prieto | Editing by | Nick Houy

Starring | Margot Robbie, Ryan Gosling, Issa Rae

Cameras | ARRI ALEXA 65 Camera

Lenses | Panavision Lenses, Panavision System 65 Lenses

Bird Box (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 124 Minutes

Directed by | Susanne Bier | Cinematography by | Salvatore Totino | Editing by | Ben Lester

Starring | Sandra Bullock, Trevante Rhodes, John Malkovich

Cameras | Red Helium (Weapon) 8K

Lenses | Zeiss Master Prime Lenses

The Killing Fields (1984)

Motion Picture | 2D | Film Project | Color | 141 Minutes

Directed by | Roland Joffé | Cinematography by | Chris Menges | Editing by | Jim Clark

Starring | Sam Waterston, Haing S. Ngor, John Malkovich, Julian Sands

Mid90s (2018)

Motion Picture | 2D | 2K Project | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 85 Minutes

Directed by | Jonah Hill | Cinematography by | Christopher Blauvelt | Editing by | Nick Houy

Starring | Sunny Suljic, Katherine Waterston, Lucas Hedges

Cameras | ARRIFLEX 416 Camera

Lenses | Zeiss Super Speed Lenses

Cleopatra (1934)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 100 Minutes

Directed by | Cecil B. DeMille | Cinematography by | Victor Milner | Editing by | Anne Bauchens

Starring | Claudette Colbert, Warren William, Henry Wilcoxon

Cameras | Mitchell Standard Camera

Cleopatra (1963)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 192 Minutes

Directed by | Joseph L. Mankiewicz | Cinematography by | Leon Shamroy, Jack Hildyard | Editing by | Dorothy Spencer, Elmo Williams

Starring | Elizabeth Taylor, Richard Burton, Rex Harrison, Pamela Brown

Cameras | Todd-AO 65mm Camera

Lenses | Todd-AO Lenses

Skippy (1931)

Motion Picture | 2D | Film Project | Black & White | 85 Minutes

Directed by | Norman Taurog | Cinematography by | Karl Struss

Starring | Jackie Cooper, Robert Coogan, Mitzi Green

Cameras | Mitchell Cameras

A Letter to Three Wives (1949)

Motion Picture | 2D | Film Project | Black & White | 1.33:1 (4x3) | 103 Minutes

Directed by | Joseph L. Mankiewicz | Cinematography by | Arthur C. Miller | Editing by | J. Watson Webb Jr.

Starring | Jeanne Crain, Linda Darnell, Ann Sothern

The Treasure of the Sierra Madre (1948)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 126 Minutes

Directed by | John Huston | Cinematography by | Ted D. McCord | Editing by | Owen Marks

Starring | Humphrey Bogart, Walter Huston, Tim Holt

Cameras | Mitchell Cameras

Sunrise (1927)

Motion Picture | 2D | Film Project | Black & White | 1.33:1 (4x3) | 94 Minutes

Directed by | F.W. Murnau | Cinematography by | Charles Rosher, Karl Struss | Editing by | Harold D. Schuster

Starring | George O'Brien, Janet Gaynor, Margaret Livingston

Cameras | Mitchell Standard Camera

The Quiet Man (1952)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 129 Minutes

Directed by | John Ford | Cinematography by | Winton C. Hoch | Editing by | Jack Murray

Starring | John Wayne, Maureen O'Hara, Barry Fitzgerald, Ward Bond

Cameras | Mitchell Cameras

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