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SmallHD | 22 Titles

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Gaming Wall St (2022)

Miniseries | 2D | 4K Project | Color | 2.0:1 | 114 Minutes

Directed by | Tobias Deml | Cinematography by | Tobias Deml, Olga Vazquez | Editing by | Rich Hyatt, Brian Kallies, Tom Patterson, Rachael Wax Taber, David Tillman

Starring | Kieran Culkin, Ramona Ortega, Harvey Pitt

Cameras | Blackmagic Pocket Cinema 4K Camera

Lenses | DZOFILMS Lenses, Voigtländer Lenses, Voigtländer Nokton 25 mm f0.95 Lens

Craig Ferguson’s Hobo Fabulous (2019)

Television Series | 2D | Color |

| Cinematography by | Tobias Deml

Cameras | Canon EOS-C300 Mark II Camera

Lenses | Canon CINE-SERVO 17-120mm T2.95 Lens, Canon CN-E 30-105 mm T2.8 Lens

La jungle est mon jardin (2022)

Motion Picture | 2D | 4K Project | Color | 2.76:1 | 78 Minutes

Directed by | Enrico Alexander Giordano

Starring | Elodie Atsadé, Sidiki Bakaba, Daniel Jenny

Cameras | Canon EOS-1D C Camera

Lenses | Cineovision Lenses, Leica R Series Lenses

2030 (2024)

Short Film | 2D | 2K Project | Color | 2.39:1 | 21 Minutes

Directed by | Tim Eickhoff | Cinematography by | Tim Grau | Editing by | Tim Eickhoff, Tim Grau

Starring | Silviana Ursu, Stan Holoubek, Sebastian Prenzel

Cameras | ARRI ALEXA Plus Camera

Lenses | Red Pro Zoom 18-85 mm T2.9 Lens

The End of the Dial (2021)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 97 Minutes

Directed by | Brad Knull | Cinematography by | Elvis Ripley | Editing by | Elvis Ripley

Starring | Jeff Dernlan, Jacob Hightower

Cameras | Sony PXW-FS9 Camera

Lenses | Kowa Cine Prominar Anamorphic Lenses, P+S Technik Lenses

Rounded Corners (2019)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9), 1.85:1 | 87 Minutes

Directed by | Paul Check

Starring | Marie Check, Tinuke Adetunji, Paul Check, James Zeiss

Cameras | Panasonic VariCam 35

Lenses | Master Macro 100mm T2.0 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens

Wortels Uit Blik (2022)

Short Film | 2D | 4K Project | Color | 2.39:1 | 15 Minutes

Directed by | Keno Aladjuz | Cinematography by | Mans Buskop | Editing by | Keno Aladjuz

Starring | Julius Appel, Michael Tiedtke, Frida Heijmen

Cameras | Blackmagic Pocket Cinema Camera 6K Pro

Lenses | Zeiss Compact Prime CP.2 Lenses

Photocopier (2021)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 130 Minutes

Directed by | Wregas Bhanuteja | Cinematography by | Gunnar Nimpuno | Editing by | Ahmad Hasan Yuniardi

Starring | Shenina Cinnamon, Dea Panendra, Giulio Parengkuan

Cameras | Red Monstro 8K Camera

Lenses | Leitz M 0.8 Series Lenses, Leitz THALIA Series Lenses

Sløborn (2020)

Television Series | 2D | 3.4K Project | Color | 2.39:1 | 48 Minutes

| Cinematography by | Christian Alvart, Christian Huck | Editing by | Marc Hofmeister, William James, Zoë Dahmen, Robert Sterna

Starring | Emily Kusche, Aaron Hilmer, Adrian Grünewald

Cameras | ARRI ALEXA Mini Camera

Lenses | Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Vintage ´74, Hawk Vantage One Lenses

The Misfit (2021)

Short Film | 2D | UHD Project | Color | 2.39:1 | 25 Minutes

Directed by | Chris Tailor | Cinematography by | Antonia Stylianou | Editing by | Chris Tailor

Starring | Alexey Snegirev, Alexia Theodorou, Emilios Anastasi

Cameras | Blackmagic URSA Mini Pro 4.6K G2 Camera

Lenses | Sigma Lenses, Tokina Lenses

Reto Sangriento (2016)

Television Movie | 2D | 4K Project | Color | 1.78:1 (16x9) | 90 Minutes

Directed by | Ricky Gonzalez | Cinematography by | Ricky Gonzalez

Starring | Macarena Montoya, Eleazar Gamez, Patty Corres

Cameras | Blackmagic Cinema Camera

Lenses | Rokinon XEEN 16mm T2.6 Lens, Rokinon XEEN 24mm T1.5 Lens, Rokinon XEEN 35mm T1.5 Lens, Rokinon XEEN 50mm T1.5 Lens, Rokinon XEEN 85mm T1.5 Lens

The Man in Room 6 (2022)

Motion Picture | 2D | 6K Project | Black & White, Color | 1.33:1 (4x3), 2.39:1 | 152 Minutes

Directed by | Trevor Juenger | Cinematography by | Dylan Schnitker, Joe Tello, Rexx Villotti | Editing by | Abbey Heise, Trevor Juenger

Starring | Jackie Kelly, Bill Oberst Jr., David Wassilak

Cameras | GoPro (Woodman Labs) Cameras, GoPro HERO4 Black, Panasonic Lumix DMC-GH5 Camera, Sony α7S II Camera

Lenses | Rokinon Lenses, SLR Magic Lenses

The Veil (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 93 Minutes

Directed by | Phil Joanou | Cinematography by | Steeven Petitteville | Editing by | Paul Norling

Starring | Jessica Alba, Thomas Jane, Lily Rabe

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Bolex H16 Camera, Phantom Flex Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic Lenses, CamTec Lenses, Cineovision Lenses, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens

An Enchanted (2019)

Direct to Video | 2D | 4K Project | Color | 1.78:1 (16x9) | 103 Minutes

Directed by | Christian Cashmir | Editing by | Christian Cashmir

Starring | Yao Tsai, Quinton Aaron, Ashleigh Blackburn

Cameras | ARRI ALEXA Mini Camera

Lenses | Canon CN-E Series Lenses, Fujinon XK Cabrio 20-120mm T3.5 Lens

Return of the Thumb (2018)

Motion Picture | 2D | 2K Project | Color | 2.35:1 |

Cooper’s Treasure (2017)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 60 Minutes

| Cinematography by | Zach Driscoll, Phil Lott, Doug Dearth, Jeff Moriarty, Scott Gardner | Editing by | Mario Roman, Alexander Sanchez, Niccolo Roveda, Justin Inda, Diego J. Garza, Caton Clark, Paul McAleavey, Sally Jasso, Frank Keraudren, Kirk Kirkland, Tanner Roth

Starring | Darrell Miklos, Roger Miklos, Manuel Rodriguez, Charles Gregory Schwartz

Cameras | Canon EOS-C300 Camera, Red Epic Dragon Camera, Sony α7S II Camera

Lenses | Canon CINE-SERVO 17-120mm T2.95 Lens, Canon EF Series Lenses, Nikon - Nikkor Lenses

The Stroller Strategy (2012)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 90 Minutes

Directed by | Clément Michel | Cinematography by | Steeven Petitteville | Editing by | Julie Dupré

Starring | Raphaël Personnaz, Charlotte Le Bon, Jérôme Commandeur

Cameras | ARRI ALEXA Plus Camera

Lenses | Panavision PMZ 14.5-50 mm T2.2 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Operator (2016)

Motion Picture | 2D | 2K Project | Color | 87 Minutes

Directed by | Logan Kibens | Cinematography by | Steeven Petitteville | Editing by | Logan Kibens

Starring | Martin Starr, Mae Whitman, Nat Faxon

Cameras | ARRI AMIRA Series Cameras, Sony α7S Camera

Lenses | Zeiss Lenses

Killers Within (2018)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Paul Bushe, Brian O'Neill | Cinematography by | Philip Graham

Starring | Sue Walsh, Jeff Doyle, Johnny Elliott

Cameras | Sony PXW-FS7 Camera

Smuggling Hendrix (2018)

Motion Picture | 2D | 2.8K Project | Color | 2.39:1 | 92 Minutes

Directed by | Marios Piperides | Cinematography by | Christian Huck | Editing by | Stylianos Constantinou

Starring | Adam Bousdoukos, Fatih Al, Vicky Papadopoulou, Özgür Karadeniz

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Plus Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses

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