Motion Editor
Avatar: The Way of Water (2022)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Cameras: Sony CineAlta VENICE Camera
Visual Effects Artist
'Royal Pains' Uninterrupted (2016)
Directed by: Michael Rauch
Cinematography by: Joe Collins
Edited by: Charles McClelland
Visual Effects Artist
'Royal Pains' The Good News Is... (2016)
Directed by: Michael Rauch
Cinematography by: Joe Collins
Edited by: Charles McClelland
Visual Effects Artist
'Limitless' The Assassination of Eddie Morra (2016)
Directed by: Christine Moore
Cinematography by: Jimmy Lindsey
Edited by: Jonathan Angus
Digital Compositor , Visual Effects Artist
'Elementary' Murder Ex Machina (2016)
Directed by: Guy Ferland
Cinematography by: Tom Houghton
Edited by: Gerald Valdez
Visual Effects Artist
'Elementary' Alma Matters (2016)
Directed by: Larry Teng
Cinematography by: Ron Fortunato
Edited by: Sondra Watanabe
Digital Compositor
'Elementary' Down Where the Dead Delight (2016)
Directed by: Jerry Levine
Cinematography by: Tom Houghton
Edited by: Jeff Vacirca
Lead Compositor / Visual Effects Artist
Barbershop: The Next Cut (2016)
Directed by: Malcolm D. Lee
Cinematography by: Greg Gardiner
Edited by: Paul Millspaugh
Cameras: Sony PMW-F55 Camera
Visual Effects Artist
'Limitless' Arm-aggedon (2015)
Directed by: Leslie Libman
Cinematography by: Jimmy Lindsey
Edited by: Mark Manos
Visual Effects Artist - 2 Episodes, 2015-2016
Limitless (2015)
Directed by: Douglas Aarniokoski, Peter Werner, Marc Webb, Steven A. Adelson, Joshua Butler, Leslie Libman, Aaron Lipstadt, Guillermo Navarro, Lexi Alexander, John Behring, Holly Dale, Paul A. Edwards, Guy Ferland, Rich Lee, Christine Moore, Edward Ornelas, Maja Vrvilo
Cinematography by: Jimmy Lindsey, Robert Gantz, Larry Reibman, Derick V. Underschultz, Jonathan Sela
Technical Director
Gravity (2013)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera
Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Digital Compositor / Visual Effects Artist - 3 Episodes, 2016
Elementary (2012)
Directed by: Guy Ferland, Christine Moore, John Polson, Ron Fortunato, Seith Mann, Jerry Levine, Larry Teng, Aaron Lipstadt, Lucy Liu, Andrew Bernstein, Sanaa Hamri, Michael Slovis, Michael Pressman, Alex Chapple, Jonny Lee Miller, John David Coles, Peter Werner, Jeremy Webb, Jennifer Lynch, Phil Abraham, Colin Bucksey, Michael Cuesta, Rod Holcomb, David Platt, Rosemary Rodriguez, Adam Davidson, Jean de Segonzac, Helen Shaver, Aidan Quinn, Michael Hekmat, Maja Vrvilo, Jon Michael Hill, Thomas Carter
Cinematography by: Ron Fortunato, Tom Houghton, Roy H. Wagner, Peter Reniers, Mauricio Rubinstein, Nelson Cragg, Carlos Omar Guerra
Edited by: Sondra Watanabe, Gerald Valdez, Jeff Vacirca, Bill Zabala, Victor Du Bois, Joe Hobeck, Sally Anne Schultz, Sang Han, Michelle Fellner
Cameras: ARRI ALEXA Camera
Lead Crowd Technical Director: Cinesite
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Digital Artist
Clash of the Titans (2010)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Massive Technical Director: Framestore
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Visual Effects Artist - 2 Episodes, 2016
Royal Pains (2009)
Directed by: Michael Rauch, Matthew Penn, Jay Chandrasekhar, Emile B. Levisetti, Constantine Makris, Michael W. Watkins, Ed Fraiman, Mark Feuerstein, Allison Liddi-Brown, Don Scardino, Jace Alexander, Tawnia McKiernan, Janice Cooke, Paulo Costanzo, Joe Collins, Dennie Gordon, Ken Whittingham, Charles McClelland, Ken Girotti, Bronwen Hughes, Eric Laneuville, Dennis Smith, Wendey Stanzler, Tricia Brock, Kevin Dowling, Lara Shapiro, Michael B. Silver, Brendan Walsh
Cinematography by: Joe Collins, David S. Tuttman, Jim Denault, Michael Slovis, David M. Dunlap, Michael Caracciolo, Raphy Molinary
Edited by: Charles McClelland, Daniel A. Valverde, Gary Levy, Deborah Moran, Marnee Meyer, Arge O'Neal, Nancy Morrison, Gregory Perler, Matthew S. Nickelson, Michael Berenbaum, Elizabeth Merrick, Jeffrey Wolf, Thom Zimny, Robert Nassau
Cameras: Sony CineAlta F35 Camera
Lenses: Panavision Lenses
Massive Technical Director
Australia (2008)
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
Digital Artist: Framestore
The Dark Knight (2008)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
Editing System: Avid Editing System
Character Rigger / Character Technical Director
Beowulf (2007)
Directed by: Robert Zemeckis
Cinematography by: Robert Presley
Edited by: Jeremiah O'Driscoll
Crowd Simulation Artist
I Am Legend (2007)
Directed by: Francis Lawrence
Cinematography by: Andrew Lesnie
Edited by: Wayne Wahrman
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Lenses
Character Technical Director
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Technical Animator: Rhythm & Hues
Garfield (2004)
Directed by: Peter Hewitt
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Character Rigger: Rhythm & Hues
Flight of the Phoenix (2004)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Don Zimmerman
