Motion Picture | 11129 Titles
Lo mejor de mí (2007)
Directed by | Roser Aguilar | Cinematography by | Isaac Vila | Editing by | Bernat Vilaplana
Cameras | ARRI Cameras, ARRIFLEX 35 BL4 Camera
Out of the Dark (2014)
Directed by | Lluís Quílez | Cinematography by | Isaac Vila | Editing by | Bernat Vilaplana
Cameras | ARRI ALEXA Studio Camera
El desconocido (2015)
Chariots of Fire (1981)
Cavalcade (1933)
The Broadway Melody (1929)
Directed by | Harry Beaumont | Cinematography by | John Arnold | Editing by | Sam Zimbalist, William LeVanway
Cameras | Technicolor System 2 Camera
All the King’s Men (1949)
The Secret of Kells (2009)
The Messenger (2009)
Directed by | Oren Moverman | Cinematography by | Bobby Bukowski | Editing by | Alex Hall
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Style Lenses, Cooke S4 Lenses
Sette opere di misericordia (2011)
Directed by | Gianluca De Serio, Massimiliano De Serio | Cinematography by | Piero Basso | Editing by | Stefano Cravero
Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Più buio di mezzanotte (2014)
Directed by | Sebastiano Riso | Cinematography by | Piero Basso | Editing by | Marco Spoletini
Cameras | ARRI ALEXA Studio Camera
Lenses | Technovision Cooke Anamorphic 100mm T2.8 Lens, Technovision Cooke Anamorphic 32mm T2.3 Lens, Technovision Cooke Anamorphic 40mm T3.0 Lens, Technovision Cooke Anamorphic 50mm T2.5 Lens, Technovision Cooke Anamorphic 75mm T2.5 Lens
Straight Outta Compton (2015)
Directed by | F. Gary Gray | Cinematography by | Matthew Libatique | Editing by | Billy Fox, Michael Tronick
Cameras | Red Epic Dragon Camera
Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Cooke Anamorphic/i Prime Lenses, Fujinon Alura Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses
Youth (2015)
Directed by | Paolo Sorrentino | Cinematography by | Luca Bigazzi | Editing by | Cristiano Travaglioli
Cameras | Red Epic Dragon Camera
Lenses | Zeiss Ultra Prime Lenses
The 100 Year-Old Man Who Climbed Out the Window and Disappeared (2013)
Directed by | Felix Herngren | Cinematography by | Göran Hallberg | Editing by | Henrik Källberg
Cameras | ARRI ALEXA Camera
Mustang (2015)
Directed by | Deniz Gamze Ergüven | Cinematography by | David Chizallet, Ersin Gok | Editing by | Mathilde Van de Moortel
Cameras | ARRI ALEXA Plus Camera
Lenses | Zeiss Super Speed Lenses
Theeb (2014)
Directed by | Naji Abu Nowar | Cinematography by | Wolfgang Thaler | Editing by | Rupert Lloyd
Starring | Jacir Eid Al-Hwietat, Hussein Salameh Al-Sweilhiyeen, Hassan Mutlag Al-Maraiyeh, Jack Fox
Cameras | ARRIFLEX 416 Camera
Lenses | Hawk V-Lite 16 Lens
Saul fia (2015)
Directed by | László Nemes | Cinematography by | Mátyás Erdély | Editing by | Matthieu Taponier
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses | Zeiss Master Prime Lenses
Krigen (2015)
Directed by | Tobias Lindholm | Cinematography by | Magnus Nordenhof Jønck | Editing by | Adam Nielsen
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Cinderella (2015)
Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Martin Walsh
Lenses | Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses





















































