Matte Painting Optical Effects | 42 Titles
National Treasure: Book of Secrets (2007)
Directed by | Jon Turteltaub | Cinematography by | Amir Mokri, John Schwartzman | Editing by | William Goldenberg, David Rennie
Lenses | Panavision Primo Anamorphic Lenses
Your Highness (2011)
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Craig Alpert
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Lockout (2012)
Directed by | James Mather, Steve Saint Leger | Cinematography by | James Mather | Editing by | Camille Delamarre, Eamonn Power
Cameras | Red One MX Camera
Lenses | Red Pro Prime Lenses
The Last Samurai (2003)
Directed by | Edward Zwick | Cinematography by | John Toll | Editing by | Victor Du Bois, Steven Rosenblum
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panastar Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Zombieland (2009)
Directed by | Ruben Fleischer | Cinematography by | Michael Bonvillain | Editing by | Alan Baumgarten
Æon Flux (2005)
Directed by | Karyn Kusama | Cinematography by | Stuart Dryburgh | Editing by | Jeff Gullo, Peter Honess, Plummy Tucker
Alex Cross (2012)
Directed by | Rob Cohen | Cinematography by | Ricardo Della Rosa | Editing by | Matthew Diezel, Thom Noble
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL3 Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses
Looper (2012)
Directed by | Rian Johnson | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay
Cameras | Canon EOS-7D Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Night at the Museum: Battle of the Smithsonian (2009)
Directed by | Shawn Levy | Cinematography by | John Schwartzman | Editing by | Dean Zimmerman, Don Zimmerman
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera
Lenses | Panavision Primo Anamorphic Lenses
The Spiderwick Chronicles (2008)
Directed by | Mark Waters | Cinematography by | Caleb Deschanel | Editing by | Michael Kahn
Lenses | Panavision Primo Anamorphic Lenses
Knowing (2009)
Directed by | Alex Proyas | Cinematography by | Simon Duggan | Editing by | Richard Learoyd
Cameras | Red One Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Land of the Lost (2009)
Directed by | Brad Silberling | Cinematography by | Dion Beebe | Editing by | Peter Teschner
Cameras | Panavision Cameras
I Am Legend (2007)
Directed by | Francis Lawrence | Cinematography by | Andrew Lesnie | Editing by | Wayne Wahrman
Cameras | Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Lenses
Changeling (2008)
Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Public Enemies (2009)
Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | Jeffrey Ford, Paul Rubell
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera
Anna Karenina (2012)
Directed by | Joe Wright | Cinematography by | Seamus McGarvey | Editing by | Melanie Oliver
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Leap Year (2010)
Directed by | Anand Tucker | Cinematography by | Newton Thomas Sigel | Editing by | Nick Moore
Cameras | Panavision Panaflex Millennium XL Camera
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by | Michael Apted | Cinematography by | Dante Spinotti | Editing by | Rick Shaine
Cameras | Sony CineAlta F23 Camera
Hellboy II: The Golden Army (2008)
Directed by | Guillermo del Toro | Cinematography by | Guillermo Navarro | Editing by | Bernat Vilaplana
Cameras | ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses | Zeiss Ultra Prime Lenses
X-Men Origins: Wolverine (2009)
Directed by | Gavin Hood | Cinematography by | Donald McAlpine | Editing by | Nicolas De Toth, Megan Gill
