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Motion Picture | 11129 Titles

Motion Picture 2.49/5 61 Votes

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Paranoia (2013)

Motion Picture | 2D | Color | 2.39:1 | 6 Minutes

Directed by | Cameron Alford | Cinematography by | Cameron Alford | Editing by | Cameron Alford

Starring | James Langille, Jesse Langille, Natasha Alford

Cameras | ARRI ALEXA Studio Camera

Lenses | Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

The Company You Keep (2012)

Motion Picture | 2D | Color | 2.39:1 | 125 Minutes

Directed by | Robert Redford | Cinematography by | Adriano Goldman | Editing by | Mark Day

Starring | Robert Redford, Brit Marling, Stanley Tucci, Nick Nolte

Cameras | ARRICAM Lite (LT) Camera

The World’s End (2013)

Motion Picture | 2D | Color | 2.39:1 | 109 Minutes

Directed by | Edgar Wright | Cinematography by | Bill Pope | Editing by | Paul Machliss

Starring | Simon Pegg, Nick Frost, Martin Freeman, Rosamund Pike

Cameras | ARRIFLEX 16SR3 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses

Captain Phillips (2013)

Motion Picture | 2D | Color | 2.39:1 | 134 Minutes

Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse

Starring | Tom Hanks, Barkhad Abdi, Barkhad Abdirahman, Catherine Keener

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses

Sin City: A Dame to Kill For (2014)

Motion Picture | 3D | Black & White, Color | 1.85:1 | 102 Minutes

Directed by | Frank Miller, Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez

Starring | Mickey Rourke, Jessica Alba, Josh Brolin, Joseph Gordon-Levitt

Cameras | ARRI ALEXA M Camera

Lenses | Fujinon Premier Lenses

42 (2013)

Motion Picture | 2D | Color | 2.39:1 | 128 Minutes

Directed by | Brian Helgeland | Cinematography by | Don Burgess | Editing by | Peter McNulty, Kevin Stitt

Starring | Chadwick Boseman, T.R. Knight, Harrison Ford, Nicole Beharie

Cameras | Red Epic Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Sabotage (2014)

Motion Picture | 2D | Color | 109 Minutes

Sabotage | ShotOnWhat?

Directed by | David Ayer | Cinematography by | Bruce McCleery | Editing by | Dody Dorn

Starring | Arnold Schwarzenegger, Sam Worthington, Terrence Howard, Olivia Williams

Desperate Measures (1998)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Barbet Schroeder | Cinematography by | Luciano Tovoli | Editing by | Lee Percy

Starring | Michael Keaton, Andy Garcia, Brian Cox, Marcia Gay Harden

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Scary Movie 5 (2013)

Motion Picture | 2D | Color | 1.85:1 | 86 Minutes

Directed by | Malcolm D. Lee, David Zucker | Cinematography by | Steven Douglas Smith | Editing by | Sam Seig

Starring | Simon Rex, Ashley Tisdale, Charlie Sheen, Lindsay Lohan

Cameras | ARRI ALEXA Camera

Noah (2014)

Motion Picture | 2D | Color | 1.85:1 | 138 Minutes

Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum

Starring | Russell Crowe, Jennifer Connelly, Anthony Hopkins, Emma Watson

Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Hawk 150-450 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Accattone (1961)

Motion Picture | 2D | Black & White | 117 Minutes

Directed by | Pier Paolo Pasolini | Cinematography by | Tonino Delli Colli | Editing by | Nino Baragli

Starring | Franco Citti, Franca Pasut, Silvana Corsini, Paola Guidi

Lion of the Desert (1980)

Motion Picture | 2D | Black & White, Color | 1.78:1 (16x9), 2.35:1 | 173 Minutes

Directed by | Moustapha Akkad | Cinematography by | Jack Hildyard | Editing by | John Shirley

Starring | Anthony Quinn, Oliver Reed, Rod Steiger, Irene Papas

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Butler (2013)

Motion Picture | 2D | Color | 1.85:1 | 132 Minutes

Directed by | Lee Daniels | Cinematography by | Andrew Dunn | Editing by | Brian A. Kates, Joe Klotz

Starring | Forest Whitaker, Oprah Winfrey, John Cusack, Jane Fonda

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

The Spectacular Now (2013)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | James Ponsoldt | Cinematography by | Jess Hall | Editing by | Darrin Navarro

Starring | Miles Teller, Shailene Woodley, Kyle Chandler, Jennifer Jason Leigh

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses

The Hangover Part III (2013)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth, Debra Neil-Fisher

Starring | Bradley Cooper, Zach Galifianakis, Ed Helms, Justin Bartha

Cameras | ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Ain’t Them Bodies Saints (2013)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | David Lowery | Cinematography by | Bradford Young | Editing by | Craig McKay, Jane Rizzo

Starring | Rooney Mara, Casey Affleck, Ben Foster, Nate Parker

Cameras | ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Master Prime Lenses

Starbright (2019)

Motion Picture | 3D | Color | 2.39:1 |

Directed by | Francesco Lucente | Cinematography by | Francesco Di Giacomo | Editing by | Julia Furch

Starring | Elisabeth Röhm, Ted Levine, John Rhys-Davies, Diego Boneta

Cameras | ARRI Cameras

Lenses | Zeiss Lenses

The Lego Movie (2014)

Motion Picture | 2D, 3D | Color | 2.39:1 | 100 Minutes

Directed by | Phil Lord, Christopher Miller | Cinematography by | Pablo Plaisted, Barry Peterson | Editing by | David Burrows, Chris McKay

Starring | Chris Pratt, Will Ferrell, Elizabeth Banks, Will Arnett

Cameras | ARRI ALEXA Series Cameras

2012 (2009)

Motion Picture | 2D, 3D | Color | 2.39:1 | 158 Minutes

Directed by | Roland Emmerich | Cinematography by | Dean Semler | Editing by | David Brenner, Peter S. Elliot

Starring | John Cusack, Thandiwe Newton, Chiwetel Ejiofor, Amanda Peet

Cameras | Panavision Cameras, Panavision Genesis Camera

Lenses | Panavision Lenses, Panavision Primo Primes Spherical Lenses

Maleficent (2014)

Motion Picture | 3D | Color | 97 Minutes

Directed by | Robert Stromberg | Cinematography by | Dean Semler | Editing by | Chris Lebenzon, Richard Pearson

Starring | Angelina Jolie, Elle Fanning, Sharlto Copley, Lesley Manville

Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

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